Articles liés à Rachel Ray
Synopsis
There are women who cannot grow alone as standard trees;—for whom the support and warmth of some wall, some paling, some post, is absolutely necessary;—who, in their growth, will bend and incline themselves towards some such prop for their life, creeping with their tendrils along the ground till they reach it when the circumstances of life have brought no such prop within their natural and immediate reach. Of most women it may be said that it would be well for them that they should marry,—as indeed of most men also, seeing that man and wife will each lend the other strength, and yet in lending lose none; but to the women of whom I now speak some kind of marriage is quite indispensable, and by them some kind of marriage is always made, though the union is often unnatural. A woman in want of a wall against which to nail herself will swear conjugal obedience sometimes to her cook, sometimes to her grandchild, sometimes to her lawyer. Any standing corner, post, or stump, strong enough to bear her weight will suffice; but to some standing corner, post, or stump, she will find her way and attach herself, and there will she be married. Such a woman was our Mrs. Ray. As her name imports, she had been married in the way most popular among ladies, with bell, book, and parson. She had been like a young peach tree that, in its early days, is carefully taught to grow against a propitious southern wall. Her natural prop had been found for her, and all had been well. But her heaven had been made black with storms; the heavy winds had come, and the warm sheltering covert against which she had felt herself so safe had been torn away from her branches as they were spreading themselves forth to the fulness of life. She had been married at eighteen, and then, after ten years of wedded security, she had become a widow.
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Présentation de l'éditeur
There are women who cannot grow alone as standard trees;—for whom the support and warmth of some wall, some paling, some post, is absolutely necessary;—who, in their growth, will bend and incline themselves towards some such prop for their life, creeping with their tendrils along the ground till they reach it when the circumstances of life have brought no such prop within their natural and immediate reach. Of most women it may be said that it would be well for them that they should marry,—as indeed of most men also, seeing that man and wife will each lend the other strength, and yet in lending lose none; but to the women of whom I now speak some kind of marriage is quite indispensable, and by them some kind of marriage is always made, though the union is often unnatural. A woman in want of a wall against which to nail herself will swear conjugal obedience sometimes to her cook, sometimes to her grandchild, sometimes to her lawyer. Any standing corner, post, or stump, strong enough to bear her weight will suffice; but to some standing corner, post, or stump, she will find her way and attach herself, and there will she be married. Such a woman was our Mrs. Ray. As her name imports, she had been married in the way most popular among ladies, with bell, book, and parson. She had been like a young peach tree that, in its early days, is carefully taught to grow against a propitious southern wall. Her natural prop had been found for her, and all had been well. But her heaven had been made black with storms; the heavy winds had come, and the warm sheltering covert against which she had felt herself so safe had been torn away from her branches as they were spreading themselves forth to the fulness of life. She had been married at eighteen, and then, after ten years of wedded security, she had become a widow.
Biographie de l'auteur
Anthony Trollope (24 April 1815 – 6 December 1882) was an English novelist of the Victorian era. Among his best-known works is a series of novels collectively known as the Chronicles of Barsetshire, which revolves around the imaginary county of Barsetshire. He also wrote novels on political, social, and gender issues, and other topical matters. Trollope's literary reputation dipped somewhat during the last years of his life, but he had regained the esteem of critics by the mid-20th century.
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