Arthur Schnitzer was not only a playwright with a keen eye for the human psyche, but he was also an astute social critic. He grappled with the double-standards of 'polite society', Jewish identity and gender relations, causing a scandal with nearly every single one of his plays. Max Haberich traces the life of this great writer and thinker from a fresh perspective, enhancing his study with previously unknown material, including an unused archive in the Cambridge University libraries. This biography casts light on little-known aspects of Schnitzler's life and work, which is also illustrated by hitherto unpublished correspondence with his wife.
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Max Haberich was born on April 19, 1984, and grew up on Hawaii and in Munich. He studied History, History of Art and German Literature in York, Aix-en-Provence and Tübingen. Haberich completed his PhD on the German-Jewish identity of Arthur Schnitzler and Jakob Wassermann at the University of Cambridge. He has published in various academic and literary journals. In Vienna, he founded the writers' circle Jung Wien '14. Haberich is a member of the P.E.N. Club and a board member of the Austrian Writers' Association. His biography, Arthur Schnitzler. Anatom des Fin-de- Siècle, was published in German by Kremayr & Scheriau in 2017. One of Haberich's most recent publications includes a volume of short stories and satires in German, Am Abhang der Wind [The Wind at the Precipice] (2019), in the series 'Edition P.E.N.' from Löcker Verlag.
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