Explores and illuminates Wittgenstein's profound impact on our understanding of literary modernism.
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Anat Matar is a Senior Lecturer of Philosophy at Tel Aviv University. She is the author of From Dummett's Philosophical Perspective (1997) and Modernism and the Language of Philosophy (2006), and co-editor (with Anat Biletzki) of The Story of Analytic Philosophy: Plot and Heroes (1998) and (with Abeer Baker) of Threat: Palestinian Political Prisoners in Israel (2011). Her articles focus mainly on analyses of Wittgenstein written from the perspective of post-modernist philosophy.
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Hardcover. Etat : new. Hardcover. In the last half-century Ludwig Wittgenstein's relevance beyond analytic philosophy, to continental philosophy, to cultural studies, and to the arts has been widely acknowledged. Wittgensteins Tractatus Logico-Philosophicus was published in 1922 the annus mirabilis of modernism alongside Joyces Ulysses, Eliots The Waste Land, Mansfields The Garden Party and Woolfs Jacobs Room. Bertolt Brechts first play to be produced, Drums in the Night, was first staged in 1922, as was Jean Cocteaus Antigone, with settings by Pablo Picasso and music by Arthur Honegger. In different ways, all these modernist landmarks dealt with the crisis of representation and the demise of eternal metaphysical and ethical truths. Wittgensteins Tractatus can be read as defining, expressing and reacting to this crisis. In his later philosophy, Wittgenstein adopted a novel philosophical attitude, sensitive to the ordinary uses of language as well as to the unnoticed dogmas they may betray. If the gist of modernism is self-reflection and attention to the way form expresses content, then Wittgensteins later ideas in their fragmented form as well as their ear-opening contents deliver it most precisely. Understanding Wittgenstein, Understanding Modernism shows Wittgensteins work, both early and late, to be closely linked to the modernist Geist that prevailed during his lifetime. Yet it would be wrong to argue that Wittgenstein was a modernist tout court. For Wittgenstein, as well as for modernist art, understanding is not gained by such straightforward statements. It needs time, hesitation, a variety of articulations, the refusal of tempting solutions, and perhaps even a sense of defeat. It is such a vision of the linkage between Wittgenstein and modernism that guides the present volume. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781501302435
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Hardcover. Etat : new. Hardcover. In the last half-century Ludwig Wittgenstein's relevance beyond analytic philosophy, to continental philosophy, to cultural studies, and to the arts has been widely acknowledged. Wittgensteins Tractatus Logico-Philosophicus was published in 1922 the annus mirabilis of modernism alongside Joyces Ulysses, Eliots The Waste Land, Mansfields The Garden Party and Woolfs Jacobs Room. Bertolt Brechts first play to be produced, Drums in the Night, was first staged in 1922, as was Jean Cocteaus Antigone, with settings by Pablo Picasso and music by Arthur Honegger. In different ways, all these modernist landmarks dealt with the crisis of representation and the demise of eternal metaphysical and ethical truths. Wittgensteins Tractatus can be read as defining, expressing and reacting to this crisis. In his later philosophy, Wittgenstein adopted a novel philosophical attitude, sensitive to the ordinary uses of language as well as to the unnoticed dogmas they may betray. If the gist of modernism is self-reflection and attention to the way form expresses content, then Wittgensteins later ideas in their fragmented form as well as their ear-opening contents deliver it most precisely. Understanding Wittgenstein, Understanding Modernism shows Wittgensteins work, both early and late, to be closely linked to the modernist Geist that prevailed during his lifetime. Yet it would be wrong to argue that Wittgenstein was a modernist tout court. For Wittgenstein, as well as for modernist art, understanding is not gained by such straightforward statements. It needs time, hesitation, a variety of articulations, the refusal of tempting solutions, and perhaps even a sense of defeat. It is such a vision of the linkage between Wittgenstein and modernism that guides the present volume. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781501302435
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Etat : New. Editor(s): Matar, Anat. Series: Understanding Philosophy, Understanding Modernism. Num Pages: 288 pages. BIC Classification: DSA; DSB; HPCF5. Category: (U) Tertiary Education (US: College). Dimension: 229 x 152 x 23. Weight in Grams: 544. . 2017. hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781501302435
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