Machen's popularity in 1920s America has been noted, and his work was an influence on the development of the pulp horror found in magazines like Weird Tales and on such notable fantasy writers as James Branch Cabell, Clark Ashton Smith, Robert E. Howard,[11] Frank Belknap Long (who wrote a tribute to Machen in verse, "On Reading Arthur Machen"),[12] Donald Wandrei,[13] David Lindsay[10] and E. Charles Vivian.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Arthur Machen (1863 1947) was born Arthur Llewellyn Jones in Caerleon in Wales. Moving to London, but living an impoverished existence, Machen eventually found success with his horror novella 'The Great God Pan', and soon after 'The Three Impostors'. Machen firmly established himself as a master storyteller of decadent supernatural horror, publishing several occult and weird tales with memorable plots and a real skill for the esoteric, creating dark and suspenseful atmospheres.
"The pleasure of rediscovering these stories or experiencing them for the first time is sure to be amplified by the insightful foreword by filmmaker Guillermo del Toro (Pan's Labyrinth) and the excellent introduction by S. T. Joshi." — Craig Smith
"As a selection of 'weird' short stories, The White People is a fine example of the precursor to what has become a popular subgenre of fantasy fiction, as well as a window on to the spiritual concerns of the Welsh author Arthur Machen (1863-1947): the veil separating the phenomenal world and the supernal realm is thin. While we may have forgotten the rituals, spells, charms and wards once used to commune with the spirits, the spirits have not forgotten us."
— Times Literary SupplementLes informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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