An historically informed reappraisal of the work of Hal Ashby, one of New Hollywood cinemas pioneering yet neglected film-makers.
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Aaron Hunter lectures in the department of film at Trinity College Dublin, Ireland. His publications include Authoring Hal Ashby: The Myth of the New Hollywood Auteur (Bloomsbury, 2016) and Polly Platt: Hollywood Production Design and Creative Authorship (2022). His collection Women and New Hollywood: Gender, Creative Labor, and 1970s American Cinema, co-edited with Martha Shearer, will be published in 2022.
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Paperback. Etat : New. Casting fresh light on New Hollywood - one of American cinema's most fertile eras - Authoring Hal Ashby is the first sustained argument that, rather than a period dominated by genius auteurs, New Hollywood was an era of intense collaboration producing films of multiple-authorship. Centering its discussion on the films and filmmaking practice of director Hal Ashby (Harold and Maude, Shampoo, Being There), Hunter's work demonstrates how the auteur paradigm has served not only to diminish several key films and filmmakers of the era, but also to underestimate and undervalue the key contributions to the era's films of cinematographers, editors, writers and other creative crew members. Placing Ashby's films and career within the historical context of his era to show how he actively resisted the auteur label, the author demonstrates how this resistance led to Ashby's marginalization by film executives of his time and within subsequent film scholarship. Through rigorous analysis of several films, Hunter moves on to demonstrate Ashby's own signature authorial contributions to his films and provides thorough and convincing demonstrations of the authorial contributions made by several of Ashby's key collaborators.Building on emerging scholarship on multiple-authorship, Authoring Hal Ashby lays out a creative new approach to understanding one of Hollywood cinema's most exciting eras and one of its most vital filmmakers. N° de réf. du vendeur LU-9781501340192
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Paperback. Etat : new. Paperback. Casting fresh light on New Hollywood one of American cinemas most fertile eras Authoring Hal Ashby is the first sustained argument that, rather than a period dominated by genius auteurs, New Hollywood was an era of intense collaboration producing films of multiple-authorship. Centering its discussion on the films and filmmaking practice of director Hal Ashby (Harold and Maude, Shampoo, Being There), Hunters work demonstrates how the auteur paradigm has served not only to diminish several key films and filmmakers of the era, but also to underestimate and undervalue the key contributions to the eras films of cinematographers, editors, writers and other creative crew members. Placing Ashbys films and career within the historical context of his era to show how he actively resisted the auteur label, the author demonstrates how this resistance led to Ashbys marginalization by film executives of his time and within subsequent film scholarship. Through rigorous analysis of several films, Hunter moves on to demonstrate Ashbys own signature authorial contributions to his films and provides thorough and convincing demonstrations of the authorial contributions made by several of Ashbys key collaborators.Building on emerging scholarship on multiple-authorship, Authoring Hal Ashby lays out a creative new approach to understanding one of Hollywood cinemas most exciting eras and one of its most vital filmmakers. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781501340192
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Paperback. Etat : new. Paperback. Casting fresh light on New Hollywood one of American cinemas most fertile eras Authoring Hal Ashby is the first sustained argument that, rather than a period dominated by genius auteurs, New Hollywood was an era of intense collaboration producing films of multiple-authorship. Centering its discussion on the films and filmmaking practice of director Hal Ashby (Harold and Maude, Shampoo, Being There), Hunters work demonstrates how the auteur paradigm has served not only to diminish several key films and filmmakers of the era, but also to underestimate and undervalue the key contributions to the eras films of cinematographers, editors, writers and other creative crew members. Placing Ashbys films and career within the historical context of his era to show how he actively resisted the auteur label, the author demonstrates how this resistance led to Ashbys marginalization by film executives of his time and within subsequent film scholarship. Through rigorous analysis of several films, Hunter moves on to demonstrate Ashbys own signature authorial contributions to his films and provides thorough and convincing demonstrations of the authorial contributions made by several of Ashbys key collaborators.Building on emerging scholarship on multiple-authorship, Authoring Hal Ashby lays out a creative new approach to understanding one of Hollywood cinemas most exciting eras and one of its most vital filmmakers. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781501340192
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Taschenbuch. Etat : Neu. Neuware - Casting fresh light on New Hollywood - one of American cinema's most fertile eras - Authoring Hal Ashby is the first sustained argument that, rather than a period dominated by genius auteurs, New Hollywood was an era of intense collaboration producing films of multiple-authorship. Centering its discussion on the films and filmmaking practice of director Hal Ashby (Harold and Maude, Shampoo, Being There), Hunter's work demonstrates how the auteur paradigm has served not only to diminish several key films and filmmakers of the era, but also to underestimate and undervalue the key contributions to the era's films of cinematographers, editors, writers and other creative crew members. Placing Ashby's films and career within the historical context of his era to show how he actively resisted the auteur label, the author demonstrates how this resistance led to Ashby's marginalization by film executives of his time and within subsequent film scholarship. Through rigorous analysis of several films, Hunter moves on to demonstrate Ashby's own signature authorial contributions to his films and provides thorough and convincing demonstrations of the authorial contributions made by several of Ashby's key collaborators.Building on emerging scholarship on multiple-authorship, Authoring Hal Ashby lays out a creative new approach to understanding one of Hollywood cinema's most exciting eras and one of its most vital filmmakers. N° de réf. du vendeur 9781501340192
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