Reading is slow, and writing is slower. Words are old-fashioned. Why not consider the communication of the future? In 1837, Sir Isaac Pitman began a sixty-year obsession with producing a system of Shorthand that accurately and swiftly captures voice as evidence of the mind's movements. In the 1950s, John Malone developed Unifon, a forty-character phonetic alphabet intended for international communication by the airline industry. Both projects reached for artful utility, and both have largely been forgotten.
In Rhapsodomancy, kevin mcpherson eckhoff remembers them. Exploring these two phonic alphabets as image, these poems playfully interrogate the relationship between voice and visual poetry. Can pictures represent voice? Can unutterable writing express thought? Rhapsodomancy offers an imaginative response to such questions via empty suits reciting onomatopoeia, letters defying the laws of reality, and drawings divining the future.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
kevin mcpherson eckhoff's visual poetry has appeared in the anthology Boredom Fighters (Tightrope Books) and in such magazines as dandelion and filling Station. A winner of the Shaunt Basmajian Chapbook Award, he studied English literature at the University of Calgary. He recently traded his life for a house in Armstrong, British Columbia, and a job teaching literature at Okanagan College.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Bookmans, Tucson, AZ, Etats-Unis
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Vendeur : Laurel Reed Books, Stratford, ON, Canada
Soft cover. Etat : Near Fine. 1st. Clean solid copy, visual/concrete poetry, fine but for ragged cut at bottom edge -likely happened during production. N° de réf. du vendeur 009306
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Vendeur : Russell Books, Victoria, BC, Canada
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. Reading is slow, and writing is slower. Words are old-fashioned. Why not consider the communication of the future? In 1837, Sir Isaac Pitman began a sixty-year obsession with producing a system of Shorthand that accurately and swiftly captures voice as evidence of the mind's movements. In the 1950s, John Malone developed Unifon, a forty-character phonetic alphabet intended for international communication by the airline industry. Both projects reached for artful utility, and both have largely been forgotten. In Rhapsodomancy, kevin mcpherson eckhoff remembers them. Exploring these two phonic alphabets as image, these poems playfully interrogate the relationship between voice and visual poetry. Can pictures represent voice? Can unutterable writing express thought? Rhapsodomancy offers an imaginative response to such questions via empty suits reciting onomatopoeia, letters defying the laws of reality, and drawings divining the future. N° de réf. du vendeur LU-9781552452318
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Vendeur : Rarewaves USA United, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. Reading is slow, and writing is slower. Words are old-fashioned. Why not consider the communication of the future? In 1837, Sir Isaac Pitman began a sixty-year obsession with producing a system of Shorthand that accurately and swiftly captures voice as evidence of the mind's movements. In the 1950s, John Malone developed Unifon, a forty-character phonetic alphabet intended for international communication by the airline industry. Both projects reached for artful utility, and both have largely been forgotten. In Rhapsodomancy, kevin mcpherson eckhoff remembers them. Exploring these two phonic alphabets as image, these poems playfully interrogate the relationship between voice and visual poetry. Can pictures represent voice? Can unutterable writing express thought? Rhapsodomancy offers an imaginative response to such questions via empty suits reciting onomatopoeia, letters defying the laws of reality, and drawings divining the future. N° de réf. du vendeur LU-9781552452318
Quantité disponible : 5 disponible(s)