Book by Graham Hudson
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR007392449
Quantité disponible : 1 disponible(s)
Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-Unis
Hardcover, dust jacket. 8.5 x 11 inches. Hardcover, dust jacket. 160 pages. First edition. Ephemera has been collected for many years, but only recently has it become widely accepted as material for academic study. This is the first book to discuss ephemera as an aspect of design history, showing how function, production process and period have affected the changing appearance of billheads, trade cards, flyers, playbills and other ephemera. This book explores the closely interwoven printing histories of Britain and America. American colonial printers and engravers imported British type and equipment, took instruction from the same manuals and were guided by the same exemplars as their British counterparts, a relationship that continued through the first half of the nineteenth century. Following the Civil War, American graphic design and typography began to establish distinctive identities, with developments in color printing bringing an efflorescence of color-rich trade cards, cigar-box labels and other chromolithographed ephemera that was essentially American. Nevertheless, ideas continued to be shared across the Atlantic. American foundries devised entirely original typefaces that were imported into Britain, yet the development of expertise in designing with these new faces depended on printers learning from one another, and the scheme of specimen exchange that successfully achieved this was wholly devised and administered from London. Richly illustrated with letterforms, engravings, drawings and the reproduction of over 200 items of ephemera, many in full color, this is a book for collectors, students, design historians and all with an interest in the visual arts. Graham Hudson is secretary and a founding member of the Ephemera Society and a member of the Ephemera Society of America. His published articles on aspects of ephemeral printing include contributions to the Journal of the Printing Historical Society, Art Libraries Journal, the Journal of the Writing Equipment Society, Industrial Archaeology and numerous articles in The Ephemerist. N° de réf. du vendeur 95868
Quantité disponible : 11 disponible(s)
Vendeur : The Secret Bookshop, Tararua, Nouvelle-Zélande
Hardcover. Etat : Near Fine. Etat de la jaquette : Good. 1st Edition. A very good clean copy with a tiny repaired closed tear to the jacket. This book explores the closely interwoven printing histories of Britain and America. American colonial printers and engravers imported British type and equipment, took instruction from the same manuals and were guided by the same exemplars as their British counterparts, a relationship that continued through the first half of the nineteenth century. Following the Civil War, American graphic design and typography began to establish distinctive identities, with developments in color printing bringing an efflorescence of color-rich trade cards, cigar-box labels and other chromolithographed ephemera that was essentially American. Nevertheless, ideas continued to be shared across the Atlantic. American foundries devised entirely original typefaces that were imported into Britain, yet the development of expertise in designing with these new faces depended on printers learning from one another, and the scheme of specimen exchange that successfully achieved this was wholly devised and administered from London. 1.2kg for outside NZ. N° de réf. du vendeur 040942
Quantité disponible : 1 disponible(s)
Vendeur : Cotswold Internet Books, Cheltenham, Royaume-Uni
A clean, tidy copy in tight binding. Slight creases in rear panel of dust jacket. Used - Very Good. VG hardback in VG dust jacket. N° de réf. du vendeur BOOKS318141I
Quantité disponible : 1 disponible(s)
Vendeur : Wildside Books, Eastbourne, Royaume-Uni
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. Small 4to, 159 pp, 175 illustrations in colour and black and white, cloth some light bumping to the bottom corners and a small tear yo the edge of the dust wrapper else a fine copy. N° de réf. du vendeur 567777375
Quantité disponible : 1 disponible(s)
Vendeur : Goodwill Books, Hillsboro, OR, Etats-Unis
Etat : acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included. N° de réf. du vendeur GICWV.1584562242.A
Quantité disponible : 1 disponible(s)
Vendeur : Gene W. Baade, Books on the West, Renton, WA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : As New. 1st Edition. 1st printing. 4to cloth. 159pp. Fine and descriptive Illustrations. Bibliography. Index. Fine, like new in dj. A useful and attractive reference book for collectors. N° de réf. du vendeur SHEL1646
Quantité disponible : 1 disponible(s)
Vendeur : Emile Kerssemakers ILAB, Heerlen, Pays-Bas
2008, 159pp. Illustrated. Hardcover, with dust jacket. 1,1kg. In very good condition. N° de réf. du vendeur 64718
Quantité disponible : 1 disponible(s)
Vendeur : Moe's Books, Berkeley, CA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : fine. N° de réf. du vendeur 4005175
Quantité disponible : 1 disponible(s)