Twenty-five years have passed since the fall of the Berlin Wall and the end of communism in Eastern Europe, and ten years have passed since the first formerly communist states entered the EU. An entire post-Wall generation has now entered adulthood, yet scholarship on European cinema still tends to divide the continent along the old Cold War lines. In East, West and Centre the world's leading scholars in the field assemble to consider the ways in which notions such as East and West, national and transnational, central and marginal are being rethought and reframed in contemporary European cinema. Assessing the state of post-1989 European cinema, from (co)production and reception trends to filmic depictions of migration patterns, economic transformations and socio-political debates over the past and the present, they address increasingly intertwined cinema industries that are both central (France, Germany) and marginal (Romania, Bulgaria, Lithuania) in Europe. This is a ground-breaking and essential read, not just for students and scholars in Film and Media Studies, but also for those interested in wider European Studies as well.
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Michael Gott is Assistant Professor of French at the University of Cincinnati, where he teaches courses in European Studies and French-language culture and cinema. He co-edited Open Roads, Closed Borders: the Contemporary French-Language Road Movie (2013) and has published various articles and book chapters on French, Czech, Belgian, and European cinema. Todd Herzog is an Associate Professor and Chair of German Studies at the University of Cincinnati. He is co-editor of the Journal of Austrian Studies. His books include Crime Stories (2009), Rebirth of a Culture (2008, with Hillary Hope Herzog and Benjamin Lapp) and A New Germany in a New Europe (2001, with Sander Gilman).
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Paperback. Etat : new. Paperback. Re-examines notions of East and West in contemporary European cinemaTwenty-five years have passed since the fall of the Berlin Wall and the end of communism in Eastern Europe, and ten years have passed since the first formerly communist states entered the E.U. An entire post-Wall generation has now entered adulthood, yet scholarship on European cinema still tends to divide the continent along the old Cold War lines.In East West and Centre the world's leading scholars in the field assemble to consider the ways in which notions such as East and West, national and transnational, central and marginal are being rethought and reframed in contemporary European cinema. Assessing the state of post-1989 European cinema, from (co)production and reception trends to filmic depictions of migration patterns, economic transformations and socio-political debates over the past and the present, they address increasingly intertwined cinema industries that are both central (France and Germany) and marginal in Europe (Romania, Bulgaria, Lithuania).This is a ground-breaking and essential read, not just for students and scholars in film and media studies, but also for those interested in wider European studies as well. Advanced students and scholars in European Film Studies Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781474420921
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Paperback. Etat : New. Re-examines notions of East and West in contemporary European cinemaTwenty-five years have passed since the fall of the Berlin Wall and the end of communism in Eastern Europe, and ten years have passed since the first formerly communist states entered the E.U. An entire post-Wall generation has now entered adulthood, yet scholarship on European cinema still tends to divide the continent along the old Cold War lines.In East West and Centre the world's leading scholars in the field assemble to consider the ways in which notions such as East and West, national and transnational, central and marginal are being rethought and reframed in contemporary European cinema. Assessing the state of post-1989 European cinema, from (co)production and reception trends to filmic depictions of migration patterns, economic transformations and socio-political debates over the past and the present, they address increasingly intertwined cinema industries that are both central (France and Germany) and marginal in Europe (Romania, Bulgaria, Lithuania).This is a ground-breaking and essential read, not just for students and scholars in film and media studies, but also for those interested in wider European studies as well. N° de réf. du vendeur LU-9781474420921
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