Offers new and insightful perspectives on Ingmar Bergman's work as a film and theatre director as well as writer of fiction, through the coming together of an internationally prominent group of academic scholars and artistic practitioners who have worked on and/or with Bergman.
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Maaret Koskinen is Professor in Film Studies at Stockholm University, Sweden. She was also film critic in Sweden's largest daily Dagens Nyheter (1981-2011) and Board Member of the Swedish Film Institute (2011-2016). Her latest publication is "Involuntary Dogma restrictions: Orca and COVID-19 screen culture" (2021). Other publications include Ingmar Bergman's THE SILENCE. Pictures in the Typewriter, Writings on the Screen (2010); Ingmar Bergman y sus primeros escritos. En el principio era la palabra (2017); and the forthcoming Ingmar Bergman at the Crossroads (2022).
Louise Wallenberg is Professor in Fashion Studies at Stockholm University, Sweden. She holds a PhD in Film Studies, and she was the establishing director of the Centre for Fashion Studies between 2007 and 2013. Among her publications are the collections MODE (2009); Nordic Fashion Studies (2011); Mode och modernism (2014); Fashion, Film, and the 1960s (2017); Fashion and Modernism (2018); What about all these women? (2022); and Ingmar Bergman at the Crossroads (2022).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. This collection offers new and insightful perspectives on Ingmar Bergman's work as a film and theatre director as well as writer of fiction. Ingmar Bergman's rich legacy as a film director and writer of classics such as The Seventh Seal, Scenes From a Marriage, and Fanny and Alexander has attracted scholars not only in film studies but also of literature, theater, gender, philosophy, religion, sociology, musicology, and more. Less known, however, is Bergman from the perspective of production studies, including all the choices, practices, and routines involved in what goes on behind the scenes. For instance, what about Bergman's collaborations and conflicts with film producers? What about his work with musicians at the opera, technicians in the television studio, and actors on the film set? What about Bergman and MeToo? In order to throw light on these issues, art practitioners such as film directors Ang Lee and Margarethe von Trotta, film and opera director Atom Egoyan, and film producer and screenwriter James Schamus are brought together with academics such as philosopher and film scholar Paisley Livingston, musicologist Alexis Luko, and playwright and performance studies scholar Allan Havis to discuss Bergman's work from their unique perspectives. In addition, Ingmar Bergman at the Crossroads provides, for the first time, in-depth interviews with Bergman's longtime collaborators Katinka Faragó and Måns Reuterswärd, who both have first-hand experience of working intimately as producers in film and television with Bergman, covering more than 5 decades. In an open exchange between individual and institutional perspectives, this book bridges the often-rigid boundaries between theoreticians and practitioners, in turn pointing Bergman's studies in new directions. N° de réf. du vendeur LU-9781501389610
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Paperback. Etat : new. Paperback. This collection offers new and insightful perspectives on Ingmar Bergmans work as a film and theatre director as well as writer of fiction. Ingmar Bergmans rich legacy as a film director and writer of classics such as The Seventh Seal, Scenes From a Marriage, and Fanny and Alexander has attracted scholars not only in film studies but also of literature, theater, gender, philosophy, religion, sociology, musicology, and more. Less known, however, is Bergman from the perspective of production studies, including all the choices, practices, and routines involved in what goes on behind the scenes. For instance, what about Bergmans collaborations and conflicts with film producers? What about his work with musicians at the opera, technicians in the television studio, and actors on the film set? What about Bergman and MeToo? In order to throw light on these issues, art practitioners such as film directors Ang Lee and Margarethe von Trotta, film and opera director Atom Egoyan, and film producer and screenwriter James Schamus are brought together with academics such as philosopher and film scholar Paisley Livingston, musicologist Alexis Luko, and playwright and performance studies scholar Allan Havis to discuss Bergmans work from their unique perspectives. In addition, Ingmar Bergman at the Crossroads provides, for the first time, in-depth interviews with Bergmans longtime collaborators Katinka Farago and Mans Reuterswaerd, who both have first-hand experience of working intimately as producers in film and television with Bergman, covering more than 5 decades. In an open exchange between individual and institutional perspectives, this book bridges the often-rigid boundaries between theoreticians and practitioners, in turn pointing Bergman's studies in new directions. "Offers new and insightful perspectives on Ingmar Bergman's work as a film and theatre director as well as writer of fiction, through the coming together of an internationally prominent group of academic scholars and artistic practitioners who have worked on and/or with Bergman"-- This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781501389610
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