Cinderellas transformation from a lowly, overlooked servant into a princess who attracts everyones gaze has become a powerful trope within many cultures. Inspired by the Cinderella archive of books and collectables at the University of Bedfordshire, the essays in this collection demonstrate how the story remains active in various different societies where social and family relationships are adapting to modern culture. The volume explores the social arenas of dating apps and prom nights, as well as contemporary issues about womens roles in the home, and gender identity. Cinderellas cultural translation is seen through the contributors international perspectives: from Irish folklore to the Colombian Cenicienta costeña (Cinderella of the coast) and Spanish literary history. Its transdisciplinarity ranges from fashion in Charles Perrault and the Brothers Grimms publications to a comparison of Cinderella and Galatea on film, and essays on British authors Nancy Spain, Anne Thackeray Ritchie and Frances Hodgson Burnett.
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Nicola Darwood is a Senior Lecturer at the University of Bedfordshire, UK, where she leads the undergraduate programme in English Literature, teaching courses on Ulysses, modern Irish literature, the Gothic, and eighteenth-century literature. Her research focuses mainly on twentieth-century women writers, and she is the author of A World of Lost Innocence: the fiction of Elizabeth Bowen (2012) and co-editor of The Elizabeth Bowen Review. Alexis Weedon is Professor of Publishing and UNESCO Chairholder in New Media Forms of the Book at the University of Bedfordshire, UK. She is the author of Victorian Publishing: The Economics of Book Production for a Mass Market 1836-1916, editor of The History of the Book in the West (2010), and co-author of Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman (2014). Her work focuses on publishing, the book as media, and cross-media storytelling.
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Vendeur : Lacey Books Ltd, Cirencester, Royaume-Uni
Hardcover. Etat : Very Good. 2020 Cambridge Scholars Publishing hardcover edition. Light reading wear else very good condition. CONTENTS Introduction - Nicola Darwood and Alexis Weedon Chapter One - The material culture of Cinderella: Introducing the Cinderella collection - Alexis Weedon Chapter Two - The transformation of a Disney Princess into its parodic meme: A case study of the cultural transduction of the Cenicienta costena - Enrique Uribe-Jongbloed and Cesar Mora-Moreo Chapter Three - Tinderella, a modern fairy tale of online dating and post-feminist media culture - Marta Cola and Elena Caoduro Chapter Four - Losing your footing: The transformation of gender roles and gender ideology in Marissa Meyer's Cinder - Nicky Didicher Chapter Five - Mythic transformations on screen: Cinderella meets Galatea - Eleanor Andrews Chapter Six - Tailoring Cinderella: Perrault, Grimm and their beautiful heritage - Sally King Chapter Seven - 'A Grand Christmas Pantomime': Nancy Spain's Cinderella Goes to the Morgue: An Entertainment - Nicola Darwood Chapter Eight - Real princesses in Anne Thackeray Ritchie's Five Old Friends and Frances Hodgson Burnett's A Little Princess - Rebecca Morris Chapter Nine - Representations of Cinderella as myth and folklore in Spanish versions of the tale - Maia Fernandez-Lamarque Chapter Ten - Helped by a honeybird, clothed in catskins, and swallowed by a whale: Exploring the Irish variants of the Cinderella tale - Donna Gilligan Chapter Eleven - Creative reflection: Cinderella?the ultimate domestic narrative - Vanessa Marr Chapter Twelve - 'Prom Night: Cinderella Gets a Gun': A story and creative reflection - Lesley McKenna Works from the Cinderella Collection Bibliography of Works Cited. N° de réf. du vendeur XK-I307-V1XU
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