The first in-depth critical analysis of Ritt's films and a justification of his renown as America's premier social-issues filmmaker In a Hollywood career that spanned more than thirty years, Martin Ritt (1914-1990) directed twenty-six films. Among them were some of Hollywood's most enduring works -- Hud, Hombre, The Spy Who Came in from the Cold, The Molly Maguires, The Front, and Norma Rae. In addition to displaying a passionate commitment to social issues, Ritt's body of work represents a sustained exploration of the American myth and American national character. This study of his films shows how his work articulates the communal, agrarian ideal and its perversion as industrialism and urbanism have denatured the landscape. Encompassing a hundred years of American life, these films follow the common man through the chronology of social history, including the arrival of the railroads in the West, coal mining in nineteenth-century Pennsylvania, Jack Johnson's rise as the first black heavyweight champion of the boxing world, the television blacklist, spying and the Cold War, trade unions, and the war in Vietnam. The subjects he treats project a cultural framework for examining what America means as a nation and as an experience. The sixties was the decade of Ritt's most sustained achievement. This period culminated in his masterpiece, The Molly Maguires, perhaps the finest film ever made on the subject of American labor. In the first detailed analysis of this great realistic film The Films of Martin Ritt: Fanfare for the Common Man shows that its greatness lies in Ritt's complex interweaving of love and friendship, the labor struggle, the story of the immigrant dream, and the ideal of upward mobility. The book includes analyses of all twenty-six films, including such early works as Edge of the City and The Long Hot Summer, as well as such later successes as Norma Rae, Sounder, and Murphy's Romance. Ritt's work in theater, notably in the Group Theatre, which he joined in 1937, and his being blacklisted from television during the 1950s, informed his directorial philosophy throughout his career. Many recognize him as America's finest director of social films. Gabriel Miller is chair of the English department at Rutgers University, Newark. He is the author of Screening the Novel (1980), John Irving (1982), and Clifford Odets (1989).
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Gabriel Miller is chair of the English department at Rutgers University, Newark. He is author of The Films of Martin Ritt: Fanfare for the Common Man and editor of Martin Ritt: Interviews, Fred Zinnemann: Interviews, and William Wyler: Interviews, all published by University Press of Mississippi.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Half Price Books Inc., Dallas, TX, Etats-Unis
Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_450618525
Quantité disponible : 1 disponible(s)
Vendeur : Voyageur Book Shop, Milwaukee, WI, Etats-Unis
Soft cover. Etat : Very Good. First Edition. Small remainder mark on the page bottoms. J9. N° de réf. du vendeur 018689
Quantité disponible : 1 disponible(s)
Vendeur : Hollywood Canteen Inc., Toronto, ON, Canada
Soft Cover. Etat : Very Good. 2025 mayFiled directors bios. N° de réf. du vendeur 001373
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 543559-n
Quantité disponible : Plus de 20 disponibles
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. In a Hollywood career that spanned more than thirty years, Martin Ritt (1914-1990) directed twenty-six films. Among them were some of Hollywood's most enduring works--Hud, Hombre, The Spy Who Came in from the Cold, The Molly Maguires, The Front, and Norma Rae.In addition to displaying a passionate commitment to social issues, Ritt's body of work represents a sustained exploration of the American myth and American national character. This study of his films shows how his work articulates the communal, agrarian ideal and its perversion as industrialism and urbanism have denatured the landscape.Encompassing a hundred years of American life, these films follow the common man through the chronology of social history, including the arrival of the railroads in the West, coal mining in nineteenth-century Pennsylvania, Jack Johnson's rise as the first black heavyweight champion of the boxing world, the television blacklist, spying and the Cold War, trade unions, and the war in Vietnam. The subjects he treats project a cultural framework for examining what America means as a nation and as an experience.The sixties was the decade of Ritt's most sustained achievement. This period culminated in his masterpiece, The Molly Maguires, perhaps the finest film ever made on the subject of American labor. In the first detailed analysis of this great realistic film The Films of Martin Ritt: Fanfare for the Common Man shows that its greatness lies in Ritt's complex interweaving of love and friendship, the labor struggle, the story of the immigrant dream, and the ideal of upward mobility. The book includes analyses of all twenty-six films, including such early works as Edge of the City and The Long Hot Summer, as well as such later successes as Norma Rae, Sounder, and Murphy's Romance. Ritt's work in theater, notably in the Group Theatre, which he joined in 1937, and his being blacklisted from television during the 1950s, informed his directorial philosophy throughout his career. Many recognize him as America's finest director of social films. N° de réf. du vendeur LU-9781578062775
Quantité disponible : 1 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FW-9781578062775
Quantité disponible : 1 disponible(s)
Vendeur : gearbooks, The Bronx, NY, Etats-Unis
Trade Paperback. Etat : Like New. Paul Newman in Hud (Front Cover Photo) (illustrateur). Copyright © 2000 by University Press of. 240 + xvi pp. An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially and virtually flawless copy with crisp pages, clean text, and very light shelf wear. Synopsis: In a Hollywood career that spanned more than thirty years, Martin Ritt (1914-1990) directed twenty-six films. Among them were some of Hollywood's most enduring works--Hud, Hombre, The Spy Who Came in from the Cold, The Molly Maguires, The Front, and Norma Rae. In addition to displaying a passionate commitment to social issues, Ritts body of work represents a sustained exploration of the American myth and American national character. This study of his films shows how his work articulates the communal, agrarian ideal and its perversion as industrialism and urbanism have denatured the landscape. Encompassing a hundred years of American life, these films follow the common man through the chronology of social history, including the arrival of the railroads in the West, coal mining in nineteenth-century Pennsylvania, Jack Johnsons rise as the first black heavyweight champion of the boxing world, the television blacklist, spying and the Cold War, trade unions, and the war in Vietnam. The subjects he treats project a cultural framework for examining what America means as a nation and as an experience. The sixties was the decade of Ritts most sustained achievement. This period culminated in his masterpiece, The Molly Maguires, perhaps the finest film ever made on the subject of American labor. In the first detailed analysis of this great realistic film The Films of Martin Ritt: Fanfare for the Common Man shows that its greatness lies in Ritts complex interweaving of love and friendship, the labor struggle, the story of the immigrant dream, and the ideal of upward mobility. The book includes analyses of all twenty-six films, including such early works as Edge of the City and The Long Hot Summer, as well as such later successes as Norma Rae, Sounder, and Murphys Romance. Ritts work in theater, notably in the Group Theatre, which he joined in 1937, and his being blacklisted from television during the 1950s, informed his directorial philosophy throughout his career. Many recognize him as Americas finest director of social films. N° de réf. du vendeur 1FislBd0059
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 543559
Quantité disponible : Plus de 20 disponibles
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 240 pages. 8.75x6.00x1.00 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __1578062772
Quantité disponible : 2 disponible(s)
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2000. Illustrated. paperback. . . . . . N° de réf. du vendeur V9781578062775
Quantité disponible : 1 disponible(s)