What defines a “musical work”? Traditionally, this question has been dominated by Western art music and its reliance on prescriptive scores. Yet, with the rise of recording technologies and the growing influence of genres like jazz, pop, and rock, the very foundations of music’s ontology have shifted. In English for the first time, Ontology of the Musical Work: Scored Music, Jazz, Pop, and Rock explores these transformative changes, offering a groundbreaking framework for understanding how music is created, experienced, and valued in contemporary contexts.
This book introduces a new theory of music production—one distinct from the conventional paradigms of writing and orality—that emphasizes the unique characteristics of recorded music. Using this perspective, it critiques the traditional focus on scored music and reimagines the concept of the “musical work,” bridging the divide between Anglophone analytic aesthetics and Continental philosophical traditions.
Ultimately, Ontology of the Musical Work redefines the cultural and aesthetic significance of jazz and popular music, offering fresh insights into their roles within a rapidly evolving musical landscape. A vital contribution to musicology and philosophy, this book equips readers with new tools to understand and appreciate the diverse ways music resonates in our world today.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Laurent Cugny is a musician, musicologist, and jazz specialist. Professor emeritus at Sorbonne University, he has published numerous essays and articles. As a musician, he played and recorded with Gil Evans, directed the French Jazz National Orchestra, and has released fourteen albums under his own name. He is author of Analysis of Jazz: A Comprehensive Approach, published by University Press of Mississippi.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. What defines a "musical work"? Traditionally, this question has been dominated by Western art music and its reliance on prescriptive scores. Yet, with the rise of recording technologies and the growing influence of genres like jazz, pop, and rock, the very foundations of music's ontology have shifted. In English for the first time, Ontology of the Musical Work: Scored Music, Jazz, Pop, and Rock explores these transformative changes, offering a groundbreaking framework for understanding how music is created, experienced, and valued in contemporary contexts. This book introduces a new theory of music production-one distinct from the conventional paradigms of writing and orality-that emphasizes the unique characteristics of recorded music. Using this perspective, it critiques the traditional focus on scored music and reimagines the concept of the "musical work," bridging the divide between Anglophone analytic aesthetics and Continental philosophical traditions. Ultimately, Ontology of the Musical Work redefines the cultural and aesthetic significance of jazz and popular music, offering fresh insights into their roles within a rapidly evolving musical landscape. A vital contribution to musicology and philosophy, this book equips readers with new tools to understand and appreciate the diverse ways music resonates in our world today. N° de réf. du vendeur LU-9781496861047
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Paperback. Etat : new. Paperback. What defines a "musical work"? Traditionally, this question has been dominated by Western art music and its reliance on prescriptive scores. Yet, with the rise of recording technologies and the growing influence of genres like jazz, pop, and rock, the very foundations of musics ontology have shifted. In English for the first time, Ontology of the Musical Work: Scored Music, Jazz, Pop, and Rock explores these transformative changes, offering a groundbreaking framework for understanding how music is created, experienced, and valued in contemporary contexts. This book introduces a new theory of music productionone distinct from the conventional paradigms of writing and oralitythat emphasizes the unique characteristics of recorded music. Using this perspective, it critiques the traditional focus on scored music and reimagines the concept of the "musical work," bridging the divide between Anglophone analytic aesthetics and Continental philosophical traditions. Ultimately, Ontology of the Musical Work redefines the cultural and aesthetic significance of jazz and popular music, offering fresh insights into their roles within a rapidly evolving musical landscape. A vital contribution to musicology and philosophy, this book equips readers with new tools to understand and appreciate the diverse ways music resonates in our world today. A redefining of the musical work through a new theory of production and an elevation of recording's unique role in jazz and popular music This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781496861047
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