ZOMBIES VS. UNICORNS - Couverture souple

BLACK, HOLLY

Couverture souple

ISBN 10 : 148144283X ISBN 13 : 9781481442831

Editeur : Pocket Books, 2024

Synopsis

It’s a question as old as time itself: which is better, the zombie or the unicorn? This all-original anthology edited by Holly Black (Team Unicorn) and Justine Larbalestier (Team Zombie) makes strong arguments for both sides in the form of spectacular short stories. Half of the stories portray the strengths―for good and evil―of unicorns, and half show the good (and really, really badass) side of zombies. Contributors include many bestselling authors, including Cassandra Clare, Libba Bray, Maureen Johnson, Meg Cabot, Scott Westerfeld, and Margo Lanagan. This anthology will have everyone asking: Team Zombie or Team Unicorn?

A propos du livre

À propos des auteurs

Holly Black is the #1 New York Times bestselling author of fantasy books, including the Elfhame books, The Coldest Girl in Coldtown, The Spiderwick Chronicles, and the Charlatan Duology, as well as an Arthurian picture book called Sir Morien. She has been a finalist for an Eisner Award and a Lodestar Award, and the recipient of a Mythopoeic Award, a Nebula Award, and a Newbery Honor. Her books have been translated into thirty-two languages worldwide and adapted for film and television. She currently lives in New England with her husband, daughter, and son in a house with a secret library. She invites you to visit her online at BlackHolly.com.

Justine Larbalestier is the author of several teen novels, including LIAR, the MAGIC OR MADNESS trilogy, and HOW TO DITCH YOUR FAIRY.  She was born and raised in Sydney, Australia, and she and her husband, Scott Westerfeld, now split their time between Sydney and New York City. Visit Justine at justinelarbalestier.com.

Extrait. © Reproduit sur autorisation. Tous droits réservés.

Zombies vs. Unicorns
“The Highest Justice”
Holly: Legends of unicorns occur all over the world throughout recorded history. From a unicorn in Persia, described in the fourth century as having a long white horn tipped in crimson, to the German unicorn whose single horn broke into branches like a stag, to the fierce Indian unicorn, black-horned and too dangerous to be taken alive. There’s the kirin in Japan, with a deerlike body, a single horn, and a head like a lion or wolf. And there’s the medieval European unicorn, with the beard of a goat and cloven hooves.

No matter the origin, the unicorn is usually thought to be a solitary creature whose very body possesses the power to heal. The legends describe it as elusive and beautiful, fierce and strange.

In fact, such is the mysterious draw of the unicorn that originally the story that follows was meant to be a zombie story. Somehow the power of the unicorn caused the story itself to switch sides.

Garth Nix’s “The Highest Justice” draws on the association between unicorns and kings. The Chinese qilin presaged the death of Emperors. The heraldic unicorn shows up on coats of arms, including the Royal Arms of Scotland and England. And in “The Highest Justice,” a unicorn takes an even more direct interest in a royal family.

Justine: That is so unconvincing. Emperors and kings. Noble families. You’re just saying unicorns are stuck-up snobs. Zombies are the proleteriat. Long live the workers!

Also, your global list of genetic experiments gone wrong (deer with the head of a lion? Talk about top heavy!) prove nothing about unicorn variation. Everyone knows unicorns are all-white or rainbow-colored. Ewww. Zombies come in all races. There is nothing more democratic than zombies!

It’s an outright lie that the power of the unicorn caused the story to switch sides. Garth Nix has always been a unicorn lover! He was supposed to write a zombie-unicorn story. But he messed it up, didn’t he? (Dear Readers, you will notice much messing up from Team Unicorn throughout this anthology.)

Holly: Zombies represent the workers? A seething mass out to get us all, eh? That doesn’t seem so egalitarian.

Détails de l'édition

• Éditeur: Pocket Books
• Date d'édition: 2024
• Langue: anglais
• ISBN 10: 148144283X
• ISBN 13: 9781481442831
• Reliure: Poche
• Nombre de pages: 432
• Coordonnées du fabricant: non disponible
• Personne responsable: Simon and Schuster Netherlands BV; info@simonandschuster.nl; ; Herculesplein 96; Utrecht; 3584 AA; Pays-Bas