Following the dissolution of the Ottoman Empire in the early 1920s, an emerging nation state built a particular relationship with the Ottoman past. In its simultaneous disavowal and inheritance of it, this was the new Republic of Turkey, founded in 1923. Nation-states are areas of ideological contestation. However, they are equally visible and tangible. This is thanks to the making of a new world of artefacts in build or print that represent and commemorate them in many, often contradicting ways through design practices. This book offers a thorough account of this new Turkish material world through the trajectories of commemoration; from public monuments, print media, and festive illumination to temporary and permanent architecture from the onset of the 1908 Young Turk revolution to the demise of Turkey’s founding single-party regime in the late 1950s. If objects are silent actors of history, their confessions await. -- .
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Artun Ozguner is a Senior Lecturer in Contextual and Theoretical Studies at the University for the Creative Arts -- .
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. Following the dissolution of the Ottoman Empire in the early 1920s, an emerging nation state built a particular relationship with the Ottoman past. In its simultaneous disavowal and inheritance of it, this was the new Republic of Turkey, founded in 1923. Nation-states are areas of ideological contestation. However, they are equally visible and tangible. This is thanks to the making of a new world of artefacts in build or print that represent and commemorate them in many, often contradicting ways through design practices. This book offers a thorough account of this new Turkish material world through the trajectories of commemoration; from public monuments, print media, and festive illumination to temporary and permanent architecture from the onset of the 1908 Young Turk revolution to the demise of Turkey's founding single-party regime in the late 1950s. If objects are silent actors of history, their confessions await. N° de réf. du vendeur LU-9781526176233
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Hardcover. Etat : new. Hardcover. Following the dissolution of the Ottoman Empire in the early 1920s, an emerging nation state built a particular relationship with the Ottoman past. In its simultaneous disavowal and inheritance of it, this was the new Republic of Turkey, founded in 1923. Nation-states are areas of ideological contestation. However, they are equally visible and tangible. This is thanks to the making of a new world of artefacts in build or print that represent and commemorate them in many, often contradicting ways through design practices. This book offers a thorough account of this new Turkish material world through the trajectories of commemoration; from public monuments, print media, and festive illumination to temporary and permanent architecture from the onset of the 1908 Young Turk revolution to the demise of Turkey's founding single-party regime in the late 1950s. If objects are silent actors of history, their confessions await. This book examines the role of artefacts and design practice in representing and commemorating a new political community of Turks within the cultural transformation from empire to nation-state between 1908-50s. It offers an expanded understanding of nation-building within global, public as well as top-down official agencies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781526176233
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