--Features more than 100 paintings, photographs, and drawings by some of the most highly regarded and admired Western artists-Courbet, Corot, Manet, Monet, and Degas among them, as well as pioneering photographers Gustave Le Gray and Henri Le Secq The Normandy Coast, with its craggy coastline and medieval fishing villages, has long captured the interest of artists. Its seascapes are featured in the work of Impressionist masters Monet, Manet, and Boudin. Its seafaring life is welldocumented in the work of such writers as Victor Hugo and Guy de Maupassant. Through a stunning selection of paintings, photographs, and drawings, The Lens of Impressionism argues that a unique convergence of forces--social, artistic, technological, and commercial--along the Normandy coast profoundly impacted the development of early Impressionism and made Normandy a nexus for photographers and the avant-garde painters of the later nineteenth century. As author Carole McNamara writes, Impressionist painting has always endeavored to convey motion, but new possibilities and solutions were presented by photography . . . if painters were to continue to create works that had relevance to modern audiences, then the expression of time--of 'instantaneity'--would become an increasingly important consideration in their own work.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Carole McNamara, is Senior Curator of Western Art, at the University of Michigan Museum of Art. Sylvie Aubenas, is Curator of Nineteenth-Century Photography, Bibliotheque Nationale Francaise. Stephen Bann, teaches at the University of Bristol. Dominique de Font-Reaulx, is Curator of Photography, Musee d'Orsay.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Greenworld Books, Arlington, TX, Etats-Unis
Etat : good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy. N° de réf. du vendeur GWV.1555953255.G
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Vendeur : John M. Gram, Port Huron, MI, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. a nice, clean copy, like new, quarto, 208 pages. N° de réf. du vendeur 035437
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Vendeur : BIBLIOPE by Calvello Books, Oakland, CA, Etats-Unis
Hardcover. Etat : Near Fine(+). Folio in black color illus DJ, 208 pages, chiefly b&w illustrations (some color), 32 cm. DJ protected in archival mylar sleeve. "The Normany coast . has long captured the interest of artists. Its seascapes are featured in the work of Impressionist masters Monet, Manet and Boudin. Its seafaring life is well-documented in the work of writers such as Victor Hugo and Guy de Maupassant. Through a stunning selection of paintings, photographs and drawings, [this work] argues that a unique convergence of forces - social, artistic, technological and commercial - along the Normandy coast impacted the development of early Impressionism and made Normandy a nexus for photographers and the avant-garde painters of the late nineteenth century . The framing dates are 1850, when artists began photographing in Normandy . and 1874, the year in which Claude Monet's painting Impression:Sunrise was exhibited . The Lens of Impressionism explores the dialogue between the two media and the backdrop against which both evolved"--Publisher's description. Contents: The aesthetic of the instant: painting and photography in Normandy / Carole McNamara -- Section I: The romantic view. Representing Normandy: painting, printmaking, and photography / Stephen Bann -- Section II: The new tourism. The crossing of art and tourism in Normandy / Dean MacCannell -- Section III: The influence of photography. Photographing the Normandy coast: a technical and artistic challenge / Sylvie Aubenas -- Section IV: Site as subject and motif. Aspects of modern life in Normandy during the Second Empire: pictorial and photographic representations / Dominique de Font-R?aulx -- Capturing the moment -- Checklist of works in the exhibition. Impressionism (Art) -- France -- Normandy -- Exhibitions. Extremely mild bumping to corners, faint soiling to fore-edges, binding is tight, bright pages, extremely gentle wear to DJ spine head and foot, small crease mark to front DJ, light soiling to DJ, else near fine(+) in near fine(+) DJ. in near fine dust-jacket. N° de réf. du vendeur 92315
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Vendeur : Mahler Books, PFLUGERVILLE, TX, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. This book is in very good condition; no remainder marks. Dustjacket does have some shelfwear. Inside pages are clean. ; 1.02 x 12.28 x 9.76 Inches; 208 pages. N° de réf. du vendeur 070912-347-287
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Vendeur : Gibbs Books, Buffalo, NY, Etats-Unis
Hardcover. Etat : New. Etat de la jaquette : New. Various Artist (illustrateur). 1st Edition. 1st. Edition , 1st. Printing 2009 , Musturd cloth hardcover in the dust jacket, 208 page book with many black & white tones photo images . Condition : NEW Size: Folio - over 12 - 15" tall. Book. N° de réf. du vendeur 021514-X
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardbound. Mustard cloth boards w/ black/BW photgraphic DJ, 208pp, hundreds of color and BW plates and figures. From the publisher--Through a stunning selection of paintings, photographs, and drawings, The Lens of Impressionism argues that a unique convergence of forcessocial, artistic, technological, and commercialalong the Normandy coast profoundly impacted the development of early Impressionism and made Normandy a nexus for photographers and the avant-garde painters of the later nineteenth century. As author Carole McNamara writes, "Impressionist painting has always endeavored to convey motion, but new possibilities and solutions were presented by photography . . . if painters were to continue to create works that had relevance to modern audiences, then the expression of timeof 'instantaneity'would become an increasingly important consideration in their own work." Contributors include: Sylvie Aubenas, Stephen Bann, Dominique de Font-Reaulx, and Dean MacCannell. VG/VG: Exlibrary book. Stamp on dust jacket at the base of the spine. Stamp on front free end page. Due date card on back free end page. Sticker and stamp on back pasted end page. N° de réf. du vendeur 125997
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Vendeur : West Cove UK, Wellington, Royaume-Uni
Hardcover. Etat : Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Has 2 Program guides with it. Hardcover. English. See images for condition. About the book >.>.> Features more than 100 paintings, photographs, and drawings by some of the most highly regarded and admired Western artists-Courbet, Corot, Manet, Monet, and Degas among them, as well as pioneering photographers Gustave Le Gray and Henri Le Secq The Normandy Coast, with its craggy coastline and medieval fishing villages, has long captured the interest of artists. Its seascapes are featured in the work of Impressionist masters Monet,Manet, and Boudin. Its seafaring life is welldocumented in the work of such writers as Victor Hugo and Guy de Maupassant. Through a stunning selection of paintings, photographs, and drawings, The Lens of Impressionism argues that a unique convergence of forces-social, artistic, technological, and commercial-along the Normandy coast profoundly impacted the development of early Impressionism and made Normandy a nexus for photographers and the avant-garde painters of the later nineteenth century. As author Carole McNamara writes, Impressionist painting has alway. N° de réf. du vendeur Batch-FM636-VG-13213
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Vendeur : The Book Spot, Sioux Falls, MN, Etats-Unis
Hardcover. Etat : New. N° de réf. du vendeur Abebooks431356
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