This volume presents two classic works by Edgar Allan Poe: "The Tell-Tale Heart" (originally published in 1843) and "The Cask of Amontillado" (originally published in 1847).
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"The Tell-Tale Heart" is a short story by Edgar Allan Poe first published in 1843. It is told by an unnamed narrator who endeavors to convince the reader of his sanity, while describing a murder he committed. (The victim was an old man with a blind "vulture eye", as the narrator calls it.) The murder is carefully calculated, and the murderer hides the body by dismembering it and hiding it under the floorboards. Ultimately the narrator's guilt manifests itself in an auditory hallucination: the narrator hears the man's heart still beating under the floorboards. It is unclear what relationship, if any, the old man and his murderer share. The narrator denies having any feelings of hatred or resentment for the man. He tells us: 'I loved the old man! He had never wronged me! He had never given me insult!'. He also denies the assumption that he killed for greed: 'Object there was none.', 'For his gold I had no desire.' It has been suggested that the old man is a father figure, the narrator's landlord, or that the narrator works for the old man as a servant, and that perhaps his "vulture eye" represents some sort of veiled secret, or power. The ambiguity and lack of details about the two main characters stand in stark contrast to the specific plot details leading up to the murder. The story was first published in James Russell Lowell's The Pioneer in January 1843. "The Tell-Tale Heart" is widely considered a classic of the Gothic fiction genre and is one of Poe's most famous short stories. "The Cask of Amontillado" (sometimes spelled "The Casque of Amontillado") is a short story by Edgar Allan Poe, first published in the November 1846 issue of Godey's Lady's Book. The story is set in a nameless Italian city in an unspecified year and is about the narrator's deadly revenge on a friend whom he believes has insulted him. Like several of Poe's stories, and in keeping with the 19th-century fascination with the subject, the narrative revolves around a person being buried alive—in this case, by immurement. As in "The Black Cat", and "The Tell-Tale Heart", Poe conveys the story through the murderer's perspective.
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