Boasting to everyone that his forum would be grander than the Colosseum, Mussolini created the Stadio dei Marmi, or Stadium of Statues, an arena built outside Rome for the 1944 Olympic Games that were postponed by World War II. Believing a fascist state required the top level of physical fitness, Il Duce provided inspiration for his nation in the form of monumental art, commissioning sculptors from all over the country to create sixty Herculean statues of white marble to be put atop six-foot pedestals surrounding the stadium. The statues, based on figures from Italian war memorials, embodied the glorification of the athlete and the mannered heroism of the soldier. Startlingly erotic and poetic, each statue stands twelve feet tall, nude but for the occasional headband or sandals. So blatant was their sexual presence that the statues later provoked furtive attempts at “decency” involving fig leaves and loincloths.
Once relegated to the category of political kitsch, these statues have, in recent times, been re-evaluated and are being recognized as objects of beauty and merit. “The Foro Italico…sustains a guileless, perhaps unique, male eroticism which is at odds with the grandiloquent intentions of its planner and creators in Mussolini’s fascist regime,” explains George Mott, who first glimpsed the statues in 1962 and photographed them twenty years later. His black-and-white and color images of the statues have been sought by collectors in Europe and America, and have been used repeatedly by fashion designers and art directors. In Foro Italico, for the first time, these photographs are being shown collectively, exquisitely reproduced in a remarkable, deluxe, slip-cased edition that includes an introduction by Giorgio Armani, himself a connoisseur of 1930s art and architecture.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Boasting to everyone that his forum would be grander than the Colosseum, Mussolini created the Stadio dei Marmi, or Stadium of Statues, an arena built outside Rome for the 1944 Olympic Games that were postponed by World War II. Believing a fascist state required the top level of physical fitness, Il Duce provided inspiration for his nation in the form of monumental art, commissioning sculptors from all over the country to create sixty Herculean statues of white marble to be put atop six-foot pedestals surrounding the stadium. The statues, based on figures from Italian war memorials, embodied the glorification of the athlete and the mannered heroism of the soldier. Startlingly erotic and poetic, each statue stands twelve feet tall, nude but for the occasional headband or sandals. So blatant was their sexual presence that the statues later provoked furtive attempts at “decency” involving fig leaves and loincloths.
Once relegated to the category of political kitsch, these statues have, in recent times, been re-evaluated and are being recognized as objects of beauty and merit. “The Foro Italico…sustains a guileless, perhaps unique, male eroticism which is at odds with the grandiloquent intentions of its planner and creators in Mussolini’s fascist regime,” explains George Mott, who first glimpsed the statues in 1962 and photographed them twenty years later. His black-and-white and color images of the statues have been sought by collectors in Europe and America, and have been used repeatedly by fashion designers and art directors. In Foro Italico, for the first time, these photographs are being shown collectively, exquisitely reproduced in a remarkable, deluxe, slip-cased edition that includes an introduction by Giorgio Armani, himself a connoisseur of 1930s art and architecture.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Acadia Art & Rare Books. Est. 1931, Toronto, ON, Canada
Cloth and paper over boards. Etat : Fine. First American edition. Hardcover 1/4 cloth over paper with slipcase. 4to. Unpaginated (64 pp). Illustrated throughout with b/w and full colour full-page photographic plates. Clean and bright copy. Light wear to the slipcase. Fine condition overall. N° de réf. du vendeur 67487
Quantité disponible : 1 disponible(s)
Vendeur : Materia Prima Books, New haven, CT, Etats-Unis
Hardcover. Etat : Fine. 1st Edition. First Edition. 4to. 64 pp. Color illustrations. Publisher's quarter brown cloth with illustrated paper boards lettered in gold at spine. Slipcase lightly rubbed. Fine in Near Fine slipcase. N° de réf. du vendeur 3583
Quantité disponible : 1 disponible(s)
Vendeur : Randall's Books, Cathedral City, CA, Etats-Unis
Hardcover. Etat : Fine. 1st Edition. "powerHouse Books, New York, 2003. Hardcover unpaginated. 1st edition, 1st printing. In an illustrated slipcase. Photo essay of the massive marble statues of naked male athletes which dominate Mussolini's Foro Italico, a stadium built outside Rome for the 1944 Olympic Games. That event was postponed due to World War II. The 12-foot sculptures, standing on their 6 foot pedestals have been described as "startlingly erotic and poetic", and exhibiting "a guileless, perhaps unique, male eroticism". Photographs by George Mott and essays by Giorgio Armani, Michelangelo Sabatino and Luigi Ballerini. Fine condition. **Heavy or oversize Item. An extra shipping charge may apply.**. N° de réf. du vendeur ABE-1648745317431
Quantité disponible : 2 disponible(s)
Vendeur : Kazoo Books LLC, Kalamazoo, MI, Etats-Unis
Hardcover. Etat : Used - As New. Etat de la jaquette : As New. Powerhousebooks, NY, 2003. As New/As New. Black board covers with illustrations on front and back cover. Brown cloth spine. Dj is glassine cover. Black slipcase with matching illustrations. 14x10. Essays by Giorgio Armani, Michelangelo Sabatino and Luigi Ballerini. Full page photographs in black. N° de réf. du vendeur 136105
Quantité disponible : 2 disponible(s)
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. pictorial boards w/ half cloth spine & gilt spine printing. approx 65 unpaginated pgs w/ color illustrations. cloth & pictorial slipcase. Very clean & bright. "Boasting to everyone that his forum would be grander than the Colosseum, Mussolini created the Stadio dei Marmi, or Stadium of Statues, an arena built outside Rome for the 1944 Olympic Games that were postponed by World War II. Believing a fascist state required the top level of physical fitness, Il Duce provided inspiration for his nation in the form of monumental art, commissioning sculptors from all over the country to create sixty Herculean statues of white marble to be put atop six-foot pedestals surrounding the stadium. The statues, based on figures from Italian war memorials, embodied the glorification of the athlete and the mannered heroism of the soldier. Startlingly erotic and poetic, each statue stands twelve feet tall, nude but for the occasional headband or sandals. So blatant was their sexual presence that the statues later provoked furtive attempts at "decency" involving fig leaves and loincloths. Once relegated to the category of political kitsch, these statues have, in recent times, been re-evaluated and are being recognized as objects of beauty and merit. "The Foro Italico sustains a guileless, perhaps unique, male eroticism which is at odds with the grandiloquent intentions of its planner and creators in Mussolini fascist regime," explains George Mott, who first glimpsed the statues in 1962 and photographed them twenty years later. -- publisher's statement. VG+. scratches & scuffs to cover. pgs clean & bright. slipcase has scratches & scuffs. N° de réf. du vendeur 177030
Quantité disponible : 1 disponible(s)
Vendeur : PSBooks, Palm Springs, CA, Etats-Unis
Hardcover. Etat : Fine. Mott, George (Photographer) (illustrateur). 1st Edition. Clean, tight volume in slipcase. Black and white photography. Essays by Georgio Armani, Michelangelo Sabatino and Luigi Ballerini. No DJ. N° de réf. du vendeur 004462
Quantité disponible : 1 disponible(s)
Vendeur : Exquisite Corpse Booksellers, Houston, TX, Etats-Unis
Cloth, with Board Slipcase. Etat : Fine Condition. Unpaginated (approximately 65 pages). Hardcover in slipcase. Texts in English. Extremely faint shelfwear, rubbing, and handling to the outer slipcase. But the binding is tight, the edges and corners of the boards are sharp, the interior clean and free of markings. Bound in illustrated paper covered boards, half bound in brown cloth, and cased in an illustrated paper covered board slipcase. Gloriously large and full page duotone and color images of majestic and powerful nude men depicted in marble. Book. N° de réf. du vendeur 028797
Quantité disponible : 1 disponible(s)
Vendeur : A Book Preserve/ John A. Crider, Bookseller, Columbus, OH, Etats-Unis
Hardcover. Etat : New. 1st Edition. Photographs by George Mott; essays by Giorgio Armani, others 62 pp. b/w and color plates. Slipcase. N° de réf. du vendeur LREDNC-56KUDS-021
Quantité disponible : 1 disponible(s)
Vendeur : Klondyke, Almere, Pays-Bas
Etat : Good. Original half cloth, illustrated with photographs in colour and b/w, unpaged, slipcase, large 4to. N° de réf. du vendeur 370360-MB10
Quantité disponible : 1 disponible(s)
Vendeur : Southampton Books, Sag Harbor, NY, Etats-Unis
Hardcover. Etat : Like New. First Edition. First Edition, First Printing. Published by Powerhouse Books, 2003. Folio. Brown cloth over pictorial boards in slipcase. Signed by George Mott on title page (flat). Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. A lovely and signed copy of this book featuring the photographs of George Mott. ISBN: 157687169X. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. N° de réf. du vendeur 162291
Quantité disponible : 1 disponible(s)