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Synopsis
This book discovers within early modern revenge tragedy the surprising shaping presence of a wide array of classical philosophies not commonly affiliated with the genre. By recovering the pervasive influence of Aristotelian faculty psychology on The Spanish Tragedy, Aristotelian ethics on Titus Andronicus, Lucretian atomism on Hamlet, Galenic pneumatics on Antonio's Revenge and Epictetian Stoicism on The Duchess of Malfi, Crosbie reveals how the very atmospheres and ontological assumptions of revenge tragedy exert their own kind of conditioning dramaturgical force. The book also revitalises our understanding of how the Renaissance stage, even at its most lurid, functions as a unique space for the era's practical, vernacular engagement with received philosophy.
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À propos de l'auteur
Christopher Crosbie is Associate Professor of English at North Carolina State University where he teaches Shakespearean drama.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Revenge Tragedy and Classical Philo
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Revenge Tragedy and Classical Philosophy on the Early Modern Stage
Edité par
Edinburgh University Press, 2018
ISBN 10 : 1474440266
ISBN 13 : 9781474440264
Neuf
Couverture rigide
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Revenge Tragedy and Classical Philosophy on the Early Modern Stage (Hardcover)
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ISBN 10 : 1474440266
ISBN 13 : 9781474440264
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Hardcover. Etat : new. Hardcover. Examines the influence of classical philosophy on revenge narratives by Shakespeare and his contemporariesThis book discovers within early modern revenge tragedy the surprising shaping presence of a wide array of classical philosophies not commonly affiliated with the genre. By recovering the pervasive influence of Aristotelian faculty psychology on The Spanish Tragedy, Aristotelian ethics on Titus Andronicus, Lucretian atomism on Hamlet, Galenic pneumatics on Antonio's Revenge and Epictetian Stoicism on The Duchess of Malfi, Crosbie reveals how the very atmospheres and ontological assumptions of revenge tragedy exert their own kind of conditioning dramaturgical force. The book also revitalises our understanding of how the Renaissance stage, even at its most lurid, functions as a unique space for the era's practical, vernacular engagement with received philosophy.Key FeaturesAnalyzes the twentieth-century development of revenge tragedy as a genre, and diagnoses the roots of modern criticism's tendency to treat most philosophy as estranged from the violent work of revengeProvides fresh readings of five plays central to the revenge tragedy genre, paying close attention to the conditioning influence of classical philosophy on their narratives of retributionReveals how revenge tragedy's distinctive 'moods' or 'atmospheres' emerge from fully-realized sets of ontological assumptions which help shape reception of retribution on the early modern stageDevelops new reception histories for five classical philosophical doctrines, revealing their currency and, what's more, radical adaptability within early modern England This book discovers within early modern revenge tragedy the surprising shaping presence of a wide array of classical philosophies not commonly affiliated with the genre. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781474440264
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Revenge Tragedy and Classical Philosophy on the Early Modern Stage (Edinburgh Critical Studies in Shakespeare and Philosophy)
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Edinburgh University Press, 2018
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ISBN 13 : 9781474440264
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Revenge Tragedy and Classical Philosophy on the Early Modern Stage
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Edinburgh University Press, 2018
ISBN 10 : 1474440266
ISBN 13 : 9781474440264
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Couverture rigide
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Revenge Tragedy and Classical Philosophy on the Early Modern Stage
Edité par
Edinburgh University Press, 2018
ISBN 10 : 1474440266
ISBN 13 : 9781474440264
Neuf
Couverture rigide
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Revenge Tragedy and Classical Philosophy on the Early Modern Stage
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ISBN 13 : 9781474440264
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Hardback. Etat : New. Examines the influence of classical philosophy on revenge narratives by Shakespeare and his contemporariesThis book discovers within early modern revenge tragedy the surprising shaping presence of a wide array of classical philosophies not commonly affiliated with the genre. By recovering the pervasive influence of Aristotelian faculty psychology on The Spanish Tragedy, Aristotelian ethics on Titus Andronicus, Lucretian atomism on Hamlet, Galenic pneumatics on Antonio's Revenge and Epictetian Stoicism on The Duchess of Malfi, Crosbie reveals how the very atmospheres and ontological assumptions of revenge tragedy exert their own kind of conditioning dramaturgical force. The book also revitalises our understanding of how the Renaissance stage, even at its most lurid, functions as a unique space for the era's practical, vernacular engagement with received philosophy.Key FeaturesAnalyzes the twentieth-century development of revenge tragedy as a genre, and diagnoses the roots of modern criticism's tendency to treat most philosophy as estranged from the violent work of revengeProvides fresh readings of five plays central to the revenge tragedy genre, paying close attention to the conditioning influence of classical philosophy on their narratives of retributionReveals how revenge tragedy's distinctive 'moods' or 'atmospheres' emerge from fully-realized sets of ontological assumptions which help shape reception of retribution on the early modern stageDevelops new reception histories for five classical philosophical doctrines, revealing their currency and, what's more, radical adaptability within early modern England. N° de réf. du vendeur LU-9781474440264
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Revenge Tragedy and Classical Philosophy on the Early Modern Stage
Edité par
Edinburgh University Press, GB, 2018
ISBN 10 : 1474440266
ISBN 13 : 9781474440264
Neuf
Couverture rigide
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
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Hardback. Etat : New. Examines the influence of classical philosophy on revenge narratives by Shakespeare and his contemporariesThis book discovers within early modern revenge tragedy the surprising shaping presence of a wide array of classical philosophies not commonly affiliated with the genre. By recovering the pervasive influence of Aristotelian faculty psychology on The Spanish Tragedy, Aristotelian ethics on Titus Andronicus, Lucretian atomism on Hamlet, Galenic pneumatics on Antonio's Revenge and Epictetian Stoicism on The Duchess of Malfi, Crosbie reveals how the very atmospheres and ontological assumptions of revenge tragedy exert their own kind of conditioning dramaturgical force. The book also revitalises our understanding of how the Renaissance stage, even at its most lurid, functions as a unique space for the era's practical, vernacular engagement with received philosophy.Key FeaturesAnalyzes the twentieth-century development of revenge tragedy as a genre, and diagnoses the roots of modern criticism's tendency to treat most philosophy as estranged from the violent work of revengeProvides fresh readings of five plays central to the revenge tragedy genre, paying close attention to the conditioning influence of classical philosophy on their narratives of retributionReveals how revenge tragedy's distinctive 'moods' or 'atmospheres' emerge from fully-realized sets of ontological assumptions which help shape reception of retribution on the early modern stageDevelops new reception histories for five classical philosophical doctrines, revealing their currency and, what's more, radical adaptability within early modern England. N° de réf. du vendeur LU-9781474440264
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Revenge Tragedy and Classical Philosophy on the Early Modern Stage (Edinburgh Critical Studies in Shakespeare and Philosophy)
Edité par
Edinburgh University Press, 2018
ISBN 10 : 1474440266
ISBN 13 : 9781474440264
Neuf
Couverture rigide
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Revenge Tragedy and Classical Philosophy on the Early Modern Stage
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Edinburgh University Press, 2018
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ISBN 13 : 9781474440264
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