A rollicking history of America’s most iconic weekly newspaper told through the voices of its legendary writers, editors, and photographers
“The Freaks Came Out to Write may be the best history of a journalistic enterprise I’ve ever read”—Dwight Garner, The New York Times
You either were there or you wanted to be. A defining New York City institution co-founded by Norman Mailer, The Village Voice was the first newspaper to cover hip-hop, the avant-garde art scene, and Off-Broadway with gravitas. It reported on the AIDS crisis with urgency and seriousness when other papers dismissed it as a gay disease. In 1979, the Voice’s Wayne Barrett uncovered Donald Trump as a corrupt con artist before anyone else was paying attention. It invented new forms of criticism and storytelling and revolutionized journalism, spawning hundreds of copycats.
With more than 200 interviews, including two-time Pulitzer Prize winner, Colson Whitehead, cultural critic Greg Tate, gossip columnist Michael Musto, and feminist writers Vivian Gornick and Susan Brownmiller, former Voice writer Tricia Romano pays homage to the paper that saved NYC landmarks from destruction and exposed corrupt landlords and judges. With interviews featuring post-punk band, Blondie, sportscaster Bob Costas, and drummer Max Weinberg, of Bruce Springsteen’s E Street Band, in this definitive oral history, Romano tells the story of journalism, New York City and American culture—and the most famous alt-weekly of all time.
FINALIST FOR 2024 NATIONAL BOOK CRITICS CIRCLE AWARD
FINALIST FOR 2025 GOTHAM BOOK PRIZE
LISTED IN BEST BOOKS OF 2024 BY NEW YORK MAGAZINE (VULTURE), THE NEW YORKER, LITHUB, AND CHICAGO PUBLIC LIBRARY
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Tricia Romano began her career at the Village Voice, where her column, Fly Life, covered the underbelly of New York nightlife. A fellow at MacDowell, Ucross, and Millay artist residencies, her work has been published in The New York Times, The Washington Post, Rolling Stone, The Daily Beast, Dame, and Men’s Journal. A longtime New Yorker, she lives in Seattle, Washington.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Reliant Bookstore, El Dorado, KS, Etats-Unis
Etat : very_good. This book is in excellent condition. There may be minimal writing on the inside cover or cover page. Cover image on the book may vary from photo. Ships out quickly in a secure plastic mailer. N° de réf. du vendeur RDV.1541736397.VG
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Hardback. Etat : Fair. A rollicking history of America's most iconic weekly newspaper told through the voices of its legendary writers, editors, and photographers "The Freaks Came Out to Write may be the best history of a journalistic enterprise I've ever read"--Dwight Garner, The New York Times You either were there or you wanted to be. A defining New York City institution co-founded by Norman Mailer, The Village Voice was the first newspaper to cover hip-hop, the avant-garde art scene, and Off-Broadway with gravitas. It reported on the AIDS crisis with urgency and seriousness when other papers dismissed it as a gay disease. In 1979, the Voice's Wayne Barrett uncovered Donald Trump as a corrupt con artist before anyone else was paying attention. It invented new forms of criticism and storytelling and revolutionized journalism, spawning hundreds of copycats. With more than 200 interviews, including two-time Pulitzer Prize winner, Colson Whitehead, cultural critic Greg Tate, gossip columnist Michael Musto, and feminist writers Vivian Gornick and Susan Brownmiller, former Voice writer Tricia Romano pays homage to the paper that saved NYC landmarks from destruction and exposed corrupt landlords and judges. With interviews featuring post-punk band, Blondie, sportscaster Bob Costas, and drummer Max Weinberg, of Bruce Springsteen's E Street Band, in this definitive oral history, Romano tells the story of journalism, New York City and American culture--and the most famous alt-weekly of all time. FINALIST FOR 2024 NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST FOR 2025 GOTHAM BOOK PRIZE LISTED IN BEST BOOKS OF 2024 BY NEW YORK MAGAZINE (VULTURE), THE NEW YORKER, LITHUB, AND CHICAGO PUBLIC LIBRARY. N° de réf. du vendeur 00104889291
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Hardback. Etat : Good. A rollicking history of America's most iconic weekly newspaper told through the voices of its legendary writers, editors, and photographers "The Freaks Came Out to Write may be the best history of a journalistic enterprise I've ever read"--Dwight Garner, The New York Times You either were there or you wanted to be. A defining New York City institution co-founded by Norman Mailer, The Village Voice was the first newspaper to cover hip-hop, the avant-garde art scene, and Off-Broadway with gravitas. It reported on the AIDS crisis with urgency and seriousness when other papers dismissed it as a gay disease. In 1979, the Voice's Wayne Barrett uncovered Donald Trump as a corrupt con artist before anyone else was paying attention. It invented new forms of criticism and storytelling and revolutionized journalism, spawning hundreds of copycats. With more than 200 interviews, including two-time Pulitzer Prize winner, Colson Whitehead, cultural critic Greg Tate, gossip columnist Michael Musto, and feminist writers Vivian Gornick and Susan Brownmiller, former Voice writer Tricia Romano pays homage to the paper that saved NYC landmarks from destruction and exposed corrupt landlords and judges. With interviews featuring post-punk band, Blondie, sportscaster Bob Costas, and drummer Max Weinberg, of Bruce Springsteen's E Street Band, in this definitive oral history, Romano tells the story of journalism, New York City and American culture--and the most famous alt-weekly of all time. FINALIST FOR 2024 NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST FOR 2025 GOTHAM BOOK PRIZE LISTED IN BEST BOOKS OF 2024 BY NEW YORK MAGAZINE (VULTURE), THE NEW YORKER, LITHUB, AND CHICAGO PUBLIC LIBRARY. N° de réf. du vendeur 00105234453
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Hardcover. Etat : Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G1541736397I3N01
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Hardcover. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G1541736397I3N10
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Good. A rollicking history of America's most iconic weekly newspaper told through the voices of its legendary writers, editors, and photographers "The Freaks Came Out to Write may be the best history of a journalistic enterprise I've ever read"--Dwight Garner, The New York Times You either were there or you wanted to be. A defining New York City institution co-founded by Norman Mailer, The Village Voice was the first newspaper to cover hip-hop, the avant-garde art scene, and Off-Broadway with gravitas. It reported on the AIDS crisis with urgency and seriousness when other papers dismissed it as a gay disease. In 1979, the Voice's Wayne Barrett uncovered Donald Trump as a corrupt con artist before anyone else was paying attention. It invented new forms of criticism and storytelling and revolutionized journalism, spawning hundreds of copycats. With more than 200 interviews, including two-time Pulitzer Prize winner, Colson Whitehead, cultural critic Greg Tate, gossip columnist Michael Musto, and feminist writers Vivian Gornick and Susan Brownmiller, former Voice writer Tricia Romano pays homage to the paper that saved NYC landmarks from destruction and exposed corrupt landlords and judges. With interviews featuring post-punk band, Blondie, sportscaster Bob Costas, and drummer Max Weinberg, of Bruce Springsteen's E Street Band, in this definitive oral history, Romano tells the story of journalism, New York City and American culture--and the most famous alt-weekly of all time. FINALIST FOR 2024 NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST FOR 2025 GOTHAM BOOK PRIZE LISTED IN BEST BOOKS OF 2024 BY NEW YORK MAGAZINE (VULTURE), THE NEW YORKER, LITHUB, AND CHICAGO PUBLIC LIBRARY. N° de réf. du vendeur CIN1541736397G
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Fair. A rollicking history of America's most iconic weekly newspaper told through the voices of its legendary writers, editors, and photographers "The Freaks Came Out to Write may be the best history of a journalistic enterprise I've ever read"--Dwight Garner, The New York Times You either were there or you wanted to be. A defining New York City institution co-founded by Norman Mailer, The Village Voice was the first newspaper to cover hip-hop, the avant-garde art scene, and Off-Broadway with gravitas. It reported on the AIDS crisis with urgency and seriousness when other papers dismissed it as a gay disease. In 1979, the Voice's Wayne Barrett uncovered Donald Trump as a corrupt con artist before anyone else was paying attention. It invented new forms of criticism and storytelling and revolutionized journalism, spawning hundreds of copycats. With more than 200 interviews, including two-time Pulitzer Prize winner, Colson Whitehead, cultural critic Greg Tate, gossip columnist Michael Musto, and feminist writers Vivian Gornick and Susan Brownmiller, former Voice writer Tricia Romano pays homage to the paper that saved NYC landmarks from destruction and exposed corrupt landlords and judges. With interviews featuring post-punk band, Blondie, sportscaster Bob Costas, and drummer Max Weinberg, of Bruce Springsteen's E Street Band, in this definitive oral history, Romano tells the story of journalism, New York City and American culture--and the most famous alt-weekly of all time. FINALIST FOR 2024 NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST FOR 2025 GOTHAM BOOK PRIZE LISTED IN BEST BOOKS OF 2024 BY NEW YORK MAGAZINE (VULTURE), THE NEW YORKER, LITHUB, AND CHICAGO PUBLIC LIBRARY. N° de réf. du vendeur CIN1541736397A
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Vendeur : HPB-Diamond, Dallas, TX, Etats-Unis
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_463163674
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