Unusual book
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This book is the long-awaited successor to the classic 'An Atlas of Typeforms', the great visually-led history of type which Alan Bartram and James Sutton produced in 1968. Much has changed in the last 40 years, not least the teaching of typography and the means by which it is created. Nearly 75 different types are shown in their original metal forms, just as they were in the 'Atlas of Typeforms'. But an entirely new feature is the author's attempt to place the types in their historical background. By including photographs of architectural and vernacular forms of lettering Alan Bartram explores the correlation (or lack thereof) between the printed letterform and its parallel form in sculpture, engraving and other public spaces.Today, with the individualistic free-for all of electronic type design and desk top publishing, the range of new type forms has exploaded and fragmented. It is true that the opportunities offered for graphic and type designers in the digital age are greater than ever before. But it is important that everyone who is excited by type today has some knowledge of its fascinating historical background.
Alan Bartram has written many books on design including Five Hundred Years of Book Design (2001); Bauhaus, Modernism and the Illustrated Book (2004)and Futurist Typography and the Illustrated Book (2005), all published by the British Library.
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR006644585
Quantité disponible : 1 disponible(s)
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 17507935-75
Quantité disponible : 1 disponible(s)
Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-Unis
cloth, dust jacket. 9.5 x 10 inches. cloth, dust jacket. 128 pages. First edition. This book is the long-awaited successor to the classic An Atlas of Typeforms, the great visually-led history of type that Alan Bartram and James Sutton produced in 1968. Much has changed in the last 40 years, not least the teaching of typography and the means by which it is created. Because current design methods do not require the drawing and tracing of letterforms in order to produce layouts, we have lost our close connection with them. Few understand their history, their appearance, and how and why they have developed as they have. Nearly 75 different types are shown in their original metal forms, just as they were in the Atlas of Typeforms. But an entirely new feature is the author's attempt to place the types in their historical context. By including photographs of contemporary inscriptions on buildings and monuments, Alan Bartram explores the relationship between printed and architectural letterforms and their parallel course from the Renaissance until Victorian times. The opportunities offered for graphic and type designers in the digital age are greater than ever before. But without an understanding of the visual make-up of letterforms and some knowledge of their fascinating history, designers cannot fully exploit the potential of type. In this book, Alan Bartram educates us in these critical areas. N° de réf. du vendeur 95866
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Vendeur : Any Amount of Books, London, Royaume-Uni
Hardcover. 4to. Pp: v, 128. First Edition, First printing. Grey dust jacket with colour illustration and red lettering. Publisher's grey buckram boards lettered in white at spine. Black and white illustrations.ISBN: 9781584562221 Very good in very good dust jacket. Some dark marks at front free end paper. Crease to bottom edge of dust jacket at rear. N° de réf. du vendeur C70977
Quantité disponible : 1 disponible(s)