From the seductive danger of the Sirens in Greek myth to the protective/warning sounds of sirens in the 20th century, this book investigates the paradoxical and complex meaning of sirens in Western culture.
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Michael Bull is Professor of Sound Studies at the University of Sussex, UK. His many authored books include Sirens (Bloomsbury 2020) and Sound Moves, iPod Culture and Urban Experience (Routledge, 2007). He is editor of the Routledge Companion to Sound Studies (2018) and The Auditory Culture Reader (Bloomsbury 2003, and 2016), and co-editor of the Bloomsbury Handbook of Sonic Methodologies (Bloomsbury, 2020). He is a founding editor of the journals, The Senses and Society and Sound Studies.
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Paperback. Etat : New. Sirens are sounds that confront us in daily life, from the sounds of police cars and fire engines to, less often, tornado warnings. Ideologies of sirens embody the protective, the seductive and the dangerous elements of siren sounds - from the US Cold War public training exercises in the 1950s and 1960s to the seductive power of the sirens entrenched in popular culture: from Wagner to Dizzee Rascal, from Kafka to Kurt Vonnegut, from Hans Christian Andersen to Walt Disney. This book argues, using a wide array of theorists from Adorno to Bloch and Kittler, that we should understand 'siren sounds' in terms of their myth and materiality, and that sirens represent a sonic confluence of power, gender and destructiveness embedded in core Western ideologies to the present day. Bull poses the question of whether we can rely on sirens, both in their mythic meanings and in their material meanings in contemporary culture. N° de réf. du vendeur LU-9781501304996
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Paperback. Etat : New. Sirens are sounds that confront us in daily life, from the sounds of police cars and fire engines to, less often, tornado warnings. Ideologies of sirens embody the protective, the seductive and the dangerous elements of siren sounds - from the US Cold War public training exercises in the 1950s and 1960s to the seductive power of the sirens entrenched in popular culture: from Wagner to Dizzee Rascal, from Kafka to Kurt Vonnegut, from Hans Christian Andersen to Walt Disney. This book argues, using a wide array of theorists from Adorno to Bloch and Kittler, that we should understand 'siren sounds' in terms of their myth and materiality, and that sirens represent a sonic confluence of power, gender and destructiveness embedded in core Western ideologies to the present day. Bull poses the question of whether we can rely on sirens, both in their mythic meanings and in their material meanings in contemporary culture. N° de réf. du vendeur LU-9781501304996
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Paperback. Etat : new. Paperback. Sirens are sounds that confront us in daily life, from the sounds of police cars and fire engines to, less often, tornado warnings. Ideologies of sirens embody the protective, the seductive and the dangerous elements of siren sounds from the US Cold War public training exercises in the 1950s and 1960s to the seductive power of the sirens entrenched in popular culture: from Wagner to Dizzee Rascal, from Kafka to Kurt Vonnegut, from Hans Christian Andersen to Walt Disney. This book argues, using a wide array of theorists from Adorno to Bloch and Kittler, that we should understand siren sounds in terms of their myth and materiality, and that sirens represent a sonic confluence of power, gender and destructiveness embedded in core Western ideologies to the present day. Bull poses the question of whether we can rely on sirens, both in their mythic meanings and in their material meanings in contemporary culture. "From the seductive danger of the Sirens in Greek myth to the protective/warning sounds of sirens in the 20th century, this book investigates the paradoxical and complex meaning of sirens in Western culture"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781501304996
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