Notebooks of Leonardo Da Vinci - Couverture rigide

MacCurdy, Edward (editor)

Couverture rigide

ISBN 10 : 156852448X ISBN 13 : 9781568524481

Editeur : Konecky & Konecky, 2002

Synopsis

Book by Leonardo Da Vinci

A propos du livre

Présentation de l'éditeur

A lot of ink has been spilled covering the lives of history’s most influential figures, but how much of the forest is lost for the trees? When historians are asked to pick a point in history when Western civilization was transformed and guided down the path to modernity, most of them point to the Renaissance. Indeed, the Renaissance revolutionized art, philosophy, religion, sciences and math, with individuals like Galileo, Leonardo, Michelangelo, Raphael, Dante, and Petrarch bridging the past and modern society. The Renaissance also spawned the use of the label “Renaissance Man” to describe a person who is extremely talented in multiple fields, and no discussion of the Renaissance is complete without the original “Renaissance Man”, Leonardo da Vinci. Indeed, if 100 people are asked to describe Leonardo in one word, they might give 100 answers. As the world’s most famous polymath and genius, Leonardo found time to be a painter, sculptor, architect, musician, scientist, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer. It would be hard to determine which field Leonardo had the greatest influence in. His “Mona Lisa” and “The Last Supper” are among the most famous paintings of all time, standing up against even Michelangelo’s work. But even if he was not the age’s greatest artist, Leonardo may have conducted his most influential work was done in other fields. His emphasis on the importance of Nature would influence Enlightened philosophers centuries later, and he sketched speculative designs for gadgets like helicopters that would take another 4 centuries to create. Leonardo’s vision and philosophy were made possible by his astounding work as a mathematician, engineer and scientist. At a time when much of science was dictated by Church teachings, Leonardo studied geology and anatomy long before they truly even became scientific fields, and he used his incredible artistic abilities to sketch the famous Vitruvian Man, linking art and science together. Leonardo also conducted scientific experiments using empirical methods nearly 150 years before Rene Descartes’ “Discourse on Method.” As Leonardo explained in his writings, “Many will think they may reasonably blame me by alleging that my proofs are opposed to the authority of certain men held in the highest reverence by their inexperienced judgments; not considering that my works are the issue of pure and simple experience, who is the one true mistress.”

Présentation de l'éditeur

This edition includes the complete notebooks (volume one and two). Most of what we know about Leonardo da Vinci, we know because of his notebooks. Some 6,000 sheets of notes and drawings survive, perhaps one-fifth of what he actually produced. With an artist's eye and a scientist's curiosity, he recorded in these pages his observations on the movement of water and the formation of rocks, the nature of flight and optics, anatomy, architecture, sculpture, and painting. He jotted down fables, epigrams, and letters and developed his belief in the sublime unity of nature and man. Through his notebooks we can get an insight into Leonardo's thoughts, and his approach to work and life.

Détails de l'édition

• Éditeur: Konecky & Konecky
• Date d'édition: 2002
• Langue: anglais
• ISBN 10: 156852448X
• ISBN 13: 9781568524481
• Reliure: Relié
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible