An investigation of gender in post-9/11 American apocalyptic telefantasy.
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Eve Bennett is a lecturer in media and cultural studies at the Université Sorbonne Nouvelle, Paris 3, France.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. In the years following 9/11, American TV developed a preoccupation with apocalypse. Science fiction and fantasy shows ranging from Firefly to Heroes, from the rebooted Battlestar Galactica to Lost, envisaged scenarios in which world-changing disasters were either threatened or actually took place. During the same period numerous commentators observed that the American medias representation of gender had undergone a marked regression, possibly, it was suggested, as a consequence of the 9/11 attacks and the feelings of weakness and insecurity they engendered in the nations men.Eve Bennett investigates whether the same impulse to return to traditional images of masculinity and femininity can be found in the contemporary cycle of apocalyptic series, programmes which, like 9/11 itself, present plenty of opportunity for narratives of damsels-in-distress and heroic male rescuers. However, as this book shows, whether such narratives play out in the expected manner is another matter. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781501331084
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Hardcover. Etat : new. Hardcover. In the years following 9/11, American TV developed a preoccupation with apocalypse. Science fiction and fantasy shows ranging from Firefly to Heroes, from the rebooted Battlestar Galactica to Lost, envisaged scenarios in which world-changing disasters were either threatened or actually took place. During the same period numerous commentators observed that the American medias representation of gender had undergone a marked regression, possibly, it was suggested, as a consequence of the 9/11 attacks and the feelings of weakness and insecurity they engendered in the nations men.Eve Bennett investigates whether the same impulse to return to traditional images of masculinity and femininity can be found in the contemporary cycle of apocalyptic series, programmes which, like 9/11 itself, present plenty of opportunity for narratives of damsels-in-distress and heroic male rescuers. However, as this book shows, whether such narratives play out in the expected manner is another matter. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781501331084
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Etat : New. KlappentextrnrnIn the years following 9/11, American TV developed a preoccupation with apocalypse. Science fiction and fantasy shows ranging from Firefly to Heroes, from the rebooted Battlestar Galactica to Lost, envi. N° de réf. du vendeur 257094608
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Buch. Etat : Neu. Neuware - In the years following 9/11, American TV developed a preoccupation with apocalypse. Science fiction and fantasy shows ranging from Firefly to Heroes, from the rebooted Battlestar Galactica to Lost, envisaged scenarios in which world-changing disasters were either threatened or actually took place. During the same period numerous commentators observed that the American media's representation of gender had undergone a marked regression, possibly, it was suggested, as a consequence of the 9/11 attacks and the feelings of weakness and insecurity they engendered in the nation's men.Eve Bennett investigates whether the same impulse to return to traditional images of masculinity and femininity can be found in the contemporary cycle of apocalyptic series, programmes which, like 9/11 itself, present plenty of opportunity for narratives of damsels-in-distress and heroic male rescuers. However, as this book shows, whether such narratives play out in the expected manner is another matter. N° de réf. du vendeur 9781501331084
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