A Theory of Music Analysis: On Segmentation and Associative Organization - Couverture souple

Hanninen, Dora A.

Couverture souple

ISBN 10 : 1580465897 ISBN 13 : 9781580465892

Editeur : University of Rochester Press, 2017

Synopsis

This book introduces a theory of music analysis that one can use to explore aspects of segmentation and associative organization in a wide range of repertoire including Western classical music from the Baroque to the present, with potential applications to jazz and popular music, and some non-Western musics. Rather than a methodology, the theory provides analysts with precise language and a broad, flexible conceptual framework through which they can formulate and investigate questions of interest and develop their own interpretations of individual pieces and passages. The theory begins with a basic distinction among three domains of musical experience and discourse about it: the sonic (psychoacoustic); the contextual (or associative, sparked by varying degrees of repetition); and the structural (guided by a specific theory of musical structure or syntax invoked by the analyst). A comprehensive presentation of the theory, with copious musical illustrations, is balanced with close analyses of works by Beethoven, Debussy, Nancarrow, Riley, Feldman, and Morris

A propos du livre

Revue de presse

The tremendous range of application shows without a doubt that this book achieves its goal of opening new lines of inquiry for individual pieces, repertoires, and issues in contemporary music theory. --Journal of Music Theory

The book addresses music theorists, analysts, and musicologists. Could serve as a main reference item in analysis courses. Encompasses a wide range of Western music traditions from the baroque onward. This feature is one among its several qualities of methodological flexibility. Exquisite presentation. Indispensable to the analyst in search of advancing or developing theoretical frameworks. --Music Library Association Notes

Rarely does a book come along that is both brilliant and unlike anything else in our field. Rather than offering another new methodology, A Theory of Music Analysis constructs a general framework on which we can locate (and better understand) most of the analytical utterances we make. Replete with diverse and sensitive musical analyses, this is an important work for anyone who engages in music-theoretical pursuits. --Michael Buchler, Florida State University College of Music

Présentation de l'éditeur

This book introduces a theory of music analysis that one can use to explore aspects of segmentation and associative organization in a wide range of repertoire including Western classical music from the Baroque to the present, with potential applications to jazz and popular music, and some non-Western musics. Rather than a methodology, the theory provides analysts with precise language and a broad, flexible conceptual framework through which they can formulate and investigate questions of interest and develop their own interpretations of individual pieces and passages. The theory begins with a basic distinction among three domains of musical experience and discourse about it: the sonic (psychoacoustic); the contextual (or associative, sparked by varying degrees of repetition); and the structural (guided by a specific theory of musical structure or syntax invoked by the analyst). A comprehensive presentation of the theory, with copious musical illustrations, is balanced with close analyses of works by Beethoven, Debussy, Nancarrow, Riley, Feldman, and Morris.

Détails de l'édition

• Éditeur: University of Rochester Press
• Date d'édition: 2017
• Langue: anglais
• ISBN 10: 1580465897
• ISBN 13: 9781580465892
• Reliure: Broché
• Nombre de pages: 542
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible