Examines how the tropes of Pop Art are expressed in film
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Glyn Davis is Professor of Film Studies at the University of St Andrews. He is the author of Queer as Folk (2007) and the co-editor of Queer TV (2008).
Tom Day is Executive Director of the New American Cinema Group/The Film-Makers’ Cooperative in New York City.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Pop Cinema is the first book devoted to moving image works which engage with the central thematics and aesthetics of Pop Art.The essays in the collection focus in on the core concerns of Pop as a widespread and ideologically complex art movement, and examine the ways in which artists in various global locations have used forms of film practice outside of the mainstream to explore those preoccupations. The book's contributors also identify the ways in which dominant Pop aesthetics flat planes of bold colour, mechanical forms of repetition, appropriation of materials from popular culture sources were adopted, reworked, or abandoned by such filmmakers. At root, the book asks three basic questions: what shapes might a Pop form of cinema take, what materials would it engage with, and what might it have to say? Examines how the tropes of Pop Art are expressed in film. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781474497916
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Paperback. Etat : New. Pop Cinema is the first book devoted to moving image works which engage with the central thematics and aesthetics of Pop Art. The essays in the collection focus in on the core concerns of Pop as a widespread and ideologically complex art movement, and examine the ways in which artists in various global locations have used forms of film practice outside of the mainstream to explore those preoccupations. The book's contributors also identify the ways in which dominant Pop aesthetics - flat planes of bold colour, mechanical forms of repetition, appropriation of materials from popular culture sources - were adopted, reworked, or abandoned by such filmmakers. At root, the book asks three basic questions: what shapes might a Pop form of cinema take, what materials would it engage with, and what might it have to say? N° de réf. du vendeur LU-9781474497916
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Etat : New. 2026. paperback. . . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781474497916
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