Analyzes popular music's aesthetics, production, marketing, and consumption toward articulating a clearer understanding of how intimacy is constructed, mediated, and perceived in and through music.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Zack Stiegler is Professor of Communications Media at Indiana University of Pennsylvania, USA. He has served as Editor of Journal of Communications Media Studies, and as reviewer for Journal of Communication Inquiry, and Language and Communication Quarterly. In addition to authoring a number of journal articles and book chapters, he is editor of
Regulating the Web (2013). He has also served on the executive board of the International Association for the Study of Popular Music (US Branch).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Discourse on popular music frequently describes artists' recordings and performances as "intimate." Yet that discourse often stops short of elucidating how a mass-produced commodity such as popular music is able to elicit feelings of intimacy with and among its audience. Through detailed analysis of popular music's composition, performance, production, and promotion, Musical Intimacy examines how intimacy is constructed and perceived in popular music via its affective and technological affordances. From the recording studio to the concert stage, from collective experience to individual listening and perception, this book presents a working understanding of musical intimacy. N° de réf. du vendeur LU-9781501372292
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Paperback. Etat : new. Paperback. Discourse on popular music frequently describes artists recordings and performances as intimate. Yet that discourse often stops short of elucidating how a mass-produced commodity such as popular music is able to elicit feelings of intimacy with and among its audience. Through detailed analysis of popular musics composition, performance, production, and promotion, Musical Intimacy examines how intimacy is constructed and perceived in popular music via its affective and technological affordances. From the recording studio to the concert stage, from collective experience to individual listening and perception, this book presents a working understanding of musical intimacy. "Analyzes popular music's aesthetics, production, marketing, and consumption toward articulating a clearer understanding of how intimacy is constructed, mediated, and perceived in and through music"-- This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781501372292
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Paperback. Etat : new. Paperback. Discourse on popular music frequently describes artists recordings and performances as intimate. Yet that discourse often stops short of elucidating how a mass-produced commodity such as popular music is able to elicit feelings of intimacy with and among its audience. Through detailed analysis of popular musics composition, performance, production, and promotion, Musical Intimacy examines how intimacy is constructed and perceived in popular music via its affective and technological affordances. From the recording studio to the concert stage, from collective experience to individual listening and perception, this book presents a working understanding of musical intimacy. "Analyzes popular music's aesthetics, production, marketing, and consumption toward articulating a clearer understanding of how intimacy is constructed, mediated, and perceived in and through music"-- This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781501372292
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