Printing terror takes a fascinating look at American horror comics in the Cold War era, from the 1940s to the 1970s. It reveals how these comics both reflected and fed into the anxieties of the age, particularly in matters of race and gender.
The book traces the history of prominent titles such as Tales from the Crypt, Tomb of Terror and Chamber of Chills, while exploring the careers of cult figures within and around horror comics. Considering the context of Vietnam, the rise of feminism and the growth of the civil rights movement, it argues against the received wisdom that horror comics offered a subversive commentary on society. In reality they often repeated the sexist, racist and nationalistic tropes they purported to undermine. Featuring a wealth of vivid illustrations, Printing terror offers an exciting new perspective on horror comics, deepening our understanding of this popular but complex genre.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Michael Goodrum is Reader in Cultural History at Canterbury Christ Church University
Philip Smith is Associate Chair of Liberal Arts at Savannah College of Art and DesignLes informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Printing terror takes a fascinating look at American horror comics in the Cold War era, from the 1940s to the 1970s. It reveals how these comics both reflected and fed into the anxieties of the age, particularly in matters of race and gender.The book traces the history of prominent titles such as Tales from the Crypt, Tomb of Terror and Chamber of Chills, while exploring the careers of cult figures within and around horror comics. Considering the context of Vietnam, the rise of feminism and the growth of the civil rights movement, it argues against the received wisdom that horror comics offered a subversive commentary on society. In reality they often repeated the sexist, racist and nationalistic tropes they purported to undermine.Featuring a wealth of vivid illustrations, Printing terror offers an exciting new perspective on horror comics, deepening our understanding of this popular but complex genre. N° de réf. du vendeur LU-9781526179005
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. Printing terror places horror comics of the Cold War in dialogue with the anxieties of their age. It rejects the narrative of horror comics as inherently, and necessarily, subversive and explores, instead, the ways in which these texts manifest white male fears over America's changing sociological landscape. It examines two eras: the pre-CCA period of the 1940s up to 1954, and the post-CCA era to 1975. The book examines each of these periods through the lenses of war, gender, and race, demonstrating that horror comics at this time were centered on white male victimhood and the monstrosity of the gendered and/or racialised other. It is of interest to scholars of horror, comics studies, and American history. Printing Terror argues that horror comics of the Cold War primarily concern white male victimhood and the monstrosity of the gendered and/or racialised other. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781526179005
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2024. paperback. . . . . . N° de réf. du vendeur V9781526179005
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 47121028
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