This is the first book-length study to examine the enduring popularity of block-buster films based on DC or Marvel superhero comics properties. It argues that the success of superhero movies is rooted in aesthetic practices unavailable to other types of film, and suggests that the multi-dimensional seriality of these movies, combining practices of serialisation, adaptation, and transmedia storytelling, endows them with an unmatched potential to engage audiences over time and to actively intervene in the discourses of online fandom. The book develops a critical theory of digital-era popular seriality, examining the narrative strategies of superhero movies and their evolution, from 1978's Superman to 2018's Avengers: Infinity War and beyond. It discusses textual and extra-textual practices of fan mobilisation, and considers the genre's shared political imaginary and its purchase on contemporary political debates.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Felix Brinker is a Postdoctoral Research Fellow in the English Department at Leibniz University Hannover
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Very Good. 13. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 67682179-20
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Hardcover. Etat : new. Hardcover. This is the first book-length study to examine the enduring popularity of block-buster films based on DC or Marvel superhero comics properties. It argues that the success of superhero movies is rooted in aesthetic practices unavailable to other types of film, and suggests that the multi-dimensional seriality of these movies, combining practices of serialisation, adaptation, and transmedia storytelling, endows them with an unmatched potential to engage audiences over time and to actively intervene in the discourses of online fandom. The book develops a critical theory of digital-era popular seriality, examining the narrative strategies of superhero movies and their evolution, from 1978s Superman to 2018s Avengers: Infinity War and beyond. It discusses textual and extra-textual practices of fan mobilisation, and considers the genres shared political imaginary and its purchase on contemporary political debates. Explores the huge commercial success of contemporary superhero blockbusters and develops a critical theory of digital-era popular seriality Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781474485180
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HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FV-9781474485180
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Vendeur : Rarewaves USA, HEBRON, KY, Etats-Unis
Hardback. Etat : New. This is the first book-length study to examine the enduring popularity of block-buster films based on DC or Marvel superhero comics properties. It argues that the success of superhero movies is rooted in aesthetic practices unavailable to other types of film, and suggests that the multi-dimensional seriality of these movies, combining practices of serialisation, adaptation, and transmedia storytelling, endows them with an unmatched potential to engage audiences over time and to actively intervene in the discourses of online fandom. The book develops a critical theory of digital-era popular seriality, examining the narrative strategies of superhero movies and their evolution, from 1978's Superman to 2018's Avengers: Infinity War and beyond. It discusses textual and extra-textual practices of fan mobilisation, and considers the genre's shared political imaginary and its purchase on contemporary political debates. N° de réf. du vendeur LU-9781474485180
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