The Rape of the Lock - Couverture souple

Pope, Alexander

Couverture souple

ISBN 10 : 1557429162 ISBN 13 : 9781557429162

Editeur : Wildside Press, 2007

Synopsis

Alexander Pope's classic poem "The Rape of the Lock," edited and with an introduction by Thomas Marc Parrott.

Perhaps no other great poet in English Literature has been so differently judged at different times as Alexander Pope. Accepted almost on his first appearance as one of the leading poets of the day, he rapidly became recognized as the foremost man of letters of his age. He held this position throughout his life, and for over half a century after his death his works were considered not only as masterpieces, but as the finest models of poetry. With the change of poetic temper that occurred at the beginning of the nineteenth century Pope's fame was overshadowed. The romantic poets and critics even raised the question whether Pope was a poet at all. And as his poetical fame diminished, the harsh judgments of his personal character increased. It is almost incredible with what exulting bitterness critics and editors of Pope have tracked out and exposed his petty intrigues, exaggerated his delinquencies, misrepresented his actions, attempted in short to blast his character as a man.

Both as a man and as a poet Pope is sadly in need of a defender to-day. And a defense is by no means impossible. The depreciation of Pope's poetry springs, in the main, from an attempt to measure it by other standards than those which he and his age recognized. The attacks upon his character are due, in large measure, to a misunderstanding of the spirit of the times in which he lived and to a forgetfulness of the special circumstances of his own life. Tried in a fair court by impartial judges Pope as a poet would be awarded a place, if not among the noblest singers, at least high among poets of the second order. And the flaws of character which even his warmest apologist must admit would on the one hand be explained, if not excused, by circumstances, and on the other more than counterbalanced by the existence of noble qualities to which his assailants seem to have been quite blind.

A propos du livre

Perhaps no other great poet in English Literature has been so differently judged at different times as Alexander Pope. Accepted almost on his first appearance as one of the leading poets of the day, he rapidly became recognized as the foremost man of letters of his age. He held this position throughout his life, and for over half a century after his death his works were considered not only as masterpieces, but as the finest models of poetry. With the change of poetic temper that occurred at the beginning of the nineteenth century Pope's fame was overshadowed. The romantic poets and critics even raised the question whether Pope was a poet at all. And as his poetical fame diminished, the harsh judgments of his personal character increased. It is almost incredible with what exulting bitterness critics and editors of Pope have tracked out and exposed his petty intrigues, exaggerated his delinquencies, misrepresented his actions, attempted in short to blast his character as a man.

Both as a man and as a poet Pope is sadly in need of a defender to-day. And a defense is by no means impossible. The depreciation of Pope's poetry springs, in the main, from an attempt to measure it by other standards than those which he and his age recognized. The attacks upon his character are due, in large measure, to a misunderstanding of the spirit of the times in which he lived and to a forgetfulness of the special circumstances of his own life. Tried in a fair court by impartial judges Pope as a poet would be awarded a place, if not among the noblest singers, at least high among poets of the second order. And the flaws of character which even his warmest apologist must admit would on the one hand be explained, if not excused, by circumstances, and on the other more than counterbalanced by the existence of noble qualities to which his assailants seem to have been quite blind.

Quatrième de couverture

WITH AN INTRODUCTION BY SOPHIE GEE

A hideous crime is committed at a fashionable London society gathering. The victim is the beautiful, innocent Belinda, her attacker is the dastardly Baron, and his weapon of choice is a pair of scissors...

Pope's mock-epic is the sharp and witty tale of the most famous bad hair day in the history of literature.

ILLUSTRATED BY AUBREY BEARDSLEY

See also: Gulliver's Travels

Détails de l'édition

• Éditeur: Wildside Press
• Date d'édition: 2007
• Langue: anglais
• ISBN 10: 1557429162
• ISBN 13: 9781557429162
• Reliure: Broché
• Nombre de pages: 54
• Coordonnées du fabricant: non disponible
• Personne responsable: gpsr@libri.de; gpsr@libri.de; ; Friedensallee 273; Hamburg; 22763; Allemagne