This two volume set investigates the theoretical and practical framework that informs scholarship on documentary film that has hitherto neglected questions of gender and female authorship. It examines a wide array of documentary phenomena through global and transnational case studies and interviews. It also place a special emphasis on the nature of both individual and collective filmmaking and the ways in which these dynamics inform documentary work.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Boel Ulfsdotter is an independent fine arts scholar specialised in screen studies, currently affiliated with the Department of Cultural Sciences at the University of Gothenburg, Sweden. Anna Backman Rogers is a senior lecturer in Film Studies at the University of Gothenberg, Sweden.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. This book, like its twin volume Female Authorship and Documentary Strategies, centres on pressing issues in relation to female authorship in contemporary documentary practices. Addressing the politics of representation and authorship both behind and in front of the camera, a range of international scholars now expand the theoretical and practical framework informing the current scholarship on documentary cinema, which has so far neglected questions of gender. Female Authorship and the Documentary Image engages with the relationship between female documentary filmmakers and the documentary image. With a thematic focus on the documentary image directly, within the more traditional arenas of theory and practice and especially within the context of gaze and author theory, the book also considers more philosophical questions of aesthetics, home and identity within the contexts of female subjectivity, globalisation and trauma. The book also includes a dialogue on two key photographers, Hannah Wilke and Jo Spence, as well as an interview with Taiwanese documentary filmmakers Singing Chen and Wuna Wu. Addressing the politics of representation and authorship both behind and in front of the camera, a range of international scholars explore the pressing issues in relation to female authorship in contemporary documentary practices. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781474419444
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Hardback. Etat : New. This book, like its twin volume Female Authorship and Documentary Strategies, centres on pressing issues in relation to female authorship in contemporary documentary practices. Addressing the politics of representation and authorship both behind and in front of the camera, a range of international scholars now expand the theoretical and practical framework informing the current scholarship on documentary cinema, which has so far neglected questions of gender. Female Authorship and the Documentary Image engages with the relationship between female documentary filmmakers and the documentary image. With a thematic focus on the documentary image directly, within the more traditional arenas of theory and practice and especially within the context of gaze and author theory, the book also considers more philosophical questions of aesthetics, home and identity within the contexts of female subjectivity, globalisation and trauma. The book also includes a dialogue on two key photographers, Hannah Wilke and Jo Spence, as well as an interview with Taiwanese documentary filmmakers Singing Chen and Wuna Wu. N° de réf. du vendeur LU-9781474419444
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