The Library Book - Couverture rigide

Orlean, Susan

Couverture rigide

ISBN 10 : 1476740186 ISBN 13 : 9781476740188

Editeur : Simon & Schuster, 2018

A propos du livre

Extrait

The Library Book 1.

Stories to Begin On (1940)

By Bacmeister, Rhoda W.

X 808 B127

Begin Now—To Enjoy Tomorrow (1951)

By Giles, Ray

362.6 G472

A Good Place to Begin (1987)

By Powell, Lawrence Clark

027.47949 P884

To Begin at the Beginning (1994)

By Copenhaver, Martin B.

230 C782

Even in Los Angeles, where there is no shortage of remarkable hairdos, Harry Peak attracted attention. “He was very blond. Very, very blond,” his lawyer said to me, and then he fluttered his hand across his forehead, performing a pantomime of Peak’s heavy swoop of bangs. Another lawyer, who questioned Peak in a deposition, remembered his hair very well. “He had a lot of it,” she said. “And he was very definitely blond.” An arson investigator I met described Peak entering a courtroom “with all that hair,” as if his hair existed independently.

Having a presence mattered a great deal to Harry Omer Peak. He was born in 1959, and grew up in Santa Fe Springs, a town in the paddle-flat valley less than an hour southeast of Los Angeles, hemmed in by the dun-colored Santa Rosa Hills and a looming sense of monotony. It was a place that offered the soothing uneventfulness of conformity, but Harry longed to stand out. As a kid, he dabbled in the minor delinquencies and pranks that delighted an audience. Girls liked him. He was charming, funny, dimpled, daring. He could talk anyone into anything. He had a gift for drama and invention. He was a storyteller, a yarn-spinner, and an agile liar; he was good at fancying up facts to make his life seem less plain and mingy. According to his sister, he was the biggest bullshitter in the world, so quick to fib and fabricate that even his own family didn’t believe a word he said.

The closeness of Hollywood’s constant beckoning, combined with his knack for performance, meant, almost predictably, that Harry Peak decided to become an actor. After he finished high school and served a stint in the army, Harry moved to Los Angeles and started dreaming. He began dropping the phrase “when I’m a movie star” into his conversations. He always said “when” and not “if.” For him, it was a statement of fact rather than speculation.

Although they never actually saw him in any television shows or movies, his family was under the impression that during his time in Hollywood, Harry landed some promising parts. His father told me Harry was on a medical show—maybe General Hospital—and that he had roles in several movies, including The Trial of Billy Jack. IMDb—the world’s largest online database for movies and television—lists a Barry Peak, a Parry Peak, a Harry Peacock, a Barry Pearl, and even a Harry Peak of Plymouth, England, but there is nothing at all listed for a Harry Peak of Los Angeles. As far as I can tell, the only time Harry Peak appeared on screen was on the local news in 1987, after he was arrested for setting the Los Angeles Central Library on fire, destroying almost half a million books and damaging seven hundred thousand more. It was one of the biggest fires in the history of Los Angeles, and it was the single biggest library fire in the history of the United States.



Central Library, which was designed by the architect Bertram Goodhue and opened in 1926, is in the middle of downtown Los Angeles, at the corner of Fifth Street and Flower, on the downslope of a rise once known as Normal Hill. The hill used to be higher, but when it was chosen as the site of the library, the summit was clawed off to make it more buildable. At the time the library opened, this part of downtown Los Angeles was a busy neighborhood of top-heavy, half-timbered Victorians teetering on the flank of the hills. These days, the houses are gone, and the neighborhood consists of dour, dark office towers standing shoulder to shoulder, casting long shafts of shade across what is left of the hill. Central Library is an entire city block wide, but it is only eight stories high, making it sort of ankle-height compared to these leggy office towers. It projects a horizontality that it probably didn’t in 1926, when it debuted as the high point in what was then a modest, mostly four-story-tall city center.

The library opens at ten A.M., but by daybreak there are always people hovering nearby. They lean against every side of the building, or perch half on and half off the low stone walls around the perimeter, or array themselves in postures of anticipation in the garden northwest of the main entrance, from which they can maintain a view of the front door. They watch the door with unrewarded vigilance, since there is no chance that the building will open earlier than scheduled. One recent warm morning, the people in the garden were clustered under the canopy of trees, and beside the long, trickling watercourse that seemed to emit a small breath of chilled air. Rolling suitcases and totes and book bags were stashed here and there. Pigeons the color of concrete marched in a bossy staccato around the suitcases. A thin young man in a white dress shirt, a hint of sweat ringing his underarms, wobbled on one foot, gripping a file folder under his arm while trying to fish a cell phone out of his back pocket. Behind him, a woman with a sagging yellow backpack sat on the edge of a bench, leaning forward, eyes closed, hands clasped; I couldn’t tell if she was napping or praying. Near her stood a man wearing a bowler hat and a too-small T-shirt that revealed a half-moon of shiny pink belly. Two women holding clipboards herded a small, swirling group of kids toward the library’s front door. I wandered over to the corner of the garden, where two men sitting by the World Peace Bell were debating a meal they’d apparently shared.

“You have to admit that garlic dressing was good,” one of the men was saying.

“I don’t eat salad.”

“Oh, come on, man, everyone eats salad!”

“Not me.” Pause. “I love Dr Pepper.”

Between each volley of their conversation, the men cast glances at the main entrance of the library, where a security guard was sitting. One of the doors was open, and the guard sat just inside, visible to anyone passing by. The open door was an irresistible conversation starter. One person after another approached the guard, and he deflected them without even blinking an eye:

“Is the library open yet?”

“No, it’s not open.”

Next: “Ten A.M.”

Next: “You’ll know when it’s time.”

Next: “No, not open yet.”

Next: “Ten A.M., man”—shaking his head and rolling his eyes—“ten A.M., like it says on the sign.”

Every few minutes, one of the people approaching the guard flashed an identification badge and was waved in, because the library was actually already in gear, humming with staff members who were readying it for the day. The shipping department had been at work since dawn, packing tens of thousands of books into plastic bins. These were books requested at one of the city’s seventy-three libraries, or that had been returned to one in which they didn’t belong and were being repatriated, or they were brand-new books that had been just cataloged at Central Library and were now on their way to one of the branches. Security guards are at the library around the clock; the guards on duty had started their shift at six A.M. Matthew Mattson, who runs the library’s website, had been at his desk in the basement for an hour, watching the number of website visits surge as the morning advanced.

In each of the eight subject departments throughout the building, librarians and clerks were tidying shelves, checking new books, and beginning the business of the day. The reading tables and carrels were empty, each chair tucked under each table, all enfolded in a quiet even deeper than the usual velvety quiet of the library. In the History Department, a young librarian named Llyr Heller sorted through a cart of books, weeding out the ones that were damaged or deeply unloved. When she finished, she pulled out a list of books the department wanted to order, checking to make sure they weren’t already in the collection. If they passed that test, she would look at reviews and librarian tip sheets to make sure they warranted buying.

In the Children’s Department, children’s librarians from around the city were gathered in the puppet theater for their regular meeting. The topic being discussed was how to run an effective story time. The thirty full-size adult humans who were wedged into the tiny seats of the theater listened to the presentation with rapt attention. “Use an appropriate-sized teddy bear,” the librarian running the session was saying as I walked in. “I had been using one I thought was the size of a baby, but I was wrong—it was the size of a very premature baby.” She pointed to a bulletin board that was covered with felt. “Don’t forget, flannel boards are wonderful,” she said. “You may want to use them for things like demonstrating penguins getting dressed. You can also hide things inside them, like rabbits and noses.”

Upstairs, Robert Morales, the library’s budget director, and Madeleine Rackley, the business manager, were talking about money with John Szabo, who holds the job of Los Angeles city librarian, in charge of all the libraries in Los Angeles. Just below them, the main clock clicked toward ten, and Selena Terrazas, who is one of Central Library’s three principal librarians, stationed herself at the center axis of the lobby so she could keep watch over the morning rush when the doors officially opened.

There was a sense of stage business—that churn of activity you can’t hear or see but you feel at a theater in the instant before the curtain rises—of people finding their places and things being set right, before the burst of action begins. The library entrances have been thrown open thousands of times since 1859, the year that a public library first existed in Los Angeles. Yet every time the security guard hollers out that the library has opened, there is a quickening in the air and the feeling that something significant is about to unfold—the play is about to begin. This particular morning, Selena Terrazas checked her watch, and the head of security, David Aguirre, checked his as well, and then Aguirre radioed the guard at the entrance to give the all-clear. After a moment, the guard clambered off his stool and pushed the door open, letting the buttery light of the California morning spill into the entry.

A puff of outside air wafted in and down the hall. Then, in an instant, people poured in—the hoverers, who bolted from their posts in the garden, and the wall-sitters, and the morning fumblers, and the school groups, and the businesspeople, and the parents with strollers heading to story time, and the students, and the homeless, who rushed straight to the bathrooms and then made a beeline to the computer center, and the scholars, and the time-wasters, and the readers, and the curious, and the bored—all clamoring for The Dictionary of Irish Artists or The Hero with a Thousand Faces or a biography of Lincoln or Pizza Today magazine or The Complete Book of Progressive Knitting or photographs of watermelons in the San Fernando Valley taken in the 1960s or Harry Potter—always, Harry Potter—or any one of the millions of books, pamphlets, maps, musical scores, newspapers, and pictures the library holds in store. They were a rivering flow of humanity, a gush, and they were looking for baby-name guides, and biographies of Charles Parnell, and maps of Indiana, and suggestions from a librarian for a novel that was romantic but not corny; they were picking up tax information and getting tutored in English and checking out movies and tracing their family history. They were sitting in the library, just because it was a pleasant place to sit, and sometimes they were doing things that had nothing to do with the library. On this particular morning, in Social Sciences, a woman at one of the reading tables was sewing beads onto the sleeve of a cotton blouse. In one of the carrels in History, a man in a pin-striped suit who had books on his desk but wasn’t reading held a bag of Doritos under the lip of the table. He pretended to muffle a cough each time he ate a chip.



I grew up in libraries, or at least it feels that way. I was raised in the suburbs of Cleveland, just a few blocks from the brick-faced Bertram Woods branch of the Shaker Heights Public Library system. Throughout my childhood, starting when I was very young, I went there several times a week with my mother. On those visits, my mother and I walked in together but as soon as we passed through the door, we split up and each headed to our favorite section. The library might have been the first place I was ever given autonomy. Even when I was maybe four or five years old, I was allowed to head off on my own. Then, after a while, my mother and I reunited at the checkout counter with our finds. Together we waited as the librarian at the counter pulled out the date card and stamped it with the checkout machine—that giant fist thumping the card with a loud chunk-chunk, printing a crooked due date underneath a score of previous crooked due dates that belonged to other people, other times.

Our visits to the library were never long enough for me. The place was so bountiful. I loved wandering around the bookshelves, scanning the spines until something happened to catch my eye. Those visits were dreamy, frictionless interludes that promised I would leave richer than I arrived. It wasn’t like going to a store with my mom, which guaranteed a tug-of-war between what I wanted and what my mother was willing to buy me; in the library I could have anything I wanted. After we checked out, I loved being in the car and having all the books we’d gotten stacked on my lap, pressing me under their solid, warm weight, their Mylar covers sticking a bit to my thighs. It was such a thrill leaving a place with things you hadn’t paid for; such a thrill anticipating the new books we would read. On the ride home, my mom and I talked about the order in which we were going to read our books and how long until they had to be returned, a solemn conversation in which we decided how to pace ourselves through this charmed, evanescent period of grace until the books were due. We both thought all of the librarians at the Bertram Woods Branch Library were beautiful. For a few minutes we would discuss their beauty. My mother then always mentioned that if she could have chosen any profession at all, she would have chosen to be a librarian, and the car would grow silent for a moment as we both considered what an amazing thing that would have been.

When I was older, I usually walked to the library myself, lugging back as many books as I could carry. Occasionally, I did go with my mother, and the trip would be as enchanted as it was when I was small. Even when I was in my last year of high school and could drive myself to the library, my mother and I still went together now and then, and the trip unfolded exactly as it did when I was a child, with all the same beats and pauses and comments and reveries, the same perfect pensive rhythm we followed so many times before. When I miss my mother these days, now that she is gone, I like to picture us in the car together, going for one more magnificent trip to Bertram Woods.



My family was big on the library. We were very much a reading family, but we were a borrow-a-book-from-the-library family more than a...

Revue de presse

“Moving . . . A constant pleasure to read . . . Everybody who loves books should check out The Library Book. . . . Orlean, a longtime New Yorker writer, has been captivating us with human stories for decades, and her latest book is a wide-ranging, deeply personal, and terrifically engaging investigation of humanity’s bulwark against oblivion: the library. . . . As a narrator, Orlean moves like fire herself, with a pyrotechnic style that smolders for a time over some ancient bibliographic tragedy, leaps to the latest technique in book restoration, and then illuminates the story of a wildly eccentric librarian. Along the way, we learn how libraries have evolved, responded to depressions and wars, and generally thrived despite a constant struggle for funds. Over the holidays, every booklover in America is going to give or get this book. . . . You can’t help but finish The Library Book and feel grateful that these marvelous places belong to us all.”
—Ron Charles, The Washington Post

“A sheer delight. . . . Orlean has created a book as rich in insight and as varied as the treasures contained on the shelves in any local library.”
—Chris Woodyard, USA Today

“Exquisitely written, consistently entertaining . . . A loving tribute not just to a place or an institution but to an idea . . . What makes The Library Book so enjoyable is the sense of discovery that propels it, the buoyancy when Orlean is surprised or moved by what she finds. . . . Her depiction of the Central Library fire on April 29, 1986, is so rich with specifics that it’s like a blast of heat erupting from the page. . . . The Library Book is about the fire and the mystery of how it started—but in some ways that’s the least of it. It’s also a history of libraries, and of a particular library, as well as the personal story of Orlean and her mother, who was losing her memory to dementia while Orlean was retrieving her own memories by writing this book.”
—Jennifer Szalai, The New York Times

“Captivating . . . A delightful love letter to public libraries . . . In telling the story of this one library, Orlean reminds readers of the spirit of them all, their mission to welcome and equalize and inform, the wonderful depths and potential that they—and maybe all of us, as well—contain. . . . In other hands the book would have been a notebook dump, packed with random facts that weren’t germane but felt too hard-won or remarkable to omit. Orlean’s lapidary skills include both unearthing the data and carving a storyline out of the sprawl, piling up such copious and relevant details that I wondered how many mountains of research she discarded for each page of jewels.”
—Rebekah Denn, Christian Science Monitor

“A flitting and meandering masterpiece . . . Compelling and undeniably riveting . . . This is a joyful book, and among its many pleasures is the reader’s ability to palpate the author’s thrill as she zooms down from stratospheric viewings of history, to viscerally detailed observations of events and people, and finally to the kind of irresistibly offbeat facts that create an equally irresistible portrait of the author herself.”
—J. C. Hallman, San Francisco Chronicle

“Vivid . . . Compelling . . . Ms. Orlean interweaves a memoir of her life in books, a whodunit, a history of Los Angeles, and a meditation on the rise and fall and rise of civic life in the United States. . . . By turns taut and sinuous, intimate and epic, Ms. Orlean’s account evokes the rhythms of a life spent in libraries . . . bringing to life a place and an institution that represents the very best of America: capacious, chaotic, tolerant and even hopeful, with faith in mobility of every kind, even, or perhaps especially, in the face of adversity.”
—Jane Kamenski, The Wall Street Journal

“[A] loving encomium to libraries everywhere.”
—Sue Halpern, The New York Review of Books

“A lovely book . . . Susan Orlean has once again found rich material where no one else has bothered to look for it. . . . Once again, she’s demonstrated that the feelings of a writer, if that writer is sufficiently talented and her feelings sufficiently strong, can supply her own drama. You really never know how seriously interesting a subject might be until such a person takes a serious interest in it.”
—Michael Lewis, New York Times Book Review

“A book lover’s dream . . . This is an ambitiously researched, elegantly written book that serves as a portal into a place of history, drama, culture, and stories.”
—Jeffrey Ann Goudie, Minneapolis Star Tribune

“When Susan Orlean fishes for a story, she reels in a hidden world. And so the latest delightful trawl from the author of Rin Tin Tin and The Orchid Thief starts with the tale of the 1986 fire that damaged or destroyed 700,000 books in the Los Angeles Central Library. But The Library Book pans out quickly to the fractious, eccentric history of the institution and then, almost inevitably, a reflection on the past, present, and future of libraries in America. Orlean follows the narrative in all directions, juxtaposing the hunt for the library arsonist—possibly a frustrated actor—with a philosophical treatise on why and how libraries became the closest thing many of us experience to a town hall.”
—Hillary Kelly, New York Magazine

Détails de l'édition

• Éditeur: Simon & Schuster
• Date d'édition: 2018
• ISBN 10: 1476740186
• ISBN 13: 9781476740188
• Reliure: Relié
• Langue: anglais
• Nombre de pages: 336