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Everyone Brave is Forgiven September, 1939
MARY ALMOST WEPT WHEN she learned that her first duty as a schoolmistress would be to evacuate her class to the countryside. And when she discovered that London had evacuated its zoo animals days before its children, she was furious. If one must be exiled, then at least the capital ought to value its children more highly than macaws and musk oxen.
She checked her lipstick in a pocket mirror, then raised her hand.
“Yes, Miss North?”
“Isn’t it a shame to evacuate the animals first?”
She said it in full hearing of all the children, who were lined up at their muster point outside the empty London Zoo, waiting to be evacuated. They gave a timid cheer. The headmistress eyed Mary coolly, which made her doubt herself. But surely it was wrong to throw the beasts the first lifeline? Wasn’t that the weary old man’s choice Noah had made: filling the ark with dumb livestock instead of lively children who might answer back? This was how the best roots of humanity had drowned. This was why men were the violent inbreds of Ham and Shem and Japheth, capable of declaring for war a season that Mary had earmarked for worsted.
The headmistress only sighed. So: the delay was simply because one did not need to write a marmoset’s name on a luggage tag, accompany it in a second-class train compartment and billet it with a suitable host family in the Cotswolds. The lower primates only wanted a truck for the trip and a good feed at the other end, while the higher Hominidae, with names like Henry and Sarah, had a multiplicity of needs that a diligent bureaucracy had not only to anticipate but also to meet, and furthermore to document, on forms that must first come back from the printer.
“I see,” said Mary. “Thank you.”
Of course it was that. She hated being eighteen. The insights and indignations burned through one’s good sense like hot coals through oven gloves. So, this was why London still teemed with children while London Zoo stood vacant, with three hundred halfpenny portions of monkey nuts in their little twists of newspaper waiting unsold and forlorn in the kiosk.
She raised her hand again, then let it drop.
“Yes?” said Miss Vine. “Was there something else?”
“Sorry,” said Mary. “It was nothing.”
“Oh good.”
The headmistress took her eye off the ranks of the children for a moment. She fixed Mary with a look rich in charity. “Remember you’re on our side now. You know: the grown-ups.”
Mary could almost feel her bones cracking with resentment. “Thank you, Miss Vine.”
This was when the school’s only colored child, sensing an opening, slipped away from the muster and scaled the padlocked main gate of the zoo. The headmistress spun around. “Zachary Lee! Come back here immediately!”
“Or what? You’ll send me to the countryside?”
The whole school gasped. Ten years old, invincible, the Negro boy saluted. He scissored his skinny brown legs over the top of the gate, using the penultimate and the ultimate wrought-iron O’s of LONDON ZOO as the hoops of a pommel horse, and was immediately lost to sight.
Miss Vine turned to Mary. “You had better bring the nigger back, don’t you think?”
It was her first rescue work of the war. Coppery, coltish Mary North searched the abandoned zoo using paths that were still well tended. On her own, she felt better. She sneaked a cigarette. With the other hand she massaged her brow, confident that frustration could be persuaded not to settle there. All downers could be dispatched, as one might flick ash off one’s sleeve, or pilot a wayward bee back out through an open window.
She had already checked the giraffes’ paddock and the big cats’ dens. Now, hearing a cough, she tiptoed into the great apes’ enclosure through a gate that swung unlatched. She kicked through the straw, raising a scent of urine and musk that made her heart rattle with fright. But she hoped it was not easily done, for a zookeeper to miss a whole gorilla when he was counting them into the evacuation truck.
“Come on out, Zachary Lee, I know you’re in here.”
It was eerie to be in the gorilla house, looking out through the smeared glass. “Oh do come on, Zachary darling. You’ll get us both in trouble.”
A second cough, and a rustle under the straw. Then, with his soft American accent, “I’m not coming out.”
“Fine then,” said Mary. “The two of us shall rot here until the war is over, and nobody will ever know what talent we might have shown in its prosecution.”
She sat down beside the boy, first laying her red jacket on the straw to sit on, with the rosy silk lining downward. It was hard to stay glum. One could say what one liked about the war but it had got her out of Mont-Choisi ahead of an afternoon of double French, and might yet have more mercies in store. She lit another cigarette and blew the smoke into a shaft of sunlight.
“May I have one?” said the small voice.
“Beautifully asked,” said Mary. “And no. Not until you are eleven.”
From the muster point came the sound of a tin whistle. It could mean that heavy bombers were converging on London, or it could mean that the children had been organized into two roughly matched teams to begin a game of rounders.
Zachary poked his head up through the straw. It still amazed Mary to see his brown skin, his chestnut eyes. The first time he had smiled, the flash of his pink tongue had delighted her. She had imagined it would be—well, not brown also, but certainly as antithetical to pink as brown skin was to white. A bluish tongue, perhaps, like a skink’s. It would not have surprised her to learn that his blood came out black and his feces a pale ivory. He was the first Negro she had seen up close—if one didn’t count the posters advertising minstrelsy and coon shows—and she still struggled not to gawk.
The straw clung to his hair. “Miss?” he said. “Why did they take the animals away?”
“Different reasons in each case,” said Mary, counting them off on her fingers. “The hippopotami because they are such frightful cowards, the wolves since one can never be entirely sure whose side they are on, and the lions because they are to be parachuted directly into Berlin Zoo to take on Herr Hitler’s big cats.”
“So the animals are at war too?”
“Well of course they are. Wouldn’t it be absurd if it were just us?”
The boy’s expression suggested that he had not previously taken the matter under consideration.
“What are two sevens?” asked Mary, taking advantage.
The boy began his reckoning, in the deliberate and dutiful manner of a child who intended to persevere at least until he ran out of fingers. Not for the first time that week, Mary suppressed both a smile and a delightful suspicion that teaching might not be the worst way to spend the idle hours between breakfast and society.
On Tuesday morning, after taking the register and before distributing milk in little glass bottles, Mary had written the names of her thirty-one children on brown luggage labels and looped them through the top buttonholes of their overcoats. Of course the children had exchanged labels with one another the second her back was turned. They were only human, even if they hadn’t yet made the effort to become tall.
And of course she had insisted on calling them by their exchanged names—even for boys named Elaine and girls named Peter—while maintaining an entirely straight face. It delighted her that they laughed so easily. It turned out that the only difference between children and adults was that children were prepared to put twice the energy into the project of not being sad.
“Is it twelve?” said Zachary.
“Is what twelve?”
“Two sevens,” he reminded her, in the exasperated tone reserved for adults who asked questions with no thought to the expenditure of emotion that went into answering.
Mary nodded her apology. “Twelve is jolly close.”
The tin whistle, sounding again. Above the enclosures, seagulls wheeled in hope. The memory of feeding time persisted. Mary felt an ache. All the world’s timetables fluttered through blue sky now, vagrant on the winds.
“Thirteen?”
Mary smiled. “Would you like me to show you? You’re a bright boy but you’re ten years old and you are miles behind with your numbers. I don’t believe anyone can have taken the trouble to teach you.”
She knelt in the straw, took his hands—it still amazed her that they were no hotter than white hands—and showed him how to count forward seven more, starting from seven. “Do you see now? Seven, plus seven more, is fourteen. It is simply about not stopping.”
“Oh.”
The surprised and disappointed air boys had when magic yielded so bloodlessly to reason.
“So what would be three sevens, Zachary, now you have two of them already?”
He examined his outstretched fingers, then looked up at her.
“How long?” he said.
“How long what?”
“How long are they sending us away for?”
“Until London is safe again. It shouldn’t be too long.”
“I’m scared to go to the country. I wish my father could come.”
“None of the parents can come with us. Their work is vital for the war.”
“Do you believe that?”
Mary shook her head briskly. “Of course not. Most people’s work is nonsense at the best of times, don’t you think? Actuaries and loss adjusters and professors of Eggy-peggy. Most of them would be more useful reciting limericks and stuffing their socks with glitter.”
“My father plays in the minstrel show at the Lyceum. Is that useful?”
“For morale, certainly. If minstrels weren’t needed I daresay they’d have been evacuated days ago. On a gospel train, don’t you think?”
The boy refused to smile. “They won’t want me in the countryside.”
“Why on earth wouldn’t they?”
The pained expression children had, when one was irredeemably obtuse.
“Oh, I see. Well, I daresay they will just be awfully curious. I suppose you can expect to be poked and prodded at first, but once they understand that it won’t wash off I’m sure they won’t hold it against you. People are jolly fair, you know.”
The boy seemed lost in thought.
“Anyway,” said Mary, “I’m coming to wherever-it-is we’re going. I promise I shan’t leave you.”
“They’ll hate me.”
“Nonsense. Was it minstrels who invaded Poland? Was it a troupe of theater Negroes who occupied the Sudetenland?”
He gave her a patient look.
“See?” said Mary. “The countryside will prefer you to the Germans.”
“I still don’t want to go.”
“Oh, but that’s the fun of it, don’t you see? It’s a simply enormous game of go-where-you’re-jolly-well-told. Everyone who’s anyone is playing.”
She was surprised to realize that she didn’t mind it at all, being sent away. It really was a giant roulette—this was how one ought to see it. The children would get a taste of country air, and she . . . well, what was the countryside if not numberless Heathcliffs, loosely tethered?
Let us imagine, she thought, that this war will surprise us all. Let us suppose that the evacuation train will take us somewhere wild, far from these decorous streets where every third person has an anecdote about my mother, or votes in my father’s constituency.
She imagined herself in the country, in a pretty village of vivid young people thrown into a new pattern by the war. It would be like the turning of a kaleidoscope, only with gramophones and dancing. Just to show her friend Hilda, she would fall in love with the first man who was even slightly interesting.
She squeezed the colored boy’s hand, delighted by his smile as her bright mood made the junction. “Come on,” she said, “shall we get back to the others before they have all the fun?”
They stood up from the straw and she brushed the child down. He was a bony, startle-eyed thing—giving the impression of being thoroughly X-rayed—with an insubordinate crackle of black hair. She shook her head, laughing.
“What?”
“Zachary Lee, I honestly don’t know why we bother evacuating you. You look as if you’ve been bombed already.”
He scowled. “Well, you smoke like this.”
He gave his impression of Mary smoking like Bette Davis, as if the burning Craven “A” generated a terrific amount of lift. The cigarette, straining to rise, straightened the wrist nicely and lifted the first and second fingers into the gesture of a bored saint offering benediction.
“Yes, that’s it!” said Mary. “But do show me how you would do it.”
Slick as a magician palming a penny, Zachary flipped the imaginary cigarette around so that the cherry smoldered under the cup of his hand. He cut wary eyes left and right, drew deeply and then, averting his face, opened a small gap in the corner of his mouth to jet smoke down at the straw. The exhalation was almost invisibly quick, a sparrow shitting from a branch.
“Good lord,” said Mary, “you smoke as if the world might tell you not to.”
“I smoke like a man,” said the child, affecting weariness.
“Well then. Unless one counts the three Rs, I don’t suppose I have anything to teach you.”
She took his arm and they walked together—he wondering whether the lions would be dropped on Berlin by day or by night and she replying that she supposed by night, since the creatures were mostly nocturnal, although in wartime, who knew?
They rotated through the exit turnstile. Mary made the boy go first, since it would be too funny if he were to abscond again, with her already through to the wrong side of the one-way ratchet. If their roles had been reversed, then she would certainly have found the possibility too cheerful to resist.
On the grass they found the school drawn up into ranks, three by three. She kept Zachary’s arm companionably until the headmistress shot her a look. Mary adjusted her grip to one more suggestive of restraint.
“I shall deal with you later, Zachary,” said Miss Vine. “As soon as I am issued with a building in which to detain you, expect to get detention.”
Zachary smiled infuriatingly. Mary hurried him along the ranks until they came to her own class. There she took plain, sensible Fay George from her row and had her form a new one with the recaptured escapee, instructing her to hold his hand good and firmly. This Fay did, first taking her gloves from the pocket of her duffel coat and putting them on. Zachary accepted this without comment, looking directly ahead.
The headmistress came to where Mary stood, twitched her nose at the smell of cigarette smoke, and glanced pointedly heavenward. As if there might be a roaring squadron of bombers up there that Mary had somehow missed. Miss Vine took Zachary by the shoulders. She shook him, absentmindedly and not without affection. It was as if to ask: Oh, and what are we to do with you?
She said, “You young ones have no idea of the difficulties.”
Mary supposed that she was the one being admonished, although it could equally have been the child, or—since her headmistress was still looking skyward—it might have been the youthful pilots of the Luftwaffe, or the insouciant cherubim.
Mary bit her cheek to keep from smiling. She liked Miss Vine—the woman was not made entirely of vipers and crinoline. And yet she was so boringly wary, as if life couldn’t be trusted. “I am sorry, Miss Vine.”
“Miss North, have you spent much time in the country?”
“Oh yes. We have weekends in my father’s constituency.”
It was exactly the sort of thing she tried not to say.
...
Revue de presse :
MARY ALMOST WEPT WHEN she learned that her first duty as a schoolmistress would be to evacuate her class to the countryside. And when she discovered that London had evacuated its zoo animals days before its children, she was furious. If one must be exiled, then at least the capital ought to value its children more highly than macaws and musk oxen.
She checked her lipstick in a pocket mirror, then raised her hand.
“Yes, Miss North?”
“Isn’t it a shame to evacuate the animals first?”
She said it in full hearing of all the children, who were lined up at their muster point outside the empty London Zoo, waiting to be evacuated. They gave a timid cheer. The headmistress eyed Mary coolly, which made her doubt herself. But surely it was wrong to throw the beasts the first lifeline? Wasn’t that the weary old man’s choice Noah had made: filling the ark with dumb livestock instead of lively children who might answer back? This was how the best roots of humanity had drowned. This was why men were the violent inbreds of Ham and Shem and Japheth, capable of declaring for war a season that Mary had earmarked for worsted.
The headmistress only sighed. So: the delay was simply because one did not need to write a marmoset’s name on a luggage tag, accompany it in a second-class train compartment and billet it with a suitable host family in the Cotswolds. The lower primates only wanted a truck for the trip and a good feed at the other end, while the higher Hominidae, with names like Henry and Sarah, had a multiplicity of needs that a diligent bureaucracy had not only to anticipate but also to meet, and furthermore to document, on forms that must first come back from the printer.
“I see,” said Mary. “Thank you.”
Of course it was that. She hated being eighteen. The insights and indignations burned through one’s good sense like hot coals through oven gloves. So, this was why London still teemed with children while London Zoo stood vacant, with three hundred halfpenny portions of monkey nuts in their little twists of newspaper waiting unsold and forlorn in the kiosk.
She raised her hand again, then let it drop.
“Yes?” said Miss Vine. “Was there something else?”
“Sorry,” said Mary. “It was nothing.”
“Oh good.”
The headmistress took her eye off the ranks of the children for a moment. She fixed Mary with a look rich in charity. “Remember you’re on our side now. You know: the grown-ups.”
Mary could almost feel her bones cracking with resentment. “Thank you, Miss Vine.”
This was when the school’s only colored child, sensing an opening, slipped away from the muster and scaled the padlocked main gate of the zoo. The headmistress spun around. “Zachary Lee! Come back here immediately!”
“Or what? You’ll send me to the countryside?”
The whole school gasped. Ten years old, invincible, the Negro boy saluted. He scissored his skinny brown legs over the top of the gate, using the penultimate and the ultimate wrought-iron O’s of LONDON ZOO as the hoops of a pommel horse, and was immediately lost to sight.
Miss Vine turned to Mary. “You had better bring the nigger back, don’t you think?”
It was her first rescue work of the war. Coppery, coltish Mary North searched the abandoned zoo using paths that were still well tended. On her own, she felt better. She sneaked a cigarette. With the other hand she massaged her brow, confident that frustration could be persuaded not to settle there. All downers could be dispatched, as one might flick ash off one’s sleeve, or pilot a wayward bee back out through an open window.
She had already checked the giraffes’ paddock and the big cats’ dens. Now, hearing a cough, she tiptoed into the great apes’ enclosure through a gate that swung unlatched. She kicked through the straw, raising a scent of urine and musk that made her heart rattle with fright. But she hoped it was not easily done, for a zookeeper to miss a whole gorilla when he was counting them into the evacuation truck.
“Come on out, Zachary Lee, I know you’re in here.”
It was eerie to be in the gorilla house, looking out through the smeared glass. “Oh do come on, Zachary darling. You’ll get us both in trouble.”
A second cough, and a rustle under the straw. Then, with his soft American accent, “I’m not coming out.”
“Fine then,” said Mary. “The two of us shall rot here until the war is over, and nobody will ever know what talent we might have shown in its prosecution.”
She sat down beside the boy, first laying her red jacket on the straw to sit on, with the rosy silk lining downward. It was hard to stay glum. One could say what one liked about the war but it had got her out of Mont-Choisi ahead of an afternoon of double French, and might yet have more mercies in store. She lit another cigarette and blew the smoke into a shaft of sunlight.
“May I have one?” said the small voice.
“Beautifully asked,” said Mary. “And no. Not until you are eleven.”
From the muster point came the sound of a tin whistle. It could mean that heavy bombers were converging on London, or it could mean that the children had been organized into two roughly matched teams to begin a game of rounders.
Zachary poked his head up through the straw. It still amazed Mary to see his brown skin, his chestnut eyes. The first time he had smiled, the flash of his pink tongue had delighted her. She had imagined it would be—well, not brown also, but certainly as antithetical to pink as brown skin was to white. A bluish tongue, perhaps, like a skink’s. It would not have surprised her to learn that his blood came out black and his feces a pale ivory. He was the first Negro she had seen up close—if one didn’t count the posters advertising minstrelsy and coon shows—and she still struggled not to gawk.
The straw clung to his hair. “Miss?” he said. “Why did they take the animals away?”
“Different reasons in each case,” said Mary, counting them off on her fingers. “The hippopotami because they are such frightful cowards, the wolves since one can never be entirely sure whose side they are on, and the lions because they are to be parachuted directly into Berlin Zoo to take on Herr Hitler’s big cats.”
“So the animals are at war too?”
“Well of course they are. Wouldn’t it be absurd if it were just us?”
The boy’s expression suggested that he had not previously taken the matter under consideration.
“What are two sevens?” asked Mary, taking advantage.
The boy began his reckoning, in the deliberate and dutiful manner of a child who intended to persevere at least until he ran out of fingers. Not for the first time that week, Mary suppressed both a smile and a delightful suspicion that teaching might not be the worst way to spend the idle hours between breakfast and society.
On Tuesday morning, after taking the register and before distributing milk in little glass bottles, Mary had written the names of her thirty-one children on brown luggage labels and looped them through the top buttonholes of their overcoats. Of course the children had exchanged labels with one another the second her back was turned. They were only human, even if they hadn’t yet made the effort to become tall.
And of course she had insisted on calling them by their exchanged names—even for boys named Elaine and girls named Peter—while maintaining an entirely straight face. It delighted her that they laughed so easily. It turned out that the only difference between children and adults was that children were prepared to put twice the energy into the project of not being sad.
“Is it twelve?” said Zachary.
“Is what twelve?”
“Two sevens,” he reminded her, in the exasperated tone reserved for adults who asked questions with no thought to the expenditure of emotion that went into answering.
Mary nodded her apology. “Twelve is jolly close.”
The tin whistle, sounding again. Above the enclosures, seagulls wheeled in hope. The memory of feeding time persisted. Mary felt an ache. All the world’s timetables fluttered through blue sky now, vagrant on the winds.
“Thirteen?”
Mary smiled. “Would you like me to show you? You’re a bright boy but you’re ten years old and you are miles behind with your numbers. I don’t believe anyone can have taken the trouble to teach you.”
She knelt in the straw, took his hands—it still amazed her that they were no hotter than white hands—and showed him how to count forward seven more, starting from seven. “Do you see now? Seven, plus seven more, is fourteen. It is simply about not stopping.”
“Oh.”
The surprised and disappointed air boys had when magic yielded so bloodlessly to reason.
“So what would be three sevens, Zachary, now you have two of them already?”
He examined his outstretched fingers, then looked up at her.
“How long?” he said.
“How long what?”
“How long are they sending us away for?”
“Until London is safe again. It shouldn’t be too long.”
“I’m scared to go to the country. I wish my father could come.”
“None of the parents can come with us. Their work is vital for the war.”
“Do you believe that?”
Mary shook her head briskly. “Of course not. Most people’s work is nonsense at the best of times, don’t you think? Actuaries and loss adjusters and professors of Eggy-peggy. Most of them would be more useful reciting limericks and stuffing their socks with glitter.”
“My father plays in the minstrel show at the Lyceum. Is that useful?”
“For morale, certainly. If minstrels weren’t needed I daresay they’d have been evacuated days ago. On a gospel train, don’t you think?”
The boy refused to smile. “They won’t want me in the countryside.”
“Why on earth wouldn’t they?”
The pained expression children had, when one was irredeemably obtuse.
“Oh, I see. Well, I daresay they will just be awfully curious. I suppose you can expect to be poked and prodded at first, but once they understand that it won’t wash off I’m sure they won’t hold it against you. People are jolly fair, you know.”
The boy seemed lost in thought.
“Anyway,” said Mary, “I’m coming to wherever-it-is we’re going. I promise I shan’t leave you.”
“They’ll hate me.”
“Nonsense. Was it minstrels who invaded Poland? Was it a troupe of theater Negroes who occupied the Sudetenland?”
He gave her a patient look.
“See?” said Mary. “The countryside will prefer you to the Germans.”
“I still don’t want to go.”
“Oh, but that’s the fun of it, don’t you see? It’s a simply enormous game of go-where-you’re-jolly-well-told. Everyone who’s anyone is playing.”
She was surprised to realize that she didn’t mind it at all, being sent away. It really was a giant roulette—this was how one ought to see it. The children would get a taste of country air, and she . . . well, what was the countryside if not numberless Heathcliffs, loosely tethered?
Let us imagine, she thought, that this war will surprise us all. Let us suppose that the evacuation train will take us somewhere wild, far from these decorous streets where every third person has an anecdote about my mother, or votes in my father’s constituency.
She imagined herself in the country, in a pretty village of vivid young people thrown into a new pattern by the war. It would be like the turning of a kaleidoscope, only with gramophones and dancing. Just to show her friend Hilda, she would fall in love with the first man who was even slightly interesting.
She squeezed the colored boy’s hand, delighted by his smile as her bright mood made the junction. “Come on,” she said, “shall we get back to the others before they have all the fun?”
They stood up from the straw and she brushed the child down. He was a bony, startle-eyed thing—giving the impression of being thoroughly X-rayed—with an insubordinate crackle of black hair. She shook her head, laughing.
“What?”
“Zachary Lee, I honestly don’t know why we bother evacuating you. You look as if you’ve been bombed already.”
He scowled. “Well, you smoke like this.”
He gave his impression of Mary smoking like Bette Davis, as if the burning Craven “A” generated a terrific amount of lift. The cigarette, straining to rise, straightened the wrist nicely and lifted the first and second fingers into the gesture of a bored saint offering benediction.
“Yes, that’s it!” said Mary. “But do show me how you would do it.”
Slick as a magician palming a penny, Zachary flipped the imaginary cigarette around so that the cherry smoldered under the cup of his hand. He cut wary eyes left and right, drew deeply and then, averting his face, opened a small gap in the corner of his mouth to jet smoke down at the straw. The exhalation was almost invisibly quick, a sparrow shitting from a branch.
“Good lord,” said Mary, “you smoke as if the world might tell you not to.”
“I smoke like a man,” said the child, affecting weariness.
“Well then. Unless one counts the three Rs, I don’t suppose I have anything to teach you.”
She took his arm and they walked together—he wondering whether the lions would be dropped on Berlin by day or by night and she replying that she supposed by night, since the creatures were mostly nocturnal, although in wartime, who knew?
They rotated through the exit turnstile. Mary made the boy go first, since it would be too funny if he were to abscond again, with her already through to the wrong side of the one-way ratchet. If their roles had been reversed, then she would certainly have found the possibility too cheerful to resist.
On the grass they found the school drawn up into ranks, three by three. She kept Zachary’s arm companionably until the headmistress shot her a look. Mary adjusted her grip to one more suggestive of restraint.
“I shall deal with you later, Zachary,” said Miss Vine. “As soon as I am issued with a building in which to detain you, expect to get detention.”
Zachary smiled infuriatingly. Mary hurried him along the ranks until they came to her own class. There she took plain, sensible Fay George from her row and had her form a new one with the recaptured escapee, instructing her to hold his hand good and firmly. This Fay did, first taking her gloves from the pocket of her duffel coat and putting them on. Zachary accepted this without comment, looking directly ahead.
The headmistress came to where Mary stood, twitched her nose at the smell of cigarette smoke, and glanced pointedly heavenward. As if there might be a roaring squadron of bombers up there that Mary had somehow missed. Miss Vine took Zachary by the shoulders. She shook him, absentmindedly and not without affection. It was as if to ask: Oh, and what are we to do with you?
She said, “You young ones have no idea of the difficulties.”
Mary supposed that she was the one being admonished, although it could equally have been the child, or—since her headmistress was still looking skyward—it might have been the youthful pilots of the Luftwaffe, or the insouciant cherubim.
Mary bit her cheek to keep from smiling. She liked Miss Vine—the woman was not made entirely of vipers and crinoline. And yet she was so boringly wary, as if life couldn’t be trusted. “I am sorry, Miss Vine.”
“Miss North, have you spent much time in the country?”
“Oh yes. We have weekends in my father’s constituency.”
It was exactly the sort of thing she tried not to say.
...
An addictive, propulsive read . . . Cleave writes with an engaging intensity, a determination to tackle big moral issues, and a willingness to take risks. (Theo Tait The Sunday Times)
A compelling and finely crafted novel...The Second World War is dangerous territory for a contemporary novelist: the enemies they face include familiarity, cliché, and the reader's knowledge that any number of things happened then that were far stranger than fiction. For a writer to succeed in setting a tale in a period of heightened emotions, they need first to keep their own emotions under close control. Ian McEwan did this with Atonement, Sarah Waters did it with The Night Watch, and Chris Cleave does it too with Everyone Brave is Forgiven. (Financial Times)
Loosely based on the author's grandparents' stories, this is a superb novel that breathes fresh life into an often brutal scenario. Particularly astute at demonstrating how war seeps into the psyche and changes it, this is beautifully written, funny, gut-wrenching and, above all, honest. (Daily Mail)
Powerful and moving . . . Cleave's real revisionism exists in the very fabric of his prose. (Lucy Scholes Independent)
A tremendous, sweeping love story that unfolds against the backdrop of war-torn London and Malta. (Mail on Sunday)
Tender and touching. (Eithne Farry Mail on Sunday)
Cleave cements his reputation as a skilful storyteller, and a sensitive chronicler of the interplay between the political and the personal . . . intricately researched and evocatively conveyed. (Hannah Beckerman Observer)
Absorbing [and] sharply paced. (Helen Dunmore Guardian)
Brilliant [and] fearlessly written . . . Thoroughly absorbing. (Claire Allfree Metro)
I was blown away by it. (Woman & Home)
A compelling and finely crafted novel...The Second World War is dangerous territory for a contemporary novelist: the enemies they face include familiarity, cliché, and the reader's knowledge that any number of things happened then that were far stranger than fiction. For a writer to succeed in setting a tale in a period of heightened emotions, they need first to keep their own emotions under close control. Ian McEwan did this with Atonement, Sarah Waters did it with The Night Watch, and Chris Cleave does it too with Everyone Brave is Forgiven. (Financial Times)
Loosely based on the author's grandparents' stories, this is a superb novel that breathes fresh life into an often brutal scenario. Particularly astute at demonstrating how war seeps into the psyche and changes it, this is beautifully written, funny, gut-wrenching and, above all, honest. (Daily Mail)
Powerful and moving . . . Cleave's real revisionism exists in the very fabric of his prose. (Lucy Scholes Independent)
A tremendous, sweeping love story that unfolds against the backdrop of war-torn London and Malta. (Mail on Sunday)
Tender and touching. (Eithne Farry Mail on Sunday)
Cleave cements his reputation as a skilful storyteller, and a sensitive chronicler of the interplay between the political and the personal . . . intricately researched and evocatively conveyed. (Hannah Beckerman Observer)
Absorbing [and] sharply paced. (Helen Dunmore Guardian)
Brilliant [and] fearlessly written . . . Thoroughly absorbing. (Claire Allfree Metro)
I was blown away by it. (Woman & Home)
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- ÉditeurS&S/ Marysue Rucci Books
- Date d'édition2017
- ISBN 10 1501124382
- ISBN 13 9781501124389
- ReliureBroché
- Nombre de pages448
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