Examines the pervasiveness of the reenactment as a form of historical representation in contemporary moving image culture, exploring its diverse manifestations across a range of genres and institutional contexts.
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Megan Carrigy is Associate Director for Academic Programs at NYU Sydney, Australia. Her research interests include contemporary film theory, reenactment, virtual reality, Australian cinema and the cinema of Ritwik Ghatak. Awards include Best Doctoral Thesis Prize (UNSW), the Mari Kuttna Memorial Prize for Film Studies and English Association Prize for Best Long Essay (University of Sydney).
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Paperback. Etat : New. During the first decades of the 21st century, a critical re-assessment of the reenactment as a form of historical representation has taken place in the disciplines of history, art history and performance studies. Engagement with the reenactment in film and media studies has come almost entirely from the field of documentary studies and has focused almost exclusively on non-fiction, even though reenactments are being employed across fiction and non-fiction film and television genres. Working with an eclectic collection of case studies from Milk, Monster, Boys Don't Cry, and The Battle of Orgreave to CSI and the video of police assaulting Rodney King, this book examines the relationship between the status of theatricality in the reenactment and the ways in which its relationships to reference are performed. Carrigy shows that while the practice of reenactment predates technically reproducible media, and continues to exist in both live and mediated forms, it has been thoroughly transformed through its incorporation within forms of technical media. N° de réf. du vendeur LU-9781501380174
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Paperback or Softback. Etat : New. The Reenactment in Contemporary Screen Culture: Performance, Mediation, Repetition. Book. N° de réf. du vendeur BBS-9781501380174
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Paperback. Etat : new. Paperback. During the first decades of the 21st century, a critical re-assessment of the reenactment as a form of historical representation has taken place in the disciplines of history, art history and performance studies. Engagement with the reenactment in film and media studies has come almost entirely from the field of documentary studies and has focused almost exclusively on non-fiction, even though reenactments are being employed across fiction and non-fiction film and television genres. Working with an eclectic collection of case studies from Milk, Monster, Boys Dont Cry, and The Battle of Orgreave to CSI and the video of police assaulting Rodney King, this book examines the relationship between the status of theatricality in the reenactment and the ways in which its relationships to reference are performed. Carrigy shows that while the practice of reenactment predates technically reproducible media, and continues to exist in both live and mediated forms, it has been thoroughly transformed through its incorporation within forms of technical media. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781501380174
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