Articles liés à Materializing Memories: Dispositifs, Generations, Amateurs
Synopsis
Departing from an historical perspective, this volume offers a methodological analysis of technologically mediated memory practices through the key perspectives of dispositifs, generations, and amateurs.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos des auteurs
Susan Aasman is media historian and Associate Professor of Media Studies at the University of Groningen, Netherlands. Her field of expertise is in media history, in particular the history of documentary and amateur media, and in digital humanities and digital archives. Her current research involves projects that address the possibilities of using digital tools for doing media historical research. Currently, she is director of the Centre for Digital Humanities at the University of Groningen and in charge of the Master in Digital Humanities. Aasman is chief-editor of TMG- Journal for Media History.
Andreas Fickers is Professor of Contemporary and Digital History at Luxembourg University, Luxembourg. His research ranges from transnational media history to the European history of technology and theory of digital history. He is the co-editor in chief of the open access online journal VIEW - European Journal of Television History and Culture and the author, most recently, of Communicating Europe: Technologies, Information, Events (Palgrave, 2016).
Joseph Wachelder is Associate Professor of History at Maastricht University, the Netherlands. His research focuses on interactions between science and culture, and his wide-ranging publication history has addressed issues in higher education, the popularization of science, colour and sense experience in art and science, and educational toys and games. He has previously held positions in Gewina (the Dutch Society for the History of Medicine, Mathematics, Science and Technology) and the European Society for the History of Science (ESHS),.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Materializing Memories
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Bloomsbury Publishing (UK), 2018
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Materializing Memories (Hardcover)
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Hardcover. Etat : new. Hardcover. A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as the privilege of a few, well-to-do families, have now emerged as ubiquitous and immediate cultures of sharing. Departing from the history of home movies, this volume offers a sophisticated understanding of technologically mediated, mostly ritualized memory practices, from early beginnings in the fin-de-siecle to today.Departing from a longue duree perspective on home movie practices, Materializing Memories moves beyond a strict historical study to grapple with highly theorized fields, such as media studies, memory studies, and science and technology studies (STS). The contributors to this volume reflect on these different intellectual backgrounds and perspectives, but all chapters share a common framework by addressing practices of use, user configurations, and relevant media landscapes. Grasping the cultural dynamics of such multi-faceted practices requires a multidimensional conceptual approach, here achieved by centering around three concepts as central analytical lenses: dispositifs, generations, and amateurs. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781501333231
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Materializing Memories (Hardcover)
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ISBN 13 : 9781501333231
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Hardcover. Etat : new. Hardcover. A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as the privilege of a few, well-to-do families, have now emerged as ubiquitous and immediate cultures of sharing. Departing from the history of home movies, this volume offers a sophisticated understanding of technologically mediated, mostly ritualized memory practices, from early beginnings in the fin-de-siecle to today.Departing from a longue duree perspective on home movie practices, Materializing Memories moves beyond a strict historical study to grapple with highly theorized fields, such as media studies, memory studies, and science and technology studies (STS). The contributors to this volume reflect on these different intellectual backgrounds and perspectives, but all chapters share a common framework by addressing practices of use, user configurations, and relevant media landscapes. Grasping the cultural dynamics of such multi-faceted practices requires a multidimensional conceptual approach, here achieved by centering around three concepts as central analytical lenses: dispositifs, generations, and amateurs. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781501333231
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Materializing Memories: Dispositifs, Generations, Amateurs
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Bloomsbury Academic, 2018
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ISBN 13 : 9781501333231
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Materializing Memories: Dispositifs, Generations, Amateurs
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ISBN 13 : 9781501333231
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Materializing Memories | Dispositifs, Generations, Amateurs
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Buch. Etat : Neu. Materializing Memories | Dispositifs, Generations, Amateurs | Susan Aasman (u. a.) | Buch | Gebunden | Englisch | 2018 | Bloomsbury 3PL | EAN 9781501333231 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. N° de réf. du vendeur 131339421
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Materializing Memories : Dispositifs, Generations, Amateurs
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Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as the privilege of a few, well-to-do families, have now emerged as ubiquitous and immediate cultures of sharing. Departing from the history of home movies, this volume offers a sophisticated understanding of technologically mediated, mostly ritualized memory practices, from early beginnings in the fin-de-siècle to today.Departing from a longue durée perspective on home movie practices, Materializing Memories moves beyond a strict historical study to grapple with highly theorized fields, such as media studies, memory studies, and science and technology studies (STS). The contributors to this volume reflect on these different intellectual backgrounds and perspectives, but all chapters share a common framework by addressing practices of use, user configurations, and relevant media landscapes. Grasping the cultural dynamics of such multi-faceted practices requires a multidimensional conceptual approach, here achieved by centering around three concepts as central analytical lenses: dispositifs, generations, and amateurs. N° de réf. du vendeur 9781501333231
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