Synopsis
New Wave, New Hollywood offers new perspectives on a key time in American film history.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos des auteurs
Nathan Abrams is Professor of Film Studies at Bangor University, UK. He is the founding co-editor of Jewish Film and New Media: An International Journal. He is the author and editor of a number of books and articles, including most recently The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema (2012). He is currently editing a collection entitled Hidden in Plain Sight: Jews and Jewishness in British Film, Television, and Popular Culture (forthcoming).
Gregory Frame is Teaching Associate in Film and Television Studies at the University of Nottingham, UK. He is the author of The American President in Film and Television: Myth, Politics and Representation (2014). He has published articles about the politics of American film and television in Journal of American Studies, New Review of Film and Television Studies, and Journal of Popular Film and Television.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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New Wave, New Hollywood: Reassessment, Recovery, and Legacy
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Bloomsbury Academic, 2021
ISBN 10 : 150136040X
ISBN 13 : 9781501360404
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New Wave, New Hollywood
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ISBN 13 : 9781501360404
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New Wave, New Hollywood
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ISBN 10 : 150136040X
ISBN 13 : 9781501360404
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New Wave, New Hollywood: Reassessment, Recovery, and Legacy
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Bloomsbury Academic, 2021
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ISBN 13 : 9781501360404
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New Wave, New Hollywood (Hardcover)
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Bloomsbury Publishing Plc, New York, 2021
ISBN 10 : 150136040X
ISBN 13 : 9781501360404
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Hardcover. Etat : new. Hardcover. As a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and ending in 1980) remains a preoccupation for scholars and audiences alike. In traditional accounts, it is considered to be bookended by two periods of conservatism, and viewed as a (brief) period of explosive creativity within the Hollywood system. From Bonnie and Clyde to Heavens Gate, it produced films that continue to be watched, discussed, analysed and poured over.It has, however, also become rigidly defined as a cinema of director-auteurs who made a number of aesthetically and politically significant films. This has led to marginalization and exclusion of many important artists and filmmakers, as well as a temporal rigidity about what and who is considered part of the New Wave proper. This collection seeks to reinvigorate debate around this area of film history. It also looks in part to demonstrate the legacy of aesthetic experimentation and political radicalism after 1980 as part of the legacy of the New Wave. Thanks to important new work that questions received scholarly wisdom, reveals previously marginalised filmmakers (and the films they made), considers new genres, personnel, and films under the banner of New Wave, New Hollywood, and reevaluates the traditional approaches and perspectives on the films that have enjoyed most critical attention, New Wave, New Hollywood: Reassessment, Recovery, Legacy looks to begin a new discussion about Hollywood cinema after 1967. New Wave, New Hollywood offers new perspectives on a key time in American film history. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781501360404
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New Wave, New Hollywood: Reassessment, Recovery, and Legacy
Edité par
Bloomsbury Publishing PLC, 2021
ISBN 10 : 150136040X
ISBN 13 : 9781501360404
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New Wave, New Hollywood (Hardcover)
Edité par
Bloomsbury Publishing Plc, New York, 2021
ISBN 10 : 150136040X
ISBN 13 : 9781501360404
Neuf
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Hardcover. Etat : new. Hardcover. As a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and ending in 1980) remains a preoccupation for scholars and audiences alike. In traditional accounts, it is considered to be bookended by two periods of conservatism, and viewed as a (brief) period of explosive creativity within the Hollywood system. From Bonnie and Clyde to Heavens Gate, it produced films that continue to be watched, discussed, analysed and poured over.It has, however, also become rigidly defined as a cinema of director-auteurs who made a number of aesthetically and politically significant films. This has led to marginalization and exclusion of many important artists and filmmakers, as well as a temporal rigidity about what and who is considered part of the New Wave proper. This collection seeks to reinvigorate debate around this area of film history. It also looks in part to demonstrate the legacy of aesthetic experimentation and political radicalism after 1980 as part of the legacy of the New Wave. Thanks to important new work that questions received scholarly wisdom, reveals previously marginalised filmmakers (and the films they made), considers new genres, personnel, and films under the banner of New Wave, New Hollywood, and reevaluates the traditional approaches and perspectives on the films that have enjoyed most critical attention, New Wave, New Hollywood: Reassessment, Recovery, Legacy looks to begin a new discussion about Hollywood cinema after 1967. New Wave, New Hollywood offers new perspectives on a key time in American film history. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781501360404
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New Wave, New Hollywood: Reassessment, Recovery, and Legacy
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ISBN 10 : 150136040X
ISBN 13 : 9781501360404
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