Dylan in Cincinnati takes a fresh approach to Bob Dylan’s performance art by asking what happens when we focus on a single city across six decades.
When we think of Dylan in concert, we imagine Newport, New York, or London. But most of his shows were in places far from the spotlight—venues largely ignored by music critics and scholars. Cincinnati, a city with little fanfare in the heart of the American Midwest, becomes an ideal site for study. Its concerts and bootleg recordings tell a story of reinvention night after night, year after year.
This history requires planting a shovel in one locale and digging down, layer after layer. What emerges is a portrait of Dylan as a restless itinerant artist who never abandoned audiences in flyover states. In fact, some of his strongest performances were given there. By recovering these overlooked shows, Dylan in Cincinnati documents not only the history of one city’s concerts but also the essence of Dylan’s enduring power as a live performer.
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Graley Herren is professor of English at Xavier University in Cincinnati. He is author of previous books on Samuel Beckett, Don DeLillo, and Bob Dylan. He writes a Substack on Dylan called Shadow Chasing, and he serves on the editorial board of The Dylan Review.
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Paperback. Etat : new. Paperback. Dylan in Cincinnati takes a fresh approach to Bob Dylans performance art by asking what happens when we focus on a single city across six decades. When we think of Dylan in concert, we imagine Newport, New York, or London. But most of his shows were in places far from the spotlightvenues largely ignored by music critics and scholars. Cincinnati, a city with little fanfare in the heart of the American Midwest, becomes an ideal site for study. Its concerts and bootleg recordings tell a story of reinvention night after night, year after year. This history requires planting a shovel in one locale and digging down, layer after layer. What emerges is a portrait of Dylan as a restless itinerant artist who never abandoned audiences in flyover states. In fact, some of his strongest performances were given there. By recovering these overlooked shows, Dylan in Cincinnati documents not only the history of one citys concerts but also the essence of Dylans enduring power as a live performer. A chronicle of one city, sixty years, and a lifetime of Bob Dylan's musical reinvention Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781496863997
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Paperback. Etat : New. Dylan in Cincinnati takes a fresh approach to Bob Dylan's performance art by asking what happens when we focus on a single city across six decades. When we think of Dylan in concert, we imagine Newport, New York, or London. But most of his shows were in places far from the spotlight-venues largely ignored by music critics and scholars. Cincinnati, a city with little fanfare in the heart of the American Midwest, becomes an ideal site for study. Its concerts and bootleg recordings tell a story of reinvention night after night, year after year. This history requires planting a shovel in one locale and digging down, layer after layer. What emerges is a portrait of Dylan as a restless itinerant artist who never abandoned audiences in flyover states. In fact, some of his strongest performances were given there. By recovering these overlooked shows, Dylan in Cincinnati documents not only the history of one city's concerts but also the essence of Dylan's enduring power as a live performer. N° de réf. du vendeur LU-9781496863997
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