On March 15, 2011, Donald Trump changed television forever. The Comedy Central Roast of Trump was the first major live broadcast to place a hashtag in the corner of the screen to encourage real-time reactions on Twitter, generating more than 25,000 tweets and making the broadcast the most-watched Roast in Comedy Central history. The #trumproast initiative personified the media and tech industries’ utopian vision for a multiscreen and communal live TV experience.
In Social TV: Multiscreen Content and Ephemeral Culture, author Cory Barker reveals how the US television industry promised—but failed to deliver—a social media revolution in the 2010s to combat the imminent threat of on-demand streaming video. Barker examines the rise and fall of Social TV across press coverage, corporate documents, and an array of digital ephemera. He demonstrates that, despite the talk of disruption, the movement merely aimed to exploit social media to reinforce the value of live TV in the modern attention economy. Case studies from broadcast networks to tech start-ups uncover a persistent focus on community that aimed to monetize consumer behavior in a transitionary industry period.
To trace these unfulfilled promises and flopped ideas, Barker draws upon a unique mix of personal Social TV experiences and curated archives of material that were intentionally marginalized amid pivots to the next big thing. Yet in placing this now-forgotten material in recent historical context, Social TV shows how the era altered how the industry pursues audiences. Multiscreen campaigns have shifted away from a focus on live TV and toward all-day “content” streams. The legacy of Social TV, then, is the further embedding of media and promotional material onto every screen and into every moment of life.
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Cory Barker is assistant teaching professor in the Bellisario College of Communications at Penn State University. Before Penn State, he was a tenured faculty member in the Department of Communication at Bradley University. Barker's research focuses on media industry convergences, particularly legacy media institutions' use of "new" technology in production, promotion, and distribution strategies. He is coeditor of The Age of Netflix: Critical Essays on Streaming Media, Digital Delivery, and Instant Access and has published articles in Television and New Media, Women's Studies in Communication, and New Review of Film and Television Studies, among others. His work on Social TV, streaming media, and branding has appeared in publications such as The A.V. Club, Complex, TV Guide, TV.com, and Vox. He also writes TV Plus, a free newsletter about television.
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized. N° de réf. du vendeur M1496840933Z3
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
paperback. Etat : Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized. N° de réf. du vendeur M1496840933Z4
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Vendeur : Whitledge Books, Austin, TX, Etats-Unis
Soft cover. Etat : Fine. No Jacket. 1st Edition. SOCIAL TV: MULTISCREEN CONTENT AND EPHEMERAL CULTURE, Cory Barker, softcover, stated first printing, illustrated, 2022. BOOK CONDITION: fine. The text block is in fine condition, with no tears, dogears, or marks. No signature or bookplate of a prior owner. Not a library book or remainder. The wraps are in fine condition. 9 x 6, 261 pages, 15 ounces XX [From the back cover] An engaging study that tracks the rise and fall of television's attempts to capture viewer attention on multiple screens. XX An especially timely volume. SOCIAL TV offers readers a rich archive through which to examine shifts in the TV industry (JENNIFER GILLAN, author of Television Brandcasting: The Return of the Content-Promotion Hybrid). XX SOCIAL TV asks us to imagine a truly immersive viewing environment and redefine what it means to be social in the age of ubiquitous content (PAUL BOOTH, professor of communication at DePaul University and author of Digital Fandom: New Media Studies and Playing Fans: Negotiating Fandom and Media in the Digital Age). XX By interrogating exactly how, when, and why audience activity is valuable to industry in the context of television, SOCIAL TV will be valuable to a wide variety of scholars across fan/audience and media industry studies (MEL STANFILL, author of Exploiting Fandom: How the Media Industry Seeks to Manipulate Fans). XX In Social TV: Multi-Screen Content and Ephemeral Culture, author Cory Barker reveals how the US television industry promised but failed to deliver a social media revolution in the 2010s to combat the imminent threat of on-demand streaming video. To trace these unfulfilled promises and flopped ideas, Barker draws upon a unique mix of personal Social TV experiences and curated archives of material that were intentionally marginalized amid pivots to the next big thing. Yet in placing this now-forgotten material in recent historical context, SOCIAL TV shows how the era altered how the industry pursues audiences. Multi-screen campaigns have shifted away from a focus on live TV and toward all-day content streams. The legacy of Social TV, then, is the further embedding of media and promotional material onto every screen and into every moment of life.XX CORY BARKER is assistant professor of communication at Bradley University. He is co-editor of The Age of Netflix: Critical Essays on Streaming Media, Digital Delivery, and Instant Access, among other collections on media studies. His work on Social TV, streaming video, and branding has appeared in such publications as The A.V. Club, Complex, TV Guide, and Vox. N° de réf. du vendeur 002488
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. On March 15, 2011, Donald Trump changed television forever. The Comedy Central Roast of Trump was the first major live broadcast to place a hashtag in the corner of the screen to encourage real-time reactions on Twitter, generating more than 25,000 tweets and making the broadcast the most-watched Roast in Comedy Central history. The #trumproast initiative personified the media and tech industries' utopian vision for a multiscreen and communal live TV experience. In Social TV: Multiscreen Content and Ephemeral Culture, author Cory Barker reveals how the US television industry promised-but failed to deliver-a social media revolution in the 2010s to combat the imminent threat of on-demand streaming video. Barker examines the rise and fall of Social TV across press coverage, corporate documents, and an array of digital ephemera. He demonstrates that, despite the talk of disruption, the movement merely aimed to exploit social media to reinforce the value of live TV in the modern attention economy. Case studies from broadcast networks to tech start-ups uncover a persistent focus on community that aimed to monetize consumer behavior in a transitionary industry period. To trace these unfulfilled promises and flopped ideas, Barker draws upon a unique mix of personal Social TV experiences and curated archives of material that were intentionally marginalized amid pivots to the next big thing. Yet in placing this now-forgotten material in recent historical context, Social TV shows how the era altered how the industry pursues audiences. Multiscreen campaigns have shifted away from a focus on live TV and toward all-day "content" streams. The legacy of Social TV, then, is the further embedding of media and promotional material onto every screen and into every moment of life. N° de réf. du vendeur LU-9781496840936
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 256 pages. 9.00x6.00x0.69 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __1496840933
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