The dark attunes our eyes to detail the light can sometimes conceal; similarly, Colette Bryce's new poems are 'slant tellings' that reveal strange and true reflections. Using a wide range of imaginative strategies, Bryce examines the ways in which time is held, space enclosed - and a life framed and given meaning: a face in a broken mirror, a spider trapped under a glass, or a stolen kiss in a car-wash. Bryce's two previous prize-winning collections were widely admired for their marvellously seductive music and their speed of thought; Self-Portrait in the Dark widens and deepens the poet's scope, and is her most emotionally compelling collection to date.
Praise for The Full Indian Rope Trick
'[Bryce's] poems, sensitive as the needle that registers some distant earth tremor, are delicately poised . . . Bryce's vision is questing, disquieting, dark . . . as she seeks out the truths of life and love that transform the human heart. This is a confident, complex, subversive collection that shows us the magic by which one becomes a mature poet' The Times
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Colette Bryce was born in Derry in 1970. After studying in England, she settled in London for some years where she received an Eric Gregory Award in 1995 and won the National Poetry Competition in 2003. She has published four poetry collections with Picador, most recently The Whole & Rain-domed Universe (2014), recipient of a Christopher Ewart-Biggs Award in memory of Seamus Heaney. She has held literary fellowships at various universities in the UK, Ireland and the US, and currently lives in Newcastle upon Tyne where she works as a freelance writer and editor. She received a Cholmondeley Award for poetry in 2010. Her Selected Poems was shortlisted for the Poetry Pigott Prize in association with Listowel Writers’ Week. She was selected as one of Val McDermid's ten most exciting LGBTQI+ writers in the UK in association with the British Council in 2019.
www.colettebryce.com
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Paperback. Etat : new. Paperback. The dark attunes our eyes to detail the light can sometimes conceal; similarly, Colette Bryces new poems are slant tellings that reveal strange and true reflections. Using a wide range of imaginative strategies, Bryce examines the ways in which time is held, space enclosed and a life framed and given meaning: a face in a broken mirror, a spider trapped under a glass, or a stolen kiss in a car-wash. Bryces two previous prize-winning collections were widely admired for their marvellously seductive music and their speed of thought; Self-Portrait in the Dark widens and deepens the poets scope, and is her most emotionally compelling collection to date. Praise for The Full Indian Rope Trick [Bryces] poems, sensitive as the needle that registers some distant earth tremor, are delicately poised . . . Bryces vision is questing, disquieting, dark . . . as she seeks out the truths of life and love that transform the human heart. This is a confident, complex, subversive collection that shows us the magic by which one becomes a mature poet The Times Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781509839087
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