Emerging as multifaceted cultural activism, the minjung (people’s) art movement defined the aesthetics of the pro-democracy movements in the 1970s and 1980s in South Korea. Tracing minjung art’s history and legacy, Sohl Lee explores how artists associated with the movement mobilized images, print, and performance to build movement publics and reimagine sovereignty. Hundreds of artists questioned the underlying assumptions of liberal democracies and the art-making practices of the global Cold War. Their decolonial critiques of international modernism were inseparable from reimagining democracy and refiguring the relationship between art and democracy. Recuperating overlooked performance-oriented practices and the protest aesthetics that helped usher in parliamentary democracy in 1987, Lee shows that South Korea’s globalization in the 1990s and its rise as cultural soft power in the new millennium cannot be understood apart from a pro-democracy culture that was both political and popular.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Sohl Lee is Associate Professor of Art History at Stony Brook University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Emerging as multifaceted cultural activism, the minjung (people's) art movement defined the aesthetics of the pro-democracy movements in the 1970s and 1980s in South Korea. Tracing minjung art's history and legacy, Sohl Lee explores how artists associated with the movement mobilized images, print, and performance to build movement publics and reimagine sovereignty. Hundreds of artists questioned the underlying assumptions of liberal democracies and the art-making practices of the global Cold War. Their decolonial critiques of international modernism were inseparable from reimagining democracy and refiguring the relationship between art and democracy. Recuperating overlooked performance-oriented practices and the protest aesthetics that helped usher in parliamentary democracy in 1987, Lee shows that South Korea's globalization in the 1990s and its rise as cultural soft power in the new millennium cannot be understood apart from a pro-democracy culture that was both political and popular. N° de réf. du vendeur LU-9781478033233
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Paperback. Etat : new. Paperback. Emerging as multifaceted cultural activism, the minjung (peoples) art movement defined the aesthetics of the pro-democracy movements in the 1970s and 1980s in South Korea. Tracing minjung arts history and legacy, Sohl Lee explores how artists associated with the movement mobilized images, print, and performance to build movement publics and reimagine sovereignty. Hundreds of artists questioned the underlying assumptions of liberal democracies and the art-making practices of the global Cold War. Their decolonial critiques of international modernism were inseparable from reimagining democracy and refiguring the relationship between art and democracy. Recuperating overlooked performance-oriented practices and the protest aesthetics that helped usher in parliamentary democracy in 1987, Lee shows that South Koreas globalization in the 1990s and its rise as cultural soft power in the new millennium cannot be understood apart from a pro-democracy culture that was both political and popular. Sohl Lee traces how South Korea's minjung art movement of the 1970s and 1980s forged decolonial protest aesthetics that helped galvanize democratization and why its practices continue to resonate with artists and activists today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781478033233
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