I challenge the aesthetics of weaving, just as in my earlier work in digital design, writing, and ceramics, I twisted the traditions of websites, poetry, and clay. First setting limits and then breaking them, I create the most dynamic, unexpected work. My sculptures and tapestries apply the Japanese philosophy of SAORI. With its Zen mindset, SAORI encourages freeform work—no patterns, no rules, no mistakes. Every sculpture is an improvisation in awkward beauty: clumpy fabric, fighting colors, rough and smooth textures, ragged edges. Accessibility is key. I extract humor and irony from my experience. I twist my reality into sculptures. “I Would Wear That” is a collection of useless handwoven wall hangings. Their only function is to look nice. I wove with colors I like to wear. They belong on the wall, not in my laundry basket. I wish my closet looked like this.
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Juliet Martin was born in New Jersey in 1970. Martin works predominantly in fiber, but also includes digital media. Martin completed a BA from Brown University in 1993, and a MFA from the School of Visual Arts in 1998. She has had solo shows at Pace University Gallery, New York; Artworks, Trenton, New Jersey; and SAORI Hiroba, Osaka, Japan. Her professional career as an artist began with creating Web-based art pieces recognized around the world including SIGGRAPH and the New York Times. Now Martin sculpts autobiographies out of handwoven fiber, creating abstract representations of personal stories often tinged with humor. Martin lives and works in New York City.
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