King’s-Hintock Court (said the narrator, turning over his memoranda for reference)—King’s-Hintock Court is, as we know, one of the most imposing of the mansions that overlook our beautiful Blackmoor or Blakemore Vale. On the particular occasion of which I have to speak this building stood, as it had often stood before, in the perfect silence of a calm clear night, lighted only by the cold shine of the stars. The season was winter, in days long ago, the last century having run but little more than a third of its length. North, south, and west, not a casement was unfastened, not a curtain undrawn; eastward, one window on the upper floor was open, and a girl of twelve or thirteen was leaning over the sill. That she had not taken up the position for purposes of observation was apparent at a glance, for she kept her eyes covered with her hands. The room occupied by the girl was an inner one of a suite, to be reached only by passing through a large bedchamber adjoining. From this apartment voices in altercation were audible, everything else in the building being so still. It was to avoid listening to these voices that the girl had left her little cot, thrown a cloak round her head and shoulders, and stretched into the night air. But she could not escape the conversation, try as she would. The words reached her in all their painfulness, one sentence in masculine tones, those of her father, being repeated many times.
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THOMAS HARDY (1840 1928) was an English author and poet best known for his literary masterpieces Jude the Obscure, Tess of the d Urbervilles, Far from the Madding Crowd, and The Mayor of Casterbridge. While he achieved success during his lifetime for his novels, Hardy considered himself first and foremost a poet, and his poetry is today recognized as a significant influence on the Movement poets of the 1950s and 1960s.
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