Explores the meaning[s] of music, the most intricate and significant language invented by our culture.
From Daniel Albright, author of Musicking Shakespeare and Berlioz's Semi-Operas, comes a collection of essays on music and on dance, probing the problems of articulating the meaning[s] of music; the larger question of how music and language interact; how text-setting highlights certain areas of meter, theme, or ironic undertone, and leaves others in darkness; how a musical composition can behave as a critique of a previous composition; and how one might rehabilitate certain underappreciated or much-scorned figures, such as Meyerbeer, by showing that the very terms of invective used against them can be seen, from another angle, as an indication of what is exciting in their work.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Daniel ALbright is Ernest Bernbaum Professor of Literature, Harvard University
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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