A Lacanian look at how comedy might come to philosophy's rescue, with examples ranging from Hegel and Molière to George W. Bush and Borat.Why philosophize about comedy? What is the use of investigating the comical from philosophical and psychoanalytic perspectives? In The Odd One In, Alenka Zupančič considers how philosophy and psychoanalysis can help us understand the movement and the logic involved in the practice of comedy, and how comedy can help philosophy and psychoanalysis recognize some of the crucial mechanisms and vicissitudes of what is called humanity. Comedy by its nature is difficult to pin down with concepts and definitions, but as artistic form and social practice comedy is a mode of tarrying with a foreign object—of including the exception. Philosophy's relationship to comedy, Zupančič writes, is not exactly a simple story (and indeed includes some elements of comedy). It could begin with the lost book of Aristotle's Poetics, which discussed comedy and laughter (and was made famous by Umberto Eco's The Name of the Rose). But Zupančič draws on a whole range of philosophers and exemplars of comedy, from Aristophanes, Molière, Hegel, Freud, and Lacan to George W. Bush and Borat. She distinguishes incisively between comedy and ideologically imposed, “naturalized” cheerfulness. Real, subversive comedy thrives on the short circuits that establish an immediate connection between heterogeneous orders. Zupančič examines the mechanisms and processes by which comedy lets the odd one in.
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Jean Baudrillard (1929–2007) was a philosopher, sociologist, cultural critic, and theorist of postmodernity who challenged all existing theories of contemporary society with humor and precision. An outsider in the French intellectual establishment, he was internationally renowned as a twenty-first century visionary, reporter, and provocateur.
Sylvère Lotringer is Jean Baudrillard Chair at the European Graduate School, Switzerland, and Professor Emeritus of French literature and philosophy at Columbia University.
Kate Zambreno, the author of two novels, O Fallen Angel and Green Girl and the work Heroines (Semiotext(e)), teaches in the writing programs at Columbia University and Sarah Lawrence College. She is at work on a series of books about time, memory, and the persistence of art, which includes Book of Mutter and the forthcoming Drifts.
Chris Kraus is the author of four novels, including I Love Dick and Summer of Hate; two books of art and cultural criticism; and most recently, After Kathy Acker: A Literary Biography. She received the College Art Association's Frank Jewett Mather Award in Art Criticism in 2008, and a Warhol Foundation Art Writing grant in 2011. She lives in Los Angeles.
John Johnston is Professor of English and Comparative Literature at Emory University in Atlanta. He is the author of Carnival of Repetition and Information Multiplicity.
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Paperback. Etat : new. Paperback. Baudrillard's remarkably prescient meditation on terrorism throws light on post-9/11 delusional fears and political simulations.Published one year after Forget Foucault, In the Shadow of the Silent Majorities (1978) may be the most important sociopolitical manifesto of the twentieth century- it calls for nothing less than the end of both sociology and politics. Disenfranchised revolutionaries (the Red Brigades, the Baader-Meinhof Gang) hoped to reach the masses directly through spectacular actions, but their message merely played into the hands of the media and the state. In a media society meaning has no meaning anymore; communication merely communicates itself. Jean Baudrillard uses this last outburst of ideological terrorism in Europe to showcase the end of the "Social." Once invoked by Marx as the motor of history, the masses no longer have sociological reality. In the electronic media society, all the masses can do-and all they will do-is enjoy the spectacle. In the Shadow of the Silent Majorities takes to its ultimate conclusion the "end of ideologies" experienced in Europe after the Soviet invasion of Hungary and the death of revolutionary illusions after May 1968. Ideological terrorism doesn't represent anything anymore, writes Baudrillard, not even itself. It is just the last hysterical reaction to discredited political illusions. Baudrillard's remarkably prescient meditation on terrorism throws light on post-9/11 delusional fears and political simulations. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781584350385
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