Jim Dow’s American Studies presents a vision of America at once familiar and foreign; a country constantly reinventing itself visually, both discarding and preserving elements of its past, in a relentless, unplanned process of change. In American Studies, Dow gives us unpeopled spaces, each resonating with a unique and telling history. A landscape, for Dow, is fashioned by ordinary individuals leaving their mark on their surroundings through everyday acts, unconscious of the enduring effect these changes have on our world. Our signs and billboards, barbershops, office buildings, libraries, pool halls, private clubs, courthouses, and motels—these places belong to a world made primarily by and for American men, and are naturally imbued with that identity.
Obsessive by nature, once praised as “dumb, in the honorific sense of the word,” Dow takes photographs that depict how Americans purposefully create environments and transform their aesthetic power—spiritually, historically, and sometimes commercially. His method has evolved from an early black and white directness, deeply influenced by photography greats Harry Callahan and Walker Evans, to richly detailed color studies of American vernacular culture. In these beautifully realized images, made in every corner of the United States over nearly 40 years of American travel, Dow catalogs aspects of American culture that are seemingly commonplace yet always astonishingly unique.
Published in association with CDS Books of the Center for Documentary Studies at Duke University.
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Jim Dow studied graphic design and photography at the Rhode Island School of Design during the 1960s. From that time forward he has been the recipient of numerous commissions, fellowships, and grants that have allowed him to travel and photograph as well as exhibit and publish extensively. His subjects include folk art, roadside architecture, signs, county courthouses, baseball parks, soccer stadiums, private clubs, barbeque joints, and taco trucks. He is fascinated by the way people leave their mark on both the rural and urban landscape and seeks to preserve this through photography.He lives in Boston and teaches at Tufts University and the School of the Museum of Fine Arts.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : A Cappella Books, Inc., Atlanta, GA, Etats-Unis
Oversized Hardcover. Etat : Very Good. Reprint. Second printing; Sound binding; Clean, sturdy boards - ever-so-gently edge-worn; Pages free of markings; An excellent copy. N° de réf. du vendeur 368528
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Vendeur : Pulpfiction Books, Vancouver, BC, Canada
Hardcover. Etat : Fine. Jim Dow (illustrateur). 1st Edition. First edition, first printing. Fine- to Near Fine++ hardback issued without dust jacket. Lightest rubbing noted to pictorial boards. A clean, unmarked copy. Heavy oversize book will require a variable shipping surcharge based on its final destination. N° de réf. du vendeur 014139
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Vendeur : Free Play Books, NEW HAVEN, CT, Etats-Unis
Hardcover. Etat : Near Fine. 1st Edition. First Edition. SIGNED by the artist at half-title page 11.25 x 12.25 in. 135 pp. Lavish color and b/w photographic illustrations throughout. Photographic paper boards. Light rubbing to boards, no internal markings, minor toning to spine and upper margin of rear board. Near Fine. In acetate wrapper. Signed by Author(s). N° de réf. du vendeur 5238
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Vendeur : Marcus Campbell Art Books, London, Royaume-Uni
Hardback. Etat : Near fine. 29 x 31cm 136pp near fine hardback, signed on the title page: 'For Liz, with admiration and affection, Jim 30/08/2013'. Includes an Introduction by Ian Frazier followed by single page colour plus black and white images of iconic Americana together with other studies. N° de réf. du vendeur 26643
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Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
Hardcover. Etat : Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book. N° de réf. du vendeur ERICA82915768756523
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