Witness to Phenomenon constructs an historical narrative of the post-WWII German Group ZERO based upon the previously unpublished archives of the artists and the principle critics of this period.
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Joseph D. Ketner II is Foster Chair in Contemporary Art and Distinguished Curator in Residence at Emerson College, Boston, USA. A curator and art historian for over thirty years, Ketner has curated exhibitions and publishing on a range of topics from nineteenth century African American art, particularly Robert S. Duncanson, and modern and contemporary European and American art. His recent publications include books on Warhol; as well as essays on Heinz Mack and Otto Piene for Sperone Westwater Gallery, New York.
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Paperback. Etat : New. Witness to Phenomenon articulates a fresh examination of the German Group Zero-Heinz Mack, Otto Piene, and Günter Uecker-and other new tendency artists, who rejected painting and introduced new art media in postwar Europe. Group ZERO evolved into a network across Europe- Amsterdam, Milan, Paris, and Zagreb. This pan-European affiliation of artists generated a continuous stream of innovative artistic statements through the 1960s, incorporating non-traditional materials and new technologies to create kinetic art, light installations, performances, immersive multimedia installations, monumental land art, and the communication media of video and television. They transformed the visual arts from the inanimate objet d'art to a sensory experience by adopting the ascendant philosophy of Phenomenology as their conceptual foundation. Drawing from a decade of research on unpublished archives of the artists and critics of this period, this publication positions Group ZERO as a catalytic art moment in the transition from modern to contemporary art. N° de réf. du vendeur LU-9781501353994
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Paperback. Etat : new. Paperback. Witness to Phenomenon articulates a fresh examination of the German Group ZeroHeinz Mack, Otto Piene, and Guenter Ueckerand other new tendency artists, who rejected painting and introduced new art media in postwar Europe. Group ZERO evolved into a network across Europe Amsterdam, Milan, Paris, and Zagreb. This pan-European affiliation of artists generated a continuous stream of innovative artistic statements through the 1960s, incorporating non-traditional materials and new technologies to create kinetic art, light installations, performances, immersive multimedia installations, monumental land art, and the communication media of video and television. They transformed the visual arts from the inanimate objet dart to a sensory experience by adopting the ascendant philosophy of Phenomenology as their conceptual foundation. Drawing from a decade of research on unpublished archives of the artists and critics of this period, this publication positions Group ZERO as a catalytic art moment in the transition from modern to contemporary art. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781501353994
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