Articles liés à Composing for Japanese Instruments

Composing for Japanese Instruments - Couverture souple

Livre 21 sur 48: Eastman Studies in Music

Miki, Minoru

 
9781580465526: Composing for Japanese Instruments

Synopsis

The unique sounds of the biwa, shamisen, and other traditional instruments from Japan are heard more and more often in works for the concert hall and opera house. Composing for Japanese Instruments is a practical orchestration and instrumentation manual with contextual and relevant historical information for composers who wish to learn how to compose for traditional Japanese instruments. Widely regarded as the authoritative text on the subject in Japan and China, it contains hundreds of musical examples, diagrams, photographs, and fingering charts. Many of the musical examples can be heard on a companion website. The book also contains valuable appendices, one of works author Minoru Miki composed using Japanese traditional instruments, and one of works by other composers -- including Toru Takemitsu and Henry Cowell -- using these instruments. Minoru Miki was a composer of international renown, recognized in Japan as a pioneer in writing for Japanese traditional instruments. Marty Regan is associate professor of music at Texas A

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Présentation de l'éditeur

The unique sounds of the biwa, shamisen, and other traditional instruments from Japan are heard more and more often in works for the concert hall and opera house. "Composing for Japanese Instruments" is a practical orchestration/instrumentation manual with contextual and relevant historical information for composers who wish to learn how to compose for traditional Japanese instruments. Widely regarded as the authoritative text on the subject in Japan and China, it contains hundreds of musical examples, diagrams, photographs, and fingering charts, and comes complete with two accompanying compact discs of musical examples. Its author, Minoru Miki, is a composer of international renown and is recognized in Japan as a pioneer in writing for Japanese traditional instruments. This book contains valuable appendices, one of works Miki himself has composed using Japanese traditional instruments, and one of works by other composers - including Toru Takemitsu and Henry Cowell - using Japanese traditional instruments. Marty Regan is assistant professor of music at Texas A&M University; Philip Flavin is a research fellow in the School of Languages, Cultures and Linguistics at Monash University, Australia.

Revue de presse

An invaluable resource for all composers, scholars, and performers who are interested in Japanese instruments. The aptly chosen examples from both traditional repertoire and Miki's own contemporary pieces, clear charts for ranges and fingerings, and in-depth discussion of idiomatic performance techniques go a long way to help demystify these beautiful instruments. I wish I had this book many, many years ago. --Ken Ueno, Rome Prize-winning composer and professor at the University of California, Berkeley

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