“A revelation for the specialist and casual art lover alike. Thanks to this profound book, we will see, think and write about art anew.”
—Mark A Cheetham, Professor, Department of Fine art, University of Toronto.
Here David Carrier examines the history and practice of art writing and reveals its importance to the art museum, the art gallery, and aesthetic theory.
Artists, art historians, and art lovers alike can gain fresh insight into how written descriptions of painting and sculpture affect the experience of art. Readers will learn how their reading can determine:
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David Carrier is a professor at the Cleveland Institute of Art and has been published in a wide range of periodicals, including Artforum and Art in America. He is co-editor of CAA. Reviews, has published work in major art publications. He lives in Pittsburgh, Pennsylvania.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Trade Paperback. Etat : Used - Very Good. - Offers a clear and sensible account of the history and practice of art writing, and how it promotes and supports visual thinking- Links art writing to the museum, the gallery, and to theory, and examines its role with each- Author is coeditor of CAA, Reviews, has published work in major art publications, and been interviewed on NPR. N° de réf. du vendeur 43747
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