The fourteenth-century Siege of Jerusalem has been called by Ralph Hanna the chocolate-covered tarantula of the alliterative movement for its apparent anti-Semitism and is, as Livingston notes in his introduction, simply difficult for twenty-first-century readers to like. The poem, which describes the destruction of the Second Temple by Roman forces in AD 70, is graphic in detail and unpleasant in its relish of the suffering of the Jews. But as Livingston points out, Like the gritty violence of Alliterative Morte Arthure, the gore in Siege is perhaps best read as a grim awareness of the terrible realities of war, not as a bloodthirsty and berserk cry for further bloodshed. The poem chronicles a historical war, and it is this historical quality that must stand out: the poem not only has resonances of the bloodshed that battle inevitably brings, but it also is, in a very literal sense, history. This is to say, the war is over. The vengeance of Jesus has been accomplished. The Siege-poet's answer to the social-political-religious question of whether there is such a thing as a just war is that there was one: Titus and Vespasian's vengeance for the death of Christ. . . . Further efforts to avenge Christ were unnecessary. . . . That the poem is a call to action and to crusade, then, seems to be a claim that is far less sustainable than its opposite: a call to peace and to remembrance.
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Michael Livingston is Associate Professor of English at The Citadel, in Charleston, S.C. He is an author of both fiction and non-fiction and has published on topics as diverse as early Christianity, Tolkien, and James Joyce.
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Paperback. Etat : New. The Siege of Jerusalem has long confounded readers with its graphic depictions of violence and the relish with which it describes the suffering of Jewish people. Despite the moral and emotional challenges this text presents, its participation in the longstanding "Vengeance of Our Lord" tradition, discussed throughout medieval Christendom and incorporating a combination of legend, miracle, historiography, and chivalric romance, provides modern readers with a wider window into this material's reception and reuse in medieval England. This Middle English alliterative poem, written anonymously sometime in the fourteenth century, chronicles the Siege of Jerusalem in the year 70 CE, beginning with the crucifixion of Jesus and culminating in the Romans' destruction of the Second Temple, intended to symbolize the vengeance of Jesus. Michael Livingston's edition and notes bring out a new dimension of this poem, exploring the ways in which it realizes, rather than glorifies, the brutalities of war. N° de réf. du vendeur LU-9781580440905
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