Examines racial issues onscreen by charting and analysing the rise of mixed-race characters in American and French cinema.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Zélie Asava is an Assistant Film Classifier at the Irish Film Classification Office and lectures on Film Studies at University College Dublin. Her monograph The Black Irish Onscreen: Representing Black and Mixed-Race Identities on Irish Film and Television (2013) examines racial representations in Irish screen culture from the 1990s to the present day. She is the co-author of 'Race and Cinema' in Oxford Bibliographies Online: Cinema and Media Studies (2013), and has published many essays on race, gender and sexuality in American, Irish, French and Francophone African cinemas in a wide range of journals and edited collections, including: Masculinity and Irish Popular Culture: Tiger's Tales (2014); World Cinema Directory: Africa (2014); Viewpoints: Theoretical Perspectives on Irish Visual Texts (2013); Images of the Modern Vampire: The Hip and the Atavistic (2013); France's Colonial Legacies: Memory, Identity and Narrative (2013); World Cinema Directory: France (2013); Contemporary Irish Film: New Perspectives on a National Cinema (2011).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Red's Corner LLC, Tucker, GA, Etats-Unis
hardcover. Etat : Very Good. 1st Edition. Grade 3 out 5 points. Book has wear on cover and pages. May have personalized notes/names, stickers/labels. Has no markings on pages. May not include extra materials like access codes, CDs, accessories, etc. All orders ship by next business day! We are a small company and very thankful for your business! N° de réf. du vendeur REDZ9PUR642L
Quantité disponible : 1 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L1-9781501312458
Quantité disponible : Plus de 20 disponibles
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
HRD. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L1-9781501312458
Quantité disponible : Plus de 20 disponibles
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Num Pages: 224 pages, 10 bw illus. BIC Classification: APFA; APFB. Category: (U) Tertiary Education (US: College). Dimension: 229 x 152. . . 2017. Hardback. . . . . N° de réf. du vendeur V9781501312458
Quantité disponible : Plus de 20 disponibles
Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In English. N° de réf. du vendeur ria9781501312458_new
Quantité disponible : Plus de 20 disponibles
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. Using critical race theory and film studies to explore the interconnectedness between cinema and society, Zelie Asava traces the history of mixed-race representations in American and French filmmaking from early and silent cinema to the present day. Mixed Race Cinemas covers over a hundred years of filmmaking to chart the development of (black/white) mixed representations onscreen. With the 21st century being labelled the Mulatto Millennium, mixed bodies are more prevalent than ever in the public sphere, yet all too often they continue to be positioned as exotic, strange and otherworldly, according to tragic mulatto tropes. This book evaluates the potential for moving beyond fixed racial binaries both onscreen and off by exploring actors and characters who embody the in-between. Through analyses of over 40 movies, and case studies of key films from the 1910s on, Mixed Race Cinemas illuminates landmark shifts in local and global cinema, exploring discourses of subjectivity, race, gender, sexuality and class. In doing so, it reveals the similarities and contrasts between American and French cinema in relation to recognising, visualising and constructing mixedness. Mixed Race Cinemas contextualizes and critiques raced and post-race visual culture, using cinematic representations to illustrate changing definitions of mixed identity across different historical and geographical contexts. Examines racial issues onscreen by charting and analysing the rise of mixed-race characters in American and French cinema. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781501312458
Quantité disponible : 1 disponible(s)
Vendeur : CitiRetail, Stevenage, Royaume-Uni
Hardcover. Etat : new. Hardcover. Using critical race theory and film studies to explore the interconnectedness between cinema and society, Zelie Asava traces the history of mixed-race representations in American and French filmmaking from early and silent cinema to the present day. Mixed Race Cinemas covers over a hundred years of filmmaking to chart the development of (black/white) mixed representations onscreen. With the 21st century being labelled the Mulatto Millennium, mixed bodies are more prevalent than ever in the public sphere, yet all too often they continue to be positioned as exotic, strange and otherworldly, according to tragic mulatto tropes. This book evaluates the potential for moving beyond fixed racial binaries both onscreen and off by exploring actors and characters who embody the in-between. Through analyses of over 40 movies, and case studies of key films from the 1910s on, Mixed Race Cinemas illuminates landmark shifts in local and global cinema, exploring discourses of subjectivity, race, gender, sexuality and class. In doing so, it reveals the similarities and contrasts between American and French cinema in relation to recognising, visualising and constructing mixedness. Mixed Race Cinemas contextualizes and critiques raced and post-race visual culture, using cinematic representations to illustrate changing definitions of mixed identity across different historical and geographical contexts. Examines racial issues onscreen by charting and analysing the rise of mixed-race characters in American and French cinema. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781501312458
Quantité disponible : 1 disponible(s)
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. Num Pages: 224 pages, 10 bw illus. BIC Classification: APFA; APFB. Category: (U) Tertiary Education (US: College). Dimension: 229 x 152. . . 2017. Hardback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781501312458
Quantité disponible : Plus de 20 disponibles
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Hardback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. N° de réf. du vendeur C9781501312458
Quantité disponible : Plus de 20 disponibles
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. Neuware - Using critical race theory and film studies to explore the interconnectedness between cinema and society, Zélie Asava traces the history of mixed-race representations in American and French filmmaking from early and silent cinema to the present day. Mixed Race Cinemas covers over a hundred years of filmmaking to chart the development of (black/white) mixed representations onscreen. With the 21st century being labelled the Mulatto Millennium, mixed bodies are more prevalent than ever in the public sphere, yet all too often they continue to be positioned as exotic, strange and otherworldly, according to 'tragic mulatto' tropes. This book evaluates the potential for moving beyond fixed racial binaries both onscreen and off by exploring actors and characters who embody the in-between. Through analyses of over 40 movies, and case studies of key films from the 1910s on, Mixed Race Cinemas illuminates landmark shifts in local and global cinema, exploring discourses of subjectivity, race, gender, sexuality and class. In doing so, it reveals the similarities and contrasts between American and French cinema in relation to recognising, visualising and constructing mixedness. Mixed Race Cinemas contextualizes and critiques raced and 'post-race' visual culture, using cinematic representations to illustrate changing definitions of mixed identity across different historical and geographical contexts. N° de réf. du vendeur 9781501312458
Quantité disponible : 2 disponible(s)