Offers the first first book-length study of Mary Harron's career and works Argues that Harron's work has a distinguishing approach to stylistic and aesthetic choices prompted by cultural contexts, controversial subject matter and production limitations Explores her depiction of masculinity, patriarchy, feminism, and biopic genre Positions Harron's filmmaking as a diverse, challenging body of work that is contextualized within contemporary industry practicesMary Harron's diverse career includes cult films like I Shot Andy Warhol, American Psycho and The Notorious Bettie Page, as well as a range of network and cable television episodes. This is the first book to examine an overlooked filmmaker in relation to feminist cinema. It discusses the dialectical dynamics within her wide-ranging body of work, and it argues that Harron's work has a distinguishing approach to stylistic and aesthetic choices prompted by cultural contexts, controversial subject matter and production limitations. Each chapter provides an in-depth study on Harron's creative approaches to film and television production, with chapters offering close readings of each of her 5 narrative features, and her work in television and promotional film. With scholarly approaches from the fields of cinema, television, gender, fashion, death and celebrity studies, this is a long-awaited introduction to a groundbreaking figure in contemporary cinema.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Kyle Barrett is a Lecturer and filmmaker in Screen and Media Studies at the University of Waikato, New Zealand.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Mary Harron's diverse career includes cult films like I Shot Andy Warhol, American Psycho and The Notorious Bettie Page, as well as a range of network and cable television episodes. This is the first book to examine an overlooked filmmaker in relation to feminist cinema. It discusses the dialectical dynamics within her wide-ranging body of work, and it argues that Harron's work has a distinguishing approach to stylistic and aesthetic choices prompted by cultural contexts, controversial subject matter and production limitations. Each chapter provides an in-depth study on Harron's creative approaches to film and television production, with chapters offering close readings of each of her 5 narrative features, and her work in television and promotional film. With scholarly approaches from the fields of cinema, television, gender, fashion, death and celebrity studies, this is a long-awaited introduction to a groundbreaking figure in contemporary cinema. Offers the first first book-length study of MaryHarron's career and works. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781474494427
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Paperback. Etat : New. Offers the first first book-length study of Mary Harron's career and worksArgues that Harron's work has a distinguishing approach to stylistic and aesthetic choices prompted by cultural contexts, controversial subject matter and production limitationsExplores her depiction of masculinity, patriarchy, feminism, and biopic genrePositions Harron's filmmaking as a diverse, challenging body of work that is contextualized within contemporary industry practicesMary Harron's diverse career includes cult films like I Shot Andy Warhol, American Psycho and The Notorious Bettie Page, as well as a range of network and cable television episodes. This is the first book to examine an overlooked filmmaker in relation to feminist cinema. It discusses the dialectical dynamics within her wide-ranging body of work, and it argues that Harron's work has a distinguishing approach to stylistic and aesthetic choices prompted by cultural contexts, controversial subject matter and production limitations.Each chapter provides an in-depth study on Harron's creative approaches to film and television production, with chapters offering close readings of each of her 5 narrative features, and her work in television and promotional film. With scholarly approaches from the fields of cinema, television, gender, fashion, death and celebrity studies, this is a long-awaited introduction to a groundbreaking figure in contemporary cinema. N° de réf. du vendeur LU-9781474494427
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Paperback. Etat : New. Offers the first first book-length study of Mary Harron's career and worksArgues that Harron's work has a distinguishing approach to stylistic and aesthetic choices prompted by cultural contexts, controversial subject matter and production limitationsExplores her depiction of masculinity, patriarchy, feminism, and biopic genrePositions Harron's filmmaking as a diverse, challenging body of work that is contextualized within contemporary industry practicesMary Harron's diverse career includes cult films like I Shot Andy Warhol, American Psycho and The Notorious Bettie Page, as well as a range of network and cable television episodes. This is the first book to examine an overlooked filmmaker in relation to feminist cinema. It discusses the dialectical dynamics within her wide-ranging body of work, and it argues that Harron's work has a distinguishing approach to stylistic and aesthetic choices prompted by cultural contexts, controversial subject matter and production limitations.Each chapter provides an in-depth study on Harron's creative approaches to film and television production, with chapters offering close readings of each of her 5 narrative features, and her work in television and promotional film. With scholarly approaches from the fields of cinema, television, gender, fashion, death and celebrity studies, this is a long-awaited introduction to a groundbreaking figure in contemporary cinema. N° de réf. du vendeur LU-9781474494427
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